万紫千红

A lot of frustrated scholars join it in painting, fond of the black, it is black-and-white two colors to sort out the nature rich in variety maximally, displaying limitlessly abundant multifarious world with " dividing the five colors blackly", it is refined to look at black, it is vulgar to regard color as, indulge in water to be black, is it forget colorful color world, one infringement human vision physiology and special feeling, to the black special phenomenon, can be with the application, assurance , controlling with very flexible need of the subject emotion, there is strong symbol that means with strong eastern artistic characteristics.

许多失意文人参于绘画，喜好墨色，把万紫千红的自然界最大限度的归类为黑白两色，以"墨分五彩"表现无限丰富的万千世界，视墨为雅，视色为俗，沉溺水墨，忘记了五彩缤纷的色彩世界，是一种违反人类视觉生理而专情于墨色的特殊现象，墨色的应用可以随着主体情感的需要非常灵活的把握、控制，具有强烈的象征意味与浓郁的东方艺术特色。

"Heaven above is softer blue, earth around is sweeter green; Something lives in very hue; Christless eyes have never seen."

仰视天空色清蓝，青翠绿草铺大地，万紫千红满生气，无神之眼看不见。

Full, flowers are blooming season, the Sanguisorba purple, white dandelion, white and blue Yinlian delphinium flourish, the pendulum of the mountains covered with Na posture.

万紫千红、百花盛开的季节中，紫红的地榆、雪白的蒲公英、雪白的银莲和蓝色的飞燕草争奇斗艳、各摆娜姿铺满了山川。

In winter, when the profusion color big cosmos and the tricolor Taiwan golden rain tree appear, it means that winter is coming!

冬天时万紫千红的大波斯菊和三色的台湾栾树出现时就表示冬天要来罗！

In winter, when the profusion color big cosmos and the tricolor Taiwan golden rain tree appear, it mean that winter is coming!

冬天时万紫千红的大波斯菊和三色的台湾栾树出现时就表示冬天要来罗！

Only with this method,it is significant to under stand and master the finiteness and infiniteness,contingency and inevitableness of art to create an creative multiform phase of art image.

只有"以形写神"，深刻了解和掌握艺术中有限与无限、偶然与必然，对今天创造一个万紫千红、百花齐放、富有多样性独创性的艺术形象的苑地，有重要的意义

Only with this method,it is significant to under stand and master the finiteness and infiniteness, contingency and inevitableness of art to create an creative multiform phase of art.

只有"以形写神"，深刻了解和掌握艺术中有限与无限、偶然与必然，对今天创造一个万紫千红、百花齐放、富有多样性独创性的艺术形象的苑地，有重要的意

Let's create the warm resplendence together, and greet the polychrome spring.

让我们共同创造温暖的辉煌，迎接万紫千红的春天。

This is stab the flower of the whole body covered with wounds, have ever put on the greenery cluster there in, is that so the beautiful jade drop, beautiful and artistic, but your cruel district walk it at the beginning of beauty, then throw a certain and sad corner away in ten thousandth purplely thousandth redly, let it wait for with the endless years, but the looks is exhausted, change magically lasting joss-stick.

这朵被刺得遍体鳞伤的花，曾在那一抹绿叶丛中，是那样的娇艳玉滴，美仑美奂，而你却狠心地带走了它当初的美丽，然后丢弃在万紫千红中某一个伤心的角落，让它用漫长岁月的等待，而风姿怠尽，幻化成了永远的残香。

Out from under a rock crab mother, to bring out their lovely baby and a transparent, self-reliance have a baby, left her mother's embrace, only to return every winter to the embrace of her mother, can be a spring, Full of spring, They have to leave the baby in the embrace of her mother, and really want to.

从石头下出来的螃蟹妈妈，带出了自己可爱又透明的小宝宝，小宝宝们自力更生，离开了妈妈的怀抱，只有每年冬天才能回到妈妈的怀抱，可到了春暖花开、万紫千红的春天，小宝宝们又要离开妈妈的怀抱了，可真舍不得。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。