上海的

Shanghai's development has in the cultural construction which we participation by oneself.

上海的发展有我们亲身参与的文化上的建设。

This year, the Canadian Consulate hopes that the CEE in Shanghai will attract even more students and that students will find Canada to be the best choice for their future studies.

加拿大领事馆希望在上海的国际教育展能更有吸引力，更多的学生能选择加拿大作为他们的留学目的地。

And the government adopt the planned production and strict censor system.

新的电影指导思想和体制的在上海的运行并不顺利。

Hotel. April 2002, the acquisition of the international chain hotels Nga high Century Group and Zenith.

这预示着中国的豪华酒店业，首先是北京、上海的豪华酒店业将进入新一轮的竞争时代。

Inspired by the Orient, Shanghai Nights is choc full of eye popping colour and print.

东方风情历来是设计师的最爱，夜上海的色彩和印花的强烈震撼冲击力简直是扑面而来。

It was also noted that Shanghai has法国梧桐override wire, but also entangled the clothesline.

也有人说，上海的法国梧桐上有电线的凌驾，也有晾衣绳的纠缠。

Joao is one of the most beloved Consul Generals in Shanghai and is a specially close friend of mine.

Joao是我最喜欢的在上海的总领事之一，也是我特别亲密的一个朋友。

We lived in a part of Sh anghai called Hongkew, the cheaper dilapidated area...

我们生活在上海的一个所谓hongkew的一个便宜破旧的地区。。。

For Ceibs in Shanghai, the doyen of western-style management education in China, the market seems to be growing, with 630 students on the Ceibs EMBA programme this year and 780 next.

对于中国西式管理教育的老前辈、上海的中欧国际工商学院而言，市场似乎在不断增长——中欧国际工商学院的EMBA项目今年招收了630名学员，明年将有780名学员。

The group's facilities in Shanghai, including Xiao Yangshan, last year handled21.7 m twenty-foot equivalent units of containers, making it the world's third-busiest container port after Hong Kong and Singapore.

该集团在上海的港口设施去年的集装箱吞吐量为2170万标准箱使其成为全球第三大繁忙的集装箱码头，仅次于香港和新加坡。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。