一见钟情

I'm in love with him at first sight.

我对他一见钟情

They fell in love at first sight.

这是他们一见钟情的地方。

I don't believe in love at first sight.

我不相信一见钟情。

" I like her at first sight, but don't know how to chase her."

"我对她一见钟情，但我不知道如何去追求她。"

He said he fell in love with me at first sight.

他说他对我是一见钟情。

I don't know if love at first sight

我不知道这是否是一见钟情

I believe in love at first sight .

但是，我相信一见钟情。

I lost myself at the first sight of my wife.

我对我的妻子一见钟情。

He fell in love at first sight of her.

他对她一见钟情。

He fell in love with her at the first sight of her.

他与她一见钟情。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。