上灰泥

The thought of him that is wise at all times, shall not be depraved by fear.

以智慧的思想为基础的心，有如光滑的墙壁上涂的灰泥。

You'd fall through the plaster.

你会从灰泥板上摔下去的。

He sat down, and an larger chunk of plaster fell hitting him on the head.

他坐下之后，更大一片的灰泥落在他的头上。

Then, when there is time more plastering.

末了，有空时在再涂上更多的灰泥。

The picture of that frail wooden tenement, the Castle Inn, reduced to a roofless chaos of lath and plaster, vomiting flames from its black mouth and spitting sparks of fire upward towards the cold night sky.

在这幅图画里，城堡旅馆这枯槁脆弱的木头房子，化成了一片没有屋顶的乱七八糟的板条和灰泥，从漆黑的嘴巴里吐出阵阵火舌，把火星往上喷射到寒冷的夜空里。

Often on the bricks there is only sketch of what has to be applied in stucco.

是因为时间的仓促，还是因为即使在灰泥上刻也效果不佳，所以只有草图？！当年没仔细看真是不应该。

The upright white hewn studs and freshly planed door and window casings gave it a clean and airy look, especially in the morning, when its timbers were saturated with dew, so that I fancied that by noon some sweet gum would exude from them. To my imagination it retained throughout the day more or less of this auroral character, reminding me of a certain house on a mountain which I had visited a year before. This was an airy and unplastered cabin, fit to entertain a travelling god, and where a goddess might trail her garments.

这房间在我的想象中，一整天里还将多少保持这个早晨的情调，这使我想起了上一年我曾游览过的一个山顶上的一所房屋，这是一所空气好的、不涂灰泥的房屋，适宜于旅行的神仙在途中居住，那里还适宜于仙女走动，曳裙而过。

The trompe l oeil is no longer confined to painting.

视觉画派不再被限制在绘画上，像同时代的灰泥，能用来做任何事，模仿任何东西。

The stone basin which was already visible inside the crypt was infixed in a large slabbed floor with traces of plaster.

在地窖可见的石头脸盆镶嵌在厚厚的地板上，带著灰泥的痕迹。

"On the ceilings were coloured traceries with more gilt, leading to a centre where spread a cluster of lights -- incandescent globes mingled with glittering prisms and stucco tendril s of gilt."

天花板上的藻井更是金光闪闪，顺着藻井往中央看，那里悬着一串明灯，白炽灯和闪光的棱柱以及镶金灰泥卷须交织在一起。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。