一画

The river novel "The Golden Lotus " is the landmark in the history of pre-modern literature which focused on a daily life of a rich family, pictured a common customs and favored in the later ages of feudalism and represented a sprit of citizens in that period.

长篇小说《金瓶梅》以一个富商家庭的日常生活为中心，展示了一幅封建末世的世俗人情画，渗透着市民意识，是近世文学时期的一座里程碑。

Special guest contributors were artist, designer and P2 parent, who did an oil painting with the children so we now have an oil painting of the school to which every child contributed; A floral designer and P1 parent, who coached the children in producing the floral displays on show in the Grey Building; Editor of Z-vita who encouraged the children in the design and making of their fashion collections.

一位家长和孩子们一起画了油画，因此我们现在拥有了一副每个孩子都参与的有关学校的油画作品。

Oliphant shows a group of Raelians gathered like witches around a cauldron; the image suggests the Weird Sisters in Shakespeare's great tragedy Macbeth.

奥列芬特画了几个拉耶尔教徒，像女巫般聚在一口大锅旁，这一形象让人想起莎士比亚的伟大悲剧《麦克白斯》中的女巫三姐妹。

Oliphant shows asgroupsof Raelians gathered like witches around a cauldron; the image suggests the Weird Sisters in Shakespeare's great tragedy Macbeth.

奥列芬特画了几个拉耶尔教徒，像女巫般聚在一口大锅旁，这一形象让人想起莎士比亚的伟大悲剧《麦克白斯》中的女巫三姐妹。

In the foreground a water meadow with some tiny cows, two brushstrokes each, but confidently cows; two minuscule white geese in the blue water, back-to-back, feeding, and a slanting stick.

前景中 的一片洼地里有些小母牛，每头只画了两笔，但肯定是母牛；两只微小的白鹅在碧水中，背靠背，啄食，还有一条歪曲的枝条。

Joe hammer a tack into the wall to hang a picture.

乔用锤子把一只大头钉敲进墙中用来挂一幅画。

In this project, we propose a novel 3D morphing technique that avoids creating a merged embedding that contains the faces, edges and vertices of two given embeddings. This novel 3D morphing technique dynamically adds or removes vertices to gradually transform the connectivity of 3D polyhedrons from a source model into a target model and simultaneously creates the intermediate shapes.

中文摘要在本专题研究计画中，我们提出一项新的三维物体变形技术，此变形技术所能处理的资料型态为two-manifold 之三维网格物体，此技术不需产生一个共有的高复杂度的网格物体或对原始物体进行重新网格化以产生相同连接关系，取而代之的是直接进行来源与目的物体之间几何与连接结构之转换，我们称此项新技术称为渐进式连接结构之转换(progressive connectivity transformation)，此技术藉由动态增加或移除顶点的方式从来源物体到目的物体逐渐地进行连接结构转换同时使用线性位置内差来产生一序列中间物体。

In this project, we propose a novel 3D morphing technique that avoids creating a merged embedding that contains the faces, edges and vertices of two given embeddings. This novel 3D morphing technique dynamically adds or removes vertices to gradually transform the connectivity of 3D polyhedrons from a source model into a target model and simultaneously creates the intermediate shapes.

在本专题研究计画中，我们提出一项新的三维物体变形技术，此变形技术所能处理的资料型态为two-manifold 之三维网格物体，此技术不需产生一个共有的高复杂度的网格物体或对原始物体进行重新网格化以产生相同连接关系，取而代之的是直接进行来源与目的物体之间几何与连接结构之转换，我们称此项新技术称为渐进式连接结构之转换(progressive connectivity transformation)，此技术藉由动态增加或移除顶点的方式从来源物体到目的物体逐渐地进行连接结构转换同时使用线性位置内差来产生一序列中间物体。

Indeed, sitting amid the crisp white of Meier's New York apartment, where neat stacks of art and design books form columns aligned with coffee tables and bookcases, the sculptures introduce a wild energy: heathens dancing in the temple Meier states that he struggles to achieve "some sense of order" in the sculptures (he is the butt of iokes at the foundry for his meticulous habit of squaring off horizontals and verticals with a carpenter's level), but it is the disorder of the pieces that first strikes those familiar with Meier's highly controlled architecture.

的确，坐在迈耶建于纽约的白色墙壁的公寓中，看着紧挨着书橱和茶几的整洁的摆满了艺术和设计画册的专栏，你会感觉到他的雕塑传达出一种野性的力量，就像原始人在神庙里狂舞一样的感觉一样。迈耶自己认为他的目标是体现雕塑的一种秩序感（这其实是他在铸造工房里小心翼翼的画水平线和垂直线这样的木工活是开的玩笑），但是，就像他那些具有很强内在约束力的建筑设计一样，当你第一次看到他的雕塑的时候，你会感觉到它们又是那么的杂乱无章。

He painted a group of city girls. it is accurate to say that he painted a group of woman living in shenzhen.

他画了一群都市女郎，准确的说是一群生活在深圳的女性群体。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。