上舞台

It's time to prepare for a world where China assumes an ever larger place, rather than treating current data like a short-term phenomenon that will pass （as Japan's did in the 1980s） and leave the U.S. once again the sole economic giant bestriding the world.

如今我们需要准备迎接中国在世界经济舞台的崛起，而不是将当前中国经济高速增长视为将昙花一现的一个短期现象（像上世纪80年代的日本），以及指望美国再度成为主导世界的唯一经济巨人。

They bickered amiably, offering on stage a parody of the friendly one-upmanship going on in the front rows of the Kodak Theatre.

他们适当的制造话题，在柯达剧院的舞台上献出拙劣却又别具一格地模仿秀。

Ormen Mailer was just 25 years old when he birthed on the literary scene with his first novel, the Naked and the Dead.

M以他的第一部小说《裸与死》出现在文学舞台上的时候他年仅25岁。

Largely a moving cause of this change from wheat fields to orchards, for the canneries take the very cream of the crop.

实际上，用短语bet of the crop来形容毕业生、大学生、政治舞台上的候选人以及士兵这样的有不同届、级之分的群体中的优秀人物是最适合的，例如

He was cartooned, acted and even sung about.

他被画成了漫画，被搬上了舞台，甚至被歌颂。

The haunting voice of Sinead O'Connor as well as her chilling performances touched something deep within the heart and soul of her audience catapulting her onto the world stage of pop-music fame in the late 1980's.

初始声音黑莓奥康纳以及她不寒而栗表演触及一些深以内心脏和灵魂，她的三级跳观众，她在国际舞台上的流行音乐成名于80年代末开始的。

Fifteen minutes into the show, a bunch of rowdy football players started catcalling several actresses on stage.

表演开始十五分钟后，一帮足球运动员开始集体向着舞台上的女演员发出嘘声。

On Stage she was ever chancing, off the stage, from the beginning till the end, she was searching for beauty and kindness.

舞台上她百变，舞台下，她一直贯彻始终，追求美善。

On Justin's stage performances, he choreographed most of the moves.

justin在舞台上的表演，他设计了大部分的舞步！

No doubt, the last picture means that V style cannot be defensed anyway and he is just the conqueror.

他就是舞台上的王。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。