一种乐器

What follows is a lot like those albums as well, a pan-global excursion centered on Middle Eastern themes and instruments cast into a dramatic exotica. Oud, dumbek, kanoun, hurdy-gurdy, duduk, nyckleharpe (a Swedish-keyed fiddle), and other ancient sounds from the region and beyond ornament her music, though "ornament" might no longer be accurate.

接下来的部分也与以往的专辑颇为相似：跨越全球的旅行，突出了中东主题，乐器的应用也铸就了戏剧般的新奇；另外，装饰她的音乐（尽管装饰一词并不是准确的说法）的还有乌得琴(中东和北非的一种弦乐器)、 dumbek， kanoun， hurdy-gurdy， duduk， nyckleharpe （一种瑞典式的键盘小提琴）以及其他源自这些地区的古老的声音。

Sonata A composition for one to four instruments, one of which is usually a keyboard instrument, usually consisting of three or four independent movements varying in key, mood, and tempo.

奏鸣曲：由一种到四种乐器演奏的乐曲，其中一种通常为键盘乐器，通常由三个或四个独立的乐章构成，这些乐章在调、调式及速度上各不相同

Sonata:A composition for one to four instruments, one of which is usually a keyboard instrument, usually consisting of three or four independent movements varying in key, mood, and tempo.

奏鸣曲：奏鸣曲由一种到四种乐器演奏的乐曲，其中一种通常为键盘乐器，通常由三个或四个独立的乐章构成，这些乐章在调、调式及速度上各不相同。

The brave and bold Wa race people are good at singing and dancing. Mu Gu is a worship object of Wa race,and is an accompaniment music instrument for dance. Black and graceful longhair is a symbol of beauty and maturity for Wa race women.

勇敢、剽悍的佤族人民能歌善舞，木股市瓦族的一种崇拜物，也是舞蹈的一种伴奏乐器，而黑色飘逸的长发是佤族妇女美丽、成熟的象徵。

In Arabic music, a mizmar is any single or double reed wind instrument. In Egypt, the term mizmar usually refers to the conical shawm that is called zurna in Turkey.

在阿拉伯音乐里，mizmar泛指任何一种单簧或双簧的吹管乐器，在埃及则是一种木管乐器，在土耳其称作zurna，在台湾称为唢呐。

It is sometimes referred to as the saz, a term used to refer to a family of plucked string instruments, long-necked lutes used in this region.

Baglama是地中海、近东、中亚地区共有的一种弦乐器，也称萨兹琴，泛指一种长颈弹拨的鲁特琴乐器。

The contrast between the two instruments one producing pellet -like short notes by twanging, and the other producing long-drawn-out notes conjures up a picture of a river in springtime.

两种乐器，一种颗粒型的拨弹短音，一种绵延型的吹奏长音，以音响的对比，展示了动与静的春江画面。

"Stretcher bars Flower" as the county a widespread folk dance of local characteristics, the history of the origins of the immortals "Three Xian Gu" sacrificial ceremony in order to carry statues of dancers of "driving" the main line, are ritual dance team leader in the dance species gradually evolve into a self-entertainment of the masses of the Plaza art, a flower by two-person stretcher bars, exercise on a horizontal bar made of bamboo materials, the carrying of objects known as:"bar box", people from bars handheld bar charge card, its paddle-shaped, performers have jun bars, ugly bars on the points, when抬杠should not exercise on a horizontal bar over the shoulder, should not bar use of hands, they make the same direction, opposite, running and carrying the show, high overhead, low hip tip, are the scope of activities of exercise on a horizontal bar, the basic action has Yan mallard water, tiger big kick tail, large clean waiting for, performing routines倒卷curtain has pearls, Wufu want longevity,十三太保,二十八宿and so on, just Taihua no accompaniment instruments.

&抬花杠&为该县广泛流传的一种具有地方特色的民间舞蹈，源起历史上对神仙&三仙姑&的祭祀仪式，以舞者肩扛神像&过驾&为主线，是祭祀舞队中的领队舞种，逐渐演变成为群众自娱性的广场艺术，一幅花杠由二人抬，杠子用竹料加工制成，所抬之物称为：&杠箱&，领杠人手持押杠牌，其为船桨状，表演者有俊杠、丑杠之分，抬杠时杠子不能过肩头，不能用手扶杠，二人做同向、相向、相背而抬的表演，高至头顶，低至臀尖，都是杠子的活动范围，基本的动作有燕凫水、老虎大蹶尾、大抹坐等，表演套路有珍珠倒卷帘、五福捧寿、十三太保、二十八宿等，泰华刚没有任何乐器伴奏。

" The ubiquitous ""da gu ,"" or ""great drum"", a barrel-shaped double-headed instrument, and the ""bang- gu "", a single-headed opera drum with a small resonant surface producing a piercing ""dry"" sound."

还有无所不在的&大鼓&，这是一种桶状、两头均有鼓面的乐器；此外还有&板鼓&，这是戏曲用的鼓。只有一端蒙有鼓面。鼓面小，能产生共鸣发出一种尖&涩&的声音。

More recently, he has moved in two different directions simultaneously, into the realm of folk-rock with a band of Breton musicians, and serious music with his Celtic Symphony, a work for mixed ensemble of orchestra, Breton and Irish instruments, and voices.

近期内，他的作品又开始转向两种不同风格的领域。一种是一组布列塔尼音乐人演奏的民族摇滚乐，另一种是他的凯尔特管弦乐队演奏的严肃音乐，然后他将两者结合，以交响乐为背景，布列塔尼和爱尔兰乐器及人声为点缀。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。