上海风格的

Place oneself in the office at Mr Yan, dare not believe really, in Shanghai static bring a district this Bacchic downtown, still be like the house place of this peaceful, the adornment style of little bridge running water, resembled returning the native place of Changjiang Delta a region of rivers and lakes really, just understand big faint the true meaning at city.

置身于鄢先生的办公室里，真不敢相信，在上海静安区这个喧闹的市中心，还有如此恬静的居所，小桥流水的装饰风格，真像回到了江南水乡的故里，才明白大隐隐于市的真实涵义。

The article based on the Master dissertation will make a further extensive study on all his whole main works of different periods under the guidance of Professor Qian Renkang from Shanghai Conservatory of Music, so as to get a better comprehensive appraisal of Copland's music style, a better understanding of his contribution to the development of the American music.

本文是在硕士论文的基础上，在上海音乐学院钱仁康教授的悉心指导下，进一步对科普兰各个创作时期全部主要作品的广泛和深入的研究，以便对科普兰的作品风格得出一个较全面的评价，对科普兰在美国音乐发展中所做的贡献有更深层的认识。

The development trend of contemporary art in Shanghai can be clearly perceived from the 64 pieces. They have completely subverted the previous style prevailing in the field of fine arts and shown unique creativity in the fields such as oil painting, gouache, watercolor and wash painting.

从64件作品中，我们可以清晰的理出上海现代艺术的发展脉络，他们一改文革美术中的主题叙事的创作风格，在油画、水粉、水彩、水墨的领域表现出了独特的创造力。

With further understanding and recognition in art, her painting style was changed continuously, especially breakthrough on artistic method and expressive forms. In 2005, Marta left Spain for Shanghai and was attracted by the purity of the Chinese traditional culture and traditional building materials. On the basis of the original artistic language, she was trying to integrate the Western and Chinese drawing language in terms of the expressive form. Generally, She planned models after modeling language of Western oil painting. Then, she pasted or collaged the traditional materials such as pearl, silk and knitting cloth on the drawing board.

随着对艺术的进一步理解和认知，她的绘画风格不断演变，尤其在艺术手法和表现形式上的突破。2005年，Marta从西班牙来到了上海，被中国传统文化的纯粹性和传统物质材料所吸引，在原有艺术语言的基础上，她试图在表现形式方面将中西方的绘画语言有意进行链接，她通常先用西方油画的造型语言塑型，然后将中国一些传统材料如珍珠、丝绸、针织布料等在画面上进行粘贴和拼贴。

Her painting style developed and broke through in the manners and forms of expression when she recognized and understand art step by step. Marta was attracted by the traditional culture and the pure of the art material in China when she came to Shanghai from Spain in 2005. She attempted to establish contact of painting between China and the West on the form of expression. She always uses oil painting first then adds the Chinese traditional material such as pearl, silk, and knit goods together.

随着对艺术的进一步理解和认知，她的绘画风格不断演变，尤其在艺术手法和表现形式上的突破。2005年，Marta从西班牙来到了上海，被中国传统文化的纯粹性和传统物质材料所吸引，在原有艺术语言的基础上，她试图在表现形式方面将中西方的绘画语言有意进行链接，她通常先用西方油画的造型语言塑型，然后将中国一些传统材料如珍珠、丝绸、针织布料等在画面上进行粘贴和拼贴。

To achieve real lake-view effect, we intend to divert the Dianshan Lake water into the community. We dig the lake and build up new island and create the relative independent Surrounding Water System. 89 American country style villas separately spread on the rising and falling island in 3 groups. Every Villa can occupy 400 water surface, and the owners can really enjoy the life facing the hill and beside the water. This is the only one natural lake-view villa in grand Shanghai.

为营造真正的水景别墅效果，设计将淀山湖湖水引入社区内，内部通过巧妙的挖湖造岛形成相对独立的环绕水系。89栋风格别致的美式乡村别墅分成三个不同的组团错落有致地分布于高低起伏的岛屿上，每户均可享受到多达400平方米的水面积，真正做到傍山而筑依水而居的效果，整个社区犹如一颗璀璨明珠镶嵌于湖光山色之中，是大上海地区纯天然、绝版的湖景别墅。

Splitting time between her vineyards in Fleurie, Morgon, and her house in Burgundy, Marie-Elodie's main objective is to make a wine in the traditional Beaujolais style:"a solid, haute-couture wine that has the potential to age well," she said.

她的葡萄园之间的分裂，在花钟，上海摩根，和她在勃艮第的玛丽房子埃洛迪的主要目标时，是让传统的博若莱葡萄酒风格：&有坚实的品味，时装葡萄酒有潜力的年龄，&她说。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。