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Cao Weideng that the number of parity between the number of hexagrams, if a and five, seven, nine and six and eight, between not simply be grouped into Yin and Yang Yao Yao, or even between the different between the odd there should be some distinction, it is recommended Shì number is a number between 1-10 hexagram known as the "10 digital hexagrams"(it could be called "easy" yet to be proved) will be used Han 6, 12, said the number of composition Yigua for "double-digit Gua"("three easy"), and also agreed that advocated by Mr.

其四,无论商周数字卦或战国时期天星观楚墓竹简数字卦,都将二、三、四甚至还有五、七等数字按奇偶、阴阳归并入一、六两个数字,证明&观象重视阴阳,那些具体数目并不重要&,数字卦只是对阴阳爻画卦的一种运用,因八卦六十四卦用于占筮而产生,而非徐先生所论那样存在着成千上万的含义不同的数字卦。

Fourth, regardless of the Shang and Zhou digital hexagrams, or the Warring States period bamboo Chu Tombs Tianxingguan digital hexagrams, will be two, three, four and even five, and seven figures by parity, yin and yang go into one, 62 figures, to prove " elephant emphasis on yin and yang, what specific amount is not important ", the digital Gua Gua only Yin and Yang Yao painting a use because of gossip for the 64 hexagrams Zhanshi generated, rather than the theory of Mr.

据此可知,天星观楚墓竹简易卦涉及占筮并非只用一、六、八、九这四个数,而仍然应该如其他商周数字卦一样,也使用了二、三、四、五、七等数字,只是在画数字卦时将后者按奇偶分别归并入一、六两个数字而已。

As the saying goes in English: A picture is worth a thous words.

英语里有句话说,一幅画顶一千个词。

The art of the Japanese Imperial Household have never to be auctioned in international art market, but on the 18th of May, one Japanese royal hangingscroll will be auctioned in upcoming Fine Asian Art Sale in Stuttgart Germany, which is ink and colour as on silk, and written by the Japanese Tenno.

而在08年5月16日,于德国斯图加特举行的一场亚洲精美艺术品拍卖会上,将会出现一幅日本皇室宫廷御制画(拍品编号1543估价2500欧元),此画由日本天皇御题,为日本皇室收藏品。

In the process, these animal in-landscape paintings become increasingly reminiscent of Indian miniatures, not only in their colors and space but also in their fusion of the narrative vignette with a complete natural world (Leopards at Night, Cat and Crow).

在1940年代时有了转变,他着眼于风景的可能性,一种纯粹抽象的背景。以一条水平线或某种隐约不明的地形特征的暗示,现在他的动物画——根本上已经缩小规格——成为更大环境里的住居者。

The first eye looking on Tappers Café, it is full of the memory of 1960s, seeing the pictures and photos hanging on the wall, reminding people of 1960s. It enables youngsters to get touch about the 1960s.

第一眼望去,尽是60年代风情,墙上挂着一幅幅画,勾起人们对那个年代的回忆,也让年轻人对60年代多一份接触。

From all of our perspectives, there can't be an end to the story. One door closes and another door will open. There may be periodic endings to subplots, but the overall arch to the story is never-ending.

从我们所有预言未来的画里来看,故事不会那么快结束,一扇门关掉,另一扇门则会打开,次要的情节是会循环完结,但整个故事不会结束

Under the windows, white with reflected light, the pavement was violently illuminated. A perfect stream of brilliancy emanated from white globes, red lanterns, blue transparencies, lines of gas jets, gigantic watches and fans, outlined in flame and burning in the open.

白色的球形灯罩、红色的灯笼、蓝色的透明画、一排排脚灯、用灯管做成的巨大手表和扇子的模型发出一道道耀眼夺目的光芒,把玻璃橱窗照得通明。

Suppose there were no critics to tell us how to react to a picture, a play, or a new composition of music.

设想没有评论家告诉我们,对一幅画,一个剧本或一段新乐曲怎样反应。

It is far safer, and certainly easier, to look at a picture or a play or a poem and to say " This is hard to understand, but it may be good," or simply to welcome it as a new form.

安全得多,当然也容易得多的做法是:看着一幅画,一个剧本或一首诗,说道:&它很难懂,但也许很好&;或者干脆把它当作新形式加以欢迎。

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