三部曲

Next, a small insert depicting silhouettes of various footwear seen throughout the prequels is included in the deluxe edition, as is a small reproduction of the Padmé Amidala paper dolls book, which includes perforated illustrations of costumes worn in Episodes I and II.

接着，豪华版中还有一张小型插页，描绘了前传三部曲中出现的各种鞋类的侧面像，同样还有一本帕德美-阿米达拉的纸质玩偶书的小型复制品，里面是EP1和EP2中所穿服装的打孔插图。

No wonder that 16 years later, Lucas again enlisted McDiarmid to play a young Senator Palpatine in Star Wars: Episode I The Phantom Menace, making him one of the few performers from the classic trilogy to reprise his character in the prequels.

16年后，卢卡斯再次招募迈克迪米德到《星战I：幽灵的威胁》中扮演年轻时代的参议员帕尔帕汀也就不足为奇了，这让他成为了在前传中再次扮演经典三部曲中的同一角色的少数几个演员之一。

As the representative of the second-generation director, Hou Xiaoxian is creative in his treatment of the film preamble, making it the best footnote to a film. This footnote either expresses the dream about harmonious nature, or becomes a plot metaphor with striking meta-narrative feature, or forms a hologram construction of scatter perspective, etc. Li An, a representative of the third-generation directors, once lived in the U.S. and influenced by Hollywood films, attaches great importance to plot and rhythm in his treatment of film preambles, and favors classical narration. All this is clearly manifested in his "father" trilogy. Cai Mingliang, another famous third generation director, sticks to the artistic philosophy of modernism and displays an arbitrary style.

作为第二代导演代表，侯孝贤创造性地处理片头，使之成为影片的最佳注脚：或传达和谐的自然理想，或成为一个情节隐喻而颇具&元叙事&特征，或构建散点透视的全息式结构；第三代导演的李安因置身异域文化，借助好莱坞电影在中产阶级中的优势，对片头进行了一种重情节、重节奏的剪辑处理，积极靠近古典叙事，这在他的&父亲三部曲&中尤为明显；同为第三代导演的蔡明亮执着于现代主义的艺术理念，透露出个人专断的风格。

Recently I have enjoyed a number of books but in particular,"Noughts and Crosses", the trilogy from Malorie Blackman and the Eric Clapton autobiography.

最近我喜欢上好几本书，但要说格外钟爱的，还是&Noughts and Crosses&(井字游戏 or 圈圈叉叉游戏，怎么好像是一本有名的童书？！)，它是Malorie Blackman 的三部曲作品，以及Eric Clapton的自传。

Following on the heels of 1996's DRAGONS OF SUMMER FLAME, the WAR OF THE SOULS trilogy continues the arc begun with their phenomenally popular CHRONICLES series.

紧接着1996年出版的《夏焰之巨龙》的故事，灵魂之战三部曲延续着由他们非凡的《龙枪编年史》系列所开创的旅程。

Richter's Pennsylvania-Ohio trilogy, which includes the Pulitzer Prize-winning book The Town (1950), was the most famous work he produced during the twenty years he lived in New Mexico.

里希特的宾夕法尼亚，俄亥俄三部曲，其中包括普利策奖得主的图书城（ 1950年），是他最有名的工作过程中产生的二十年，他住在新墨西哥州。

"The Legend of 1900 " be to held the feature film leading by famous Italy director Tuonatuolei, with it "Heaven movie theatre ","beautiful Sicily Island legend " having become "searching trilogy ", have given an account of a legendary figure 1900 -----a piano being born in a boat , being good at a boat , dying of a boat genius who builds a lifetime from ocean , belt tightening pulley , the piano in the piece. 1900's birth background has cast his character , has also has become his piano creation keynote: Loneliness and panic, are not matched lip-moving self somewhat by being restraining, but also being appearing indistinctly, correct outside world.

海上钢琴师》是由意大利著名导演托纳托雷执导的故事片，它与《天堂电影院》、《西西里岛的美丽传说》构成了导演的&寻找三部曲&，片中讲述了一个由大海、游轮、钢琴构筑一生的传奇人物1900-----一个生于船，长于船，死于船的钢琴天才。1900的出生背景铸就了他的性格，也成为他钢琴创作的基调：不受约束，但也隐现着几分孤寂与恐慌，对自己，对外面的世界。

There the man-eating she-monster is as out of place, one scholar noted, as Godzilla would be if he were to lumber into the New York of Coppola's Godfather trilogy.

目前该名男子吃她，怪物是不合时宜的，一位学者指出，作为哥斯拉将如果他木材到纽约的科波拉的教父三部曲。

There the man-eating she-monster is as out of place, one scholar noted, as Godzilla would be if he were to lumber into the New York of Coppola's Godfather trilogy.

网上找人-我想找人目前该名男子吃她，怪物是不合时宜的，一位学者指出，作为哥斯拉将如果他木材到纽约的科波拉的教父三部曲。

And all above factors are based on the relation between The Scarlet Letter and Scarlet Letter trilogy.

而这一切的基础，便在于《红字》与&《红字》三部曲&之间的联系。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。