上舞台

My mom also forced me to play the oboe for 8 years! I toured constantly with my mom and her band in my childhood, sometimes I even sang on stage with them.

我的妈妈在我8岁的时候强迫我学习双簧管，我童年时不停地跟随我母亲和她的乐队巡回演出，有时候我甚至在他们地舞台上唱歌

In which, the golden median of escapism is pushed on the historic stage for meeting ruler's obscurantist taste, and gradually tends to be completed, becoming perfect feudal ethics of shackling Chinese society, making Chinese has no personality ,dignity or freedom of thought, only leaving a instinct ability when watching feudal aristocracy enjoying flowers and in people's brain's.

思想。其中，空想主义的中庸之道，由于符合统治者的愚民口味，被推上了历史的舞台，并逐步趋向完善，成为坚实桎梏中国社会几千年的完美封建礼教，使中国人不仅没有人格尊严，而且也没有思想，只剩下一点直觉能力保留在封建贵族的游春赏花之中，保存在可怜的人民的大脑深处。

Shenyang媚功small upgrade dressed, reclining on the stage sultry obsequiousness.

小沈阳扮女装媚功升级，斜倚在舞台上媚态撩人。

Inside the odeum, the stage is quite small, and would seem much crowed if choir and band appear on the stage at the same time.

而来此欣赏音乐的人往往还要受到交通不便的烦扰，在停好车后还要走上相当一段距离，因为音乐厅外面根本没有空地做停车常音乐厅里舞台面积狭小，如果合唱队和乐队同时上场就会显得非常拥挤。

When the family's olive been persistent infection and dancing on the stage, i was deeply moved.

当全家人被olive的执着而感染在舞台上舞动时，我深深的被感动了。

What is happening right now on the world stage is one of these moments.

什么是正确的事，现在在世界舞台上是一个那一刻。

Randy:You're one of the best we've ever had on the stage.

你是我们见过在这舞台上出现的最好的歌手之一。

I used to be the girl on the stage with the glow stick, twirling it.

我曾经是在舞台上带着发光棒的女孩，。

I've always wanted to do a musical onstage.

我永远都希望在舞台上表演。

So we got the idea that we wanted to bring him onstage with us as well.

因此，我们产生一种想法：我们希望把他与我们在舞台上一样。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。