一画

It is more a compressed and stretched rendition of the abstract space.

它既不能完全的抽象，又不是完全的具象，在乎你看作品，你对作品是直接面对它呢，还是通过另外一种方式去看它的时候，你会产生一种完全不一样的转换，比如你看原作的时候，你面对它的时候可能你会觉得它是一张非常抽象的作品，你完全找不到一个具象的东西在里面，但是你把这张画缩小到足够小，好像邮票那么大的时候，你是一眼可以认出它是一个非常具象的空间，这是我觉得我的画里面最有意思的地方。

Another one was a young lady with her hair all combed up straight to the top of her head, and knotted there in front of a comb like a chair-back, and she was crying into a handkerchief and had a dead bird laying on its back in her other hand with its heels up, and underneath the picture it said "I Shall Never Hear Thy Sweet Chirrup More Alas."

她左手托着一只死鸟，两脚朝天仰卧着。这幅画下面写着"婉转鸣啼，竟成绝唱。"在另一幅画上，一位年轻的姑娘正凭窗仰望着月亮，眼泪沿着腮帮往下淌，一手拿着一封已经打开的信，信封的一头还有黑色的火漆。

The paraphernalia of that young lady's favourite pursuits were scattered about the room--drawing-materials, unfinished scraps of work, tangled skeins of silk, and all the other tokens of a careless damsel's presence; while Miss Audley's picture--a pretty crayon sketch of a rosy-faced hoyden in a riding-habit and hat--hung over the quaint Wedgwood ornaments on the chimneypiece.

这位年轻女士喜欢摆弄的随身物品都散乱地丢在房间里——绘画的材料，一张张未完成的作品，一绞绞紊乱的丝线，以及标志着一位漫不经心的小姐待在这儿的其他种种玩意儿；而奥德利小姐的肖像——一张美丽的粉画速写，画的是一个穿着骑装、戴着帽子的、面色红润的顽皮姑娘——挂在摆着精致的韦奇伍德陶瓷装饰品①的、壁炉架的上方。爵士夫人瞧着这些熟悉的东西，蓝眼睛里燃烧着鄙夷的憎恨。

A man cannot tell whether Apelles, or Albert Durer, were the more trifler; whereof the one, would make a personage by geometrical proportions; the other, by taking the best parts out of divers faces, to make one excellent.

没有人能说阿佩勒斯和阿尔伯特两人谁更荒谬，他们一人用几何学的比例画人像，另一人将若干面容的优点抽出，集合在一起来画出一张精美绝伦的脸。

Lily A family had a game rules, who is first draw good snake is a cup of wine, a man soon finished, took the wine will drink, he looked at other personnel spent little, he think I why not give snakes on foot?

画蛇添足有一户人家办了一个比赛，规则是谁先画好一条蛇就有一杯酒，一个人很快就画好了，拿过酒就要喝时，他看了看其他的人才花了一点点，他就想我为何不给蛇添上脚呢？

If it falls your lot to be a street sweeper, sweep streets like Michelangelo painted pictures, like Shakespeare wrote poetry, like Beethoven composed music; sweep streets so well that all the hosts of heaven and earth will have to pause and say,"Here lived a great street sweeper, who swept his job well." Martin Luther King, Jr. Readers' Digest 4/92

如果是一个街道清洁工，做打扫街道的工作就像米开朗基罗画一幅画一样，像莎士比亚写一首诗，像贝多芬作一支乐曲一般；街道清扫得那样好，以至於所有天上和地上的群体都不得不暂停而说，"有一位街道清洁工生活在这里，他清扫的工作做得如此之好"。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

This Program Project is composed of five projects and an administrative core unit. The specific aims of Project 1 are to study the roles of SPE B, SPE A, M protein and NADase to correlate with bacterial virulence and disease severity in different clinical spectra of GAS infections. We will also study the pathogenic factors of a unique virulent clone of Ml strain caused dominant invasiue GAS disease in Taiwan in the past two years. The effects of penicillin and clindamycin on the production of SPE A and SPE B will also be determined.

本群体计画包含有5个子计画及一个行政核心计画，第一子计画的目标在於研究热原性外毒素A，B和M蛋白及NADase在A群链球菌感染中的功能及其与细菌致病力、疾病严重性的相关性，同时将针对一株最近在台湾造成侵犯性较强的A群链球菌菌株研究其致病因子的异同，并将探讨抗生素penicillin及clindamycin对於热原性外毒素A及B产生的影响。

She had painted a shore line with one still willow tree, an absolutely still willow tree, with wickers drawn from the top to bottom like many straight lines.

诗沒有作成，我起身去看妻的画，她却画了一痕土岸，岸上一株垂柳，一动不动的一株垂柳，柳条自上而下，像一条条拉直的线。

A well-executed picture,' he said;'very soft, clear colouring; very graceful and correct drawing.

&一张画得很好的画，&他说，&色彩柔和清晰，是一张很优美、很恰当的画。&

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。