丁基

Though written under Balakirev's supervision and manifestly not a chamber work, Borodin's E Symphony nonetheless may be seen as a companion piece to the Piano Quintet, marking the end of his apprenticeship.

鲍罗丁的 E 大调交响曲尽管是在巴拉列基夫的指导下完成的并且显然不是室内乐作品，但是其可以视为钢琴五重奏的姐妹篇，标志着他学徒期的结束。

A gift from Klee to Kandinsky while they were teaching together at the Bauhaus, this canvas hung in a place of honour in Kandinsky's living room at Dessau, bearing witness to the painter's appreciation.

这幅作品是克利送给康丁斯基的礼物，当时他们同在包浩斯任教。

All those studio pictures about Aladdin and flying carpets; they sound suspiciously like Rimsky-Korsakov.

电影公司在拍摄阿拉丁神灯、飞毯等故事时，其音乐风格让人无法不联想到里姆斯基的音乐。

One year later Glazunov described the work he and Rimsky-Korsakov had done on Borodin's behalf (see Abraham, B1939, for a translation), and there the matter of text rested until the 1940s.

一年后，格拉祖诺夫描述起这部他和里姆斯基—科萨耶夫代表鲍罗丁创作的作品（见亚伯拉罕， B1939，作为翻译），而原文的问题一直遗留到19世纪40年代。

This circumstance, together with Rimsky-Korsakov's help in preparing such excerpts as the 'Polovtsian Dances' for concert performance in the 1870s, made him the clear choice to serve as Borodin's operatic executor.

这样一来，加上里姆斯基—科萨耶夫在1870年为音乐会准备了一些摘录如《波兰舞曲》，他决定成为鲍罗丁歌剧上的遗嘱执行人。

The symphony's orchestration is Borodin's despite the indication 'revue par N. Rimsky-Korsakov et A. Glazunov' in many editions.

这个交响曲的管弦乐部分在很多版本上未经鲍罗丁同意标注了&由里姆斯基—科萨耶夫和格拉祖诺夫续写&。

The symphony's orchestration is Borodin's despite the indication 'revue par N. Rimsky-Korsakov et A. Glazunov' in many editions.

这个交响曲是由鲍罗丁配器，尽管在很多版本上标注了&由里姆斯基—科萨耶夫和格拉祖诺夫续写&。

Leonardo also designed a bridge to span the "golden horn" in Constantinople during this period and received a commission, with the help of Machiavelli, to paint the "Battle of Anghiari."

在这时期中达文西也设计过横跨君士坦丁堡「黄金角」的桥，并受托与马基维里共同画作《安其亚瑞之战》。

The liquefied Japanese cedar was blended with PMDI (poly-4, 4'-diphenylmethane diisocyanate), and adding water as a blowing agent, organosiloxane as a surfactant and dibutyl tin dilaurate as a catalyst to prepare the polyurethane foams. The effects of the kind and dosage of surfactant and the molar ratio of NCO/ for PMDI to liquefied Japanese cedar on the properties of PU foams were investigated.

Don； Japanese cedar进行液化处理，所得液化柳杉进一步与异氰酸酯PMDI混合，并添加水为发泡剂，有机矽氧烷为界面活性剂，二月桂酸二丁锡为催化剂制造聚胺基甲酸酯发泡体，探讨界面活性剂种类、添加量及PMDI与液化柳杉之NCO/莫耳比对所制造PU发泡体性质之影响。

They also recall Kandinsky's interest in art and spirituality and his efforts to find visual form for the ineffable energies and harmony of the universe.

这些作品也让人想起康丁斯基对艺术与灵性的兴趣，以及他努力发掘视觉形式以表达宇宙的无法表达的能量和和谐。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。