三十

The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位，而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思，但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下，个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思，以幽默对抗现代物质主义机械主义对人灵智的异化，重申自我表现的空间，构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力，则使论语派审美主义向隐逸文化靠拢，其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移，在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路，从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

In the event that a foreign investor is in arrears with the contribution for 30 days without any justification, the case shall be handled in accordance with the provisions of paragraph 2 of Article 31 of these Rules.

无正当理由逾期三十天不出资的，依照本实施细则第三十一条第二款的规定处理。

And the spirit of the Lord came upon him, and he went down to Ascalon, and slew there thirty men, whose garments he took away and gave to them that had declared the riddle. And being exceeding angry he went up to his father's house

上主的神又突然降在他身上，他就下到阿市刻隆，击杀了三十个人，拿了所劫夺的东西，把三十套礼服送给猜中谜语的人；以后愤怒地回到父亲家里。

Kehler, who has been making cheese for just three years with milk from 38 Ayrshire cows, just shared a "best of show" prize from a field of 941 cheeses at the American Cheese Society Competition in Portland, Oregon, for a cloth-bound, cellar-aged cheddar made in a joint venture with the state's largest cheese maker, Cabot Creamery.

柯勒用三十八头苏格兰亚尔郡乳牛的牛奶制造乳酪才三年。他和佛蒙特州最大乳酪制造业者盖伯特乳酪厂合资生产的用布紧裹、地窖熟成的切达乳酪，最近刚在奥勒冈州波特兰市的美国乳酪协会竞赛中从九百四十一种乳酪中脱颖而出，双方共享「最佳大会奖」。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台，张艺谋影片中的采用了时间的滞后性策略，影片中的故事本文时间均选择了过去：十九世纪三十、四十年代，抗战前期，六七十年代；影片中的本文空间均选择了远离文化中心的边缘地带，通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境；将处于社会边缘的女性放置在其中，利用观众位置的双重性认同结构，巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态：即重复再一次对女性的观看，满足东西方男性的窥视欲望。

For example, Liu Dexiang is a 37 year-old woman originally from Sichuan who works over twelve hours every day - and at night, lives in a suffocating top-floor, rat and bedbug infested cubicle. Although living in a space of a mere 15 square feet and sharing bathroom and kitchen facilities with over twenty other residents, Liu remains full of hope.

看看三十七岁来自四川的刘德相，日做十二小时，夜睡如篜笼在厨房空中悬挂的阁仔，只有十五呎生活空间，同屋还有二十多人争用厕所厨房，天天被木虱、老鼠咬，但刘德相还是满心盼望，盼望早日丈夫、儿子和女儿来港团聚，盼望早日公屋安置，「丈夫失业，孩子要读书，多难我也要捱过去……。

While thus bewailed as dead by his father, Joseph was sold into Egypt, and treated with the utmost consideration and the greatest confidence by his Egyptian master, to whom Gen., xxxvii, 36, gives the name of Putiphar and whom it describes as Pharaoh's eunuch and as the captain of the royal body-guard cf.

因此， bewailed虽然死了他的父亲，约瑟夫被出售到埃及和治疗最大的审议和最大的信心，埃及的主人，谁将军，三十七，第36条，提供的名称Putiphar 和人形容为法老的宦官，并作为队长的皇家机构后卫（见三十九， 1 ）。

Article 34 If a building that has been taken back and reconstructed in accordance with Article 31, Item 6 of these Provisions is still to be leased, the original lessee has the right of first refusal to lease the building.

第三十四条按照本规定第三十一条第六项收回改建后的房屋，仍出租时，原承租人有优先承租权。

The 35th Anniversary edition of the much-raved-about T3 gives players a choice of fiery-orange colored cocobolo (XXXV-T3-C) or rich, sparkling koa (XXXV-T3-K).

在备受妄言35周年纪念版，对T3让玩家火热的选择橙色cocobolo（第三十五科技- T3 - C）或丰富，波光粼粼的兴亚（第三十五科技- T3 - k）段。

Any of the 32 equal divisions marked at the circumference of a mariner's compass card that indicate direction.

罗盘上三十二个方位之一：用来指示方向的水手罗经刻度盘圆周上标记的三十二等分中之一

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失