一画

Traversing the long and matted gallery, I descended the slippery steps of oak; then I gained the hall; I halted there a minute; I looked at some pictures on the walls (one I remember represented a grim man in a cuirass, and one a lady with powdered hair and a pearl necklace), at a bronze lamp pendent from the ceiling, at a great clock whose case was of oak curiously carved, and ebon black with time and rubbing.

我穿过了铺席的长走廊，下了那光滑的橡木楼梯；于是我到了过厅，在那里站了一会，我看着墙上的画（我记得有一张画着穿护身甲的严肃男子，一张画着戴宝石项链，敷发粉的贵妇），看着从天花板悬下的黄铜灯，看着一座大钟，钟架是雕得石怪的橡木，和因为时间与磨擦而发了黑的乌木做成的。

It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate pudding day, getting into braces, say ninety-nine, three-pence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.

若是只有这些，这张地图倒也不难画。但是还有呢，第一天上学校，宗教，父亲，圆水池，针线活，谋杀案，绞刑，与格动词，吃巧克力布丁的日子，穿背带裤，数到九十九，自己拔牙奖给三便士，等等。这些若不是岛上的一部分，那就是画在另一张画上的了；总之，全都是杂乱无章的。尤其是因为，没有一件东西是静止不动的。

Now I had him watching a train, counting the cars; now in abstract, lying prone atop a flatcar, bearing a machine gun.

画上的他看着一列火车，数着车厢；寥寥数笔又把他勾勒出趴在一辆平板货车上，架着机关枪；画册的最初几页画上了希特勒和墨索里尼；之后画上父母；伤心欲绝的雅克布。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

In the room devoted to nudes, Ingres's silky and voluptuous "Odalisque en Grisaille" and Goya's "Maja Desnuda" meet Picasso's roughly textured warped nudes as well as Manet's 1863 nude,"Olympia", which caused a scandal of its own at the time. The juxtaposition shocks, reviving a sense of insolence. Picasso shattered convention by mastering tradition.

在裸体画展厅，安戈尔温和撩人的画作灰色宫女，戈雅的裸体的玛哈，与毕加索质感粗糙的再创作品相遇，马奈在1863年创作的裸体画奥林匹亚也包揽其中，这幅画在当时还曾为自己带来丑闻，但是现在这些作品排列在一起，营造出的是一种傲慢气氛，毕加索正是因为熟练掌握了传统画艺的技巧才勇敢地打破了传统。

One friend of mine comes to my atelier,when he sees my houseful paintings,he says:"What you drawed are not paintings,but loneliness in houseful!"

一朋友来我这里，看见我满屋的画，说："你这哪画的是画，是一屋的寂寞呀！"

Out of the box and suddenly noticed a miniature painting at the bottom of the packing-case. As its Composition and line reminded him of an Italian painting he knew well, he decided to buy it.

弗兰克轻轻地把陶器拿出箱子，突然发现在箱底有一幅微型画，画面构图与线条使他想起了一幅他所熟悉的意大利画，于是他决定将画买下来。

Mutual visitation and promotion programe Some of the faculties go to visit Puthi High School in Indonosia and Charles Sturt University in Australia to promote cooperation units and to discuss project about student exchange.

本年度之交流计画，主要工作项目如下一、校际互访与宣传计画部分计画人员前往印尼菩提中学、澳洲Charles Sturt大学及其合作生态旅游业者进行交流参访，并对本计画国内合作单位进行招生宣传，及洽商交换学生及国际学生留学计画。

The corner of the sofa is very good. then here is my last,'- unclosing a pretty sketch of a gentleman in small size, whole-length - 'my last and my best - my brother, mr.

这个沙发的一角很好，接下来是我最后一幅尚未完成的画，这是个小画幅的素描，是一位绅士的全身像--是我最后一幅画，也是最好的画--我姐夫约翰。

As soon as Po made up his mind, he sends out three fierce attacks to Shin. Shin has just recovered and scruples to fight Po so he can barely resist Po's attack from beginning. Now, his sword is heavily hit by Po and he has to retreat swiftly to unload the harmful energy transmitted from the sword. Po, at same time, sends four forceful stabs to the "plum"" orchid""bamboo""chrysanthemum" four paints on east wall. After four big bangs, those paints rends at once. Three shallow holes occurred behind three of those while a whole piece of wall collapsed behind the "bamboo" paint. And, a secret cell appears there!

童博心念一定，立刻向童心猛攻三招，童心重伤初愈又心有顾忌，本来就只可勉强挡住他招式，这时被童博最后一招打在剑上，不得不向后疾退卸去劲力以免受伤，童博则趁此空档，突然向东壁上&梅兰竹菊&四幅画全力刺岀，砰砰砰砰四声巨响，那四幅画登时碎裂，其中三幅画后出现一个浅坑，但竹画的后面却是一整块墙版崩落，后面出现一个暗格！

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。