三部

Inflorescence a terminal open panicle with elongate central axis; branches capillary, subdivided, each branchlet tipped by a short raceme; racemes with 1–5(–8) spikelet pairs, often reduced to triads of 1 sessile and 2 pedicelled spikelets, basal homogamous spikelet pairs absent; rachis internodes and pedicels slender, with a median translucent stripe between thickened margins.

花序一顶生开阔的的圆锥花序具拉长主轴线；分枝发状，再分，通过一短总状花序的每小枝端部；总状花序具1-5(-8)小穗对，通常退化至三人小团伙的1无梗和小穗2 pedicelled，基部同性花对无；节间的轴和花梗纤细，有在加厚的边之间的一个中间的半透明的条纹。

The results showed that hematopoietic tissues were located in the anterior part of stomach, upper part of stomach, base of rostrum, the lepis of antenna, the third maxilliped, base of appendages on the cephalothorax etc.

染色结果确定：额剑基部、头胸部的附肢基部、第二触角鳞片、第三颚足、胃上部、胃前部等部位存在着造血组织。

Methods Thirty inner ears of 15 volunteers were scanned by using a circular temporal coil and three-dimension fast spin echo sequence with a 1^5T GE-signal MRI scanner.

选用15名健康志愿者，使用GE signal1.5T超导型核磁共振机，环行耳颞部线圈，三维快速自旋回波序列(3D FSE T2W1)及脂肪抑制技术，对两侧耳部同时进行扫描。

The necessity of the 3-dimensional modeling of the human foot-skeleton is discussed,and considering its characteristics such as being small and having complex shapes and a large quantity of bones and joints,the approach to the 3-dimensional finite element modeling of human foot-skeleton based on CT images with the thickness of 2 mm is studied.

讨论了建立人体足部骨骼有限元模型的必要性；针对其形状复杂、数量多、体积小和关节多的特点，分析探讨了基于2 mm层厚的CT图像建立人体足部骨骼三维有限元模型的主要途径。

Objective To compare the effect and safety on senility patient operated in coxa with different anaesthesia in vertebra tube, and discuss aptitude anaesthesia method to senility patient operated in coxa.

目的比较三种椎管内麻醉方法用于高龄病人髋部手术的麻醉效果和安全性，探讨适合高龄病人髋部手术的椎管内麻醉方式。

Physical model of three-dimensional half axis rotor of 110 MW air inner-cooled turbo-generator was established, which included the rotor end, axial ventilation ducts and sub slot ventilation ducts. The rotating turbulence flow field was simulated numerically based on the finite volume method. The air velocity and flow rate distribution characteristics of the rotor end, axial ventilation ducts and sub slot ventilation ducts were analyzed.

建立110 MW空内冷汽轮发电机转子冷却通风道一个槽(包括端部、轴径向及副槽)的半轴向段三维物理模型，并基于有限体积法对该物理模型进行旋转湍流流场数值模拟，分析了端部、轴向段和副槽通风段的空气速度、流量分布特点。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

Considering the effect of load and helical angle on the instaneous width of contact area, this paper uses the BEM program for calculating the deformations at different place along the width of convex tooth and concave tooth of W-N gear and gets the relevant deformation curves.

并首次应用三维边界元方法，在计入齿面瞬时接触迹宽度随外载、螺旋角而变化的条件下，计算了双圆弧齿轮凸齿面端部和凹齿面端部的变形。

Leaves opposite; petiole 4-7 mm; leaf blade elliptic to obovate, 3-8 × 1-4 cm, leathery, pubescent when young but glabrescent and shiny with age, abaxially gray tomentose, secondary veins 1 on each side of midvein, originating near leaf blade base, and meeting at apex, tertiary veins 4-6 on each side of midvein and connecting midvein to secondary veins, reticulate veins obvious, intramarginal veins 3-4 mm from margin, base broadly cuneate, apex rounded to obtuse and often slightly emarginate or sometimes slightly apiculate.

叶对生 叶柄4-7毫米；叶片椭圆形到倒卵形， 3-8 * 1-4 厘米，革质，幼时具短柔毛但老时脱落无毛和发亮的，背面灰色被绒毛，次脉在中脉两边各1，近叶片基部发出，在先端会集，第三脉在中脉两边各4-6和连结中脉和次脉，网脉明显，近边缘内脉距边缘3-4毫米，基部宽楔形，先端圆形到钝和通常稍微凹或有时稍具细尖。

The third part for to Shuo Ya arranges the style characteristic the introduction,in this part to Shuo Ya a book's arrangement style has carried on the outline,and pointed out that its arrangement style place and the reason the contradiction,namely agreed Fu Guyun with a character does not arrange in together,its reason is Zhu Junsheng the discrimination which explains to Shuowen Jiezi,thinks its significance identical not; The synonymy,the isomorph,the ancient rhyme with a character do not arrange in together,its reason is Zhu Junsheng focuses under the total concept the subordinate concept.

第三部分为对《说雅》编排体例特点的介绍，在这一部分中对《说雅》一书的编排体例进行了概述，并指出其编排体例的矛盾之处及其原因，即同意符古韵又同部的字不排列在一起，其原因是朱骏声对《说文解字》释义的辨析，认为其意义并不完全相同；同义、同形、古韵又同部的字不排列在一起，其原因是朱骏声着眼于总概念下的下属概念。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。