上舞台

E.g. What do you think of the dramatic changes taking place on the international scene?

你是怎样看待在国际舞台上的富有戏剧性的变化的？

At Chelsea, he had the finances to compete, he had the world's media in his thrall, and he was centre stage, in the place to be.

在切尔西，他能挣很多钱，他能讲世界上的媒体玩弄于鼓掌之中，他永远是舞台的重心，人们的焦点。

L' eAt Chelsea, he had the finances to compete, he had the world's media in his thrall, and he was centre stage, in the place to be.

y， Z。 H-？3 v9 R在切尔西，他能挣很多钱，他能讲世界上的媒体玩弄于鼓掌之中，他永远是舞台的重心，人们的焦点。

They were active on the stage only because they were actuated by the life.

他们在舞台上表现活跃是因为他们受生活的驱使。

The last time China was in the global spotlight, the opening ceremonies of the Beijing Olympics in August 2008, the world was treated to a spectacular show that celebrated China's historical contribution to civilisation but airbrushed out the Communist party's worst excesses.

上一次中国位于全球舞台中心，2008年的北京奥运会的开幕式，世界欣赏到壮观的表演，庆祝中国的历史和文明的贡献，但抹去了党的最恶劣的行为。

He appeared on the stage and was warmly applauded by the audience.

他出现在舞台上受到了观众的热烈欢迎。

Especially, the moment when he gets the first prize on the stage,I can't help applauding for his excellent performance.

尤其是，那一刻，他在舞台上获得一等奖，我不禁为他的出色表现鼓掌。

Beyond being a singer/songwriter," he avows."I want to be a storyteller.

在舞台上他开始尝试表演别的风格的歌曲，作为作曲家的歌手之余，我很想成为一个作家。

At present, the country has entered贡米the list of 300 strong, but朱永龙"bad-mouthing": I will not let her participation, she also did not have enough ability to display on the stage, but her friends to support her.

目前，贡米已经进入全国300强之列，朱永龙却&唱衰&道：我让她不要参加的，她还没有足够的能力在舞台上展示，但是她的朋友都支持她去。

A sold-out hit in Beijing last year, the production boasts a vast paper-house set that bespeaks the fragility and fractured emotions of the people who live in it.

北京人》去年在北京上演而轰动一时。舞台上的四合院给人一种即将倒塌的感觉，表现了这个封建大家庭走向瓦解的命运。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。