上舞台

The females of Palou area withdraw to marriage and family life and perform independently, heroically and stirringly, which convey the thick traditional ethical features.

耙耧女性退守于婚姻家庭，在爱的舞台上独自悲壮地表演，传达出的是浓厚的传统伦理色彩。

To see the golden sun and the azure sky, the outstretched ocean, to walk upon the green earth, and to be lord of a thousand creatures, to look down giddy precipices or over distant flowery vales, to see the world spread out under one's finger in a map, to bring the stars near, to view the smallest insects in a microscope, to read history, and witness the revolutions of empires and the succession of generations, to hear of the glory of Simon and Tire, of Babylon and Susan, as of a faded pageant, and to say all these were, and are now nothing, to think that we exist in such a point of time ,and in such a corner of space, to be at once spectators and a part of the moving scene, to watch the return of the seasons, of spring and autumn, to hear---The stock dove plain amid the forest deep

原文翻译：何为不朽我们看到金色的太阳，蔚蓝的天空，广阔的海洋；我们漫步在绿油油的大地之上，做万物的主人；我们俯视令人目炫心悸的悬崖峭壁，远眺鲜花盛开的山谷；我们把地图摊开，任意指点全球；我们把星辰移到眼前观看，还在显微镜下观察极其微小的生物；我们学历史，亲自目睹帝国的兴亡、时代的交替；我们听人谈论西顿、推罗、巴比伦和苏撒的勋业，如同听一番往昔的盛会，听了以后，我们说：这些事确实发生过，但现在却是过眼云烟了；我们思考着自己生活的时代、生活的地区；我们在人生的活动舞台上既当观众、又当演员；我们观察四季更迭、春秋代序；我们听见了--野鸽在浓密的树林中哀诉

China's record as a citizen of the world is strikingly threadbare.

中国在世界舞台上的形象不怎么好。

But what about the growing cohort of Chinese companies starting to strut the world stage?

但是，越来越多的中国企业开始在国际舞台上崭露头角，这又怎么解释？

As high school progressed, I became a student council officer and made friends by the score.

珍妮的梦想是能够成为百老汇舞台上的歌手，而我希望能够写一本小说。

In just five trading days, Soochow Securities Wenhui Road in the business department on three stocks to profit 46,000,000 yuan, trading arena worthy of the suicide squad leader board.

东吴证券文晖路营业部在3个股票中获利四千六点零零零万元，贸易舞台上当之无愧的领导者板敢死队。

That singer cut a swath on the stage in the small town.

那个歌手在这个小镇的舞台上出尽了''。

Hey, you, up on the stage, can you sweep me off my feet?

嘿，你，站在舞台上的你，你看见台下我在那里吗？

This knowledge creates images that are at times reminiscent of tableaux vivants or of cor-poreal sculptural signs.

基于这样一种理解基础上创作的图像，是和舞台剧中的往事回忆相关，或者是令人惊叹的雕塑象征。

Barry found it hard to be bound by rules, and he turned history and myth into a series of ★tableaux[6] that were at once But oddly expressionistic and deeply personal.

但是历史画受制于过多约束让巴里感到难以接受，遂将史实与神话融为一体，并用一系列舞台造型加以表现，随即成为与主流格格不入的表现派，并打上了深深的个人主义烙印。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。