一画

Each painting in the Migration Series measures about thirty by forty-five centimeters. Lawrence worked with tempera paints or poster paints on a hardboard material. He chose these paints because they were low in cost. And Lawrence applied these pure colors directly onto the work surface to achieve a bold and energetic effect.

在黑人移民系列画中，每一张画的尺寸大约是30*45cm ，劳伦斯将蛋彩画颜料或广告颜料放在一张硬纸板上进行创作，他之所以选择这些颜料是因为这些颜料的成本很低，而且，劳伦斯直接将这些纯正的颜色用于作品的表面，以达到一种大胆而且充满活力的效果。

And his favourite painting is Fuseli's " The Nightmare ", an unsettling image of a sleeping maiden, with an ★ incubus[13] ★ perched[14] on her stomach and a ★ ghoulish[15] horse peering through a curtain.

他最钟爱的画作是富塞利的《梦魇》，画中描绘的是一位熟睡的女人，腹部上栖息着一个梦淫恶鬼，而布帘后面一匹长得像食尸鬼一般的马正探头窥视，整幅画看了让人感到心神不宁。

Sir Christopher has long been fascinated by the horror genre[12]—he once presented a popular television programme on the topic—and his favourite painting is Fuseli's "The Nightmare", an unsettling image of a sleeping maiden, with an incubus[13] perched[14] on her stomach and a ghoulish[15] horse peering through a curtain.

克里斯托弗爵士长期以来痴迷恐怖艺术曾以此为主题推出一档颇受的电视节目他最钟爱的画作是富塞利的《梦魇》，画中描绘的是一位熟睡的女人，腹部上栖息着一个梦淫恶鬼，而布帘后面一匹长得像食尸鬼一般的马正探头窥视，整幅画看了让人感到心神不宁。

Sir Christopher has long been fascinated by the horror ★genre[12]—he once presented a popular television programme on the topic—and his favourite painting is Fuseli's "The Nightmare", an unsettling image of a sleeping maiden, with an ★incubus[13] ★perched[14] on her stomach and a ★ghoulish[15] horse peering through a curtain.

克里斯托弗爵士长期以来痴迷恐怖艺术——曾以此为主题推出一档颇受欢迎的电视节目 20 / 617 ——他最钟爱的画作是富塞利的《梦魇》，画中描绘的是一位熟睡的女人，腹部上栖息着一个梦淫恶鬼，而布帘后面一匹长得像食尸鬼一般的马正探头窥视，整幅画看了让人感到心神不宁。

Sir Christopher has long been fascinated by the horror ★genre[12]—he once presented a popular television programme on the topic—and his favourite painting is Fuselis "The Nightmare", an unsettling image of a sleeping maiden, with an ★incubus[13] ★perched[14] on her stomach and a ★ghoulish[15] horse peering through a curtain.

克里斯托弗爵士长期以来痴迷恐怖艺术——曾以此为主题推出一档颇受欢迎的电视节目——他最钟爱的画作是富塞利的《梦魇》，画中描绘的是一位熟睡的女人，腹部上栖息着一个梦淫恶鬼，而布帘后面一匹长得像食尸鬼一般的马正探头窥视，整幅画看了让人感到心神不宁。

Sir Christopher has long been fascinated by the horror ★ genre[12]-he once presented a popular television programme on the topic-and his favourite painting is Fuseli's "The Nightmare", an unsettling image of a sleeping maiden, with a n ★ incubus[13] ★ perched[14] on her stomach and a ★ ghoulish[15] horse peering through a curtain.

克里斯托弗爵士长期以来痴迷恐怖艺术--曾以此为主题推出一档颇受欢迎的电视节目--他最钟爱的画作是富塞利的《梦魇》，画中描绘的是一位熟睡的女人，腹部上栖息着一个梦淫恶鬼，而布帘后面一匹长得像食尸鬼一般的马正探头窥视，整幅画看了让人感到心神不宁。

Sir Christopher has long been fascinated by the horror ★genre[12]—he once presented a popular television programme on the topic—and his favourite painting is Fuseli's "The Nightmare", an unsettling image of a sleeping maiden, with an ★ incubus[13] ★perched[14] on her stomach and a ★ghoulish[15] horse peering through a curtain.

克 里斯托弗爵士长期以来痴迷恐怖艺术——曾以此为主题推出一档颇受欢迎的电视节目——他最钟爱的画作是富塞利的《梦魇》，画中描绘的是一位熟睡的女人，腹部上栖息着一个梦淫恶鬼，而布帘后面一匹长得像食尸鬼一般的马正探头窥视，整幅画看了让人感到心神不宁。

Mr. Guo Moruo then somehow also fall into that debate nine horses painted mountain stereotypes, but he painted a few Piedmont but no matter how nine Malay boat tour now, before he finally realized:"Kuba Art Hill 8 horse, behind a love Lijiang River "has become a momentary joke.

当年郭沫若先生不知怎地也落入了那画山辩九马的俗套，但他在画山前却怎麽也数不出九匹马来，船游至此，他才恍然大悟："九马画山八匹马，落后一匹恋漓江"，成了一时的笑谈。

The master of the 3D pavement genre is street artist Kurt Wenner. The American's three-dimensional chalk pictures have included muses swimming in a pond by the side of a road in Lucernes, Switzerland, a Judgement Day scene in a medieval town square, and most recently a virtual Renaissance city painted on the pavement in Bettona, Italy.

擅长制造3D街景的艺术家Kurt Wenner曾经用粉笔画过一幅3D图画，还在意大利的一条大街上画出了一整个文艺复兴时期的城市。

Therefore, visual perception indicates those psychological counterparts acting in the visual center of brains'physiology.If we apply the perception theory in Gestalt psychology to researching the film's performance, film images will present a large amount of PHI phenomenon resulting from the painting lattice appearing at intervals.

我们把格式塔心理学观照下的知觉理论体系应用到电影画面表现力研究中，电影影像是大量的按照某一次序间隔出现的画格的似动现象，研究电影影像的表现力可以分为对静态画格表现力的研究和对画格似动现象的研究。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。