三维的

Anaglyph space can be three-dimensional structure of the three-dimensional shape, can be both a planar shape; can be attached to a carrier, but also relatively independent existence.

浮雕的空间构造可以是三维的立体形态，也可以兼备某种平面形态；既可以依附于某种载体，又可相对独立地存在。

The transverse and vertical variation of Q〓 are very clear in the 3D calculation in the whole area, and the asthenosphere and some big structure arae is also showed very clearly.

通过对整个研究区域的Q〓三维的反演计算与成像，为了解中国大陆地球内部粘弹性结构提供了依据。

The transverse and vertical variation ofQ_βare very clear in the 3D calculation in the whole area, and the asthenosphere andsome big structure area is also showed very clearly.

通过对整个研究区域的Q_β三维的反演计算与成像，为了解中国大陆地球内部粘弹性结构提供了依据。

In your system of three-dimensional reality you are learning about mental

在你们三维的现实系统中

Such minerals will not be perceived with third dimensional vision, but can be perceived in the etheric.

这些矿物不会被三维的视力所发现，但能在以太中被看到。

The first big 3D issue was how to handle Vertexes , Texture coordinates and Indices.

三维的第一大问题是如何处理顶点，纹理坐标和指数。

This system also allows controllers and aircrews to view an event in three dimensions from different perspectives.

这个系统还允许控制人员和空勤人员从不同角度以三维的方式观看一个事件。

We are going to make 3-dimensional cuboids.

我们要制作三维的立体图。

It may not be 3D like in the sequels but it really has style!

它可能不一样，在三维的后遗症，但它真的有风格！

I'll describe a shot from the Exterior Brookfield sequence of an exterior of a row apartment on fire with an explosion blasting out the third story windows. The shot was composited on an Inferno by Bob Wiatr. We started with a live plate of the street scene. Our first task was to remove a foreground chainlink fence and camera crew. We recreated the fg matching the flashing ambulance lights. To create a snowy, misty look we used a number of logic ops of the bg with a mist plate which was basically the bg heavily blurred and multiplied back onto itself, graduating to create a sense of dimensionality. Glows were added around lights and flames using Sapphire plug-ins and light beams were added to streetlights. Four or five layers of 3d particle snow created in Maya were combined with practical elements varying in size and focus depending on distance from the camera.A miniature explosion element was incorporated into the comp, also with added glows, interactivity with the building, and rotoscoping of foreground objects. The entire comp was then time warped for editorial matching with the subsequent cut.

我可以描述一个Exterior Bookfield的几个镜头，那是一排的公寓着火，在三楼窗户引起爆炸，这个镜头是Bob Wiatr用Inferno合成的，我们用一个现场的街道镜头开始，我们的第一个任务是删除一个在前景中的链条状的篱笆和摄像人员，我们重新制作了前景以期与前景中的闪烁的救护车灯匹配，为了制作一个下雪的雾蒙蒙的效果，我们用了大量的logic ops，用了一个雾层，这个层基本上就是把背景尽量模糊然后再把它重新加到背景上面，渐变式的制作出一个层次感，自发光用Sapphire插件加在灯光和火焰的周围，而光线被加到路灯上，在maya中制作的四到五层的三维的粒子雪用来和不同大小的真实的素材混合在一起，焦距则依赖镜头的景深，同时在楼房爆炸的地方加入了一个缩小了的爆炸素材，以及爆炸的辉光效果，和重新放置的前景物体，整个的镜头接着匹配时间用来做最后的剪辑制作。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失