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Let us see, for example, what happens when an ignorant Russian peasant such as Macdonald mentions stands with hypothetical freedom of choice before two paintings, one by Picasso, the other by Repin.

让我们举个例子,来看一看一个麦克唐纳提到过的无知的俄罗斯农民,带着假定的选择自由站在两幅画面前,一幅是毕加索的,另一幅是列宾的,那将会发生什么。

Jean-Franois Heim''', Paris, sold Hercules and the Stymphalian birds by Gustave Moreau (1826-1898) to an American collector, while '''John Mitchell Fine Paintings''' of London was very pleased to sell The Conversion of Saint Paul by Sebastien Bourdon, one of the most complex and enigmatic French painters of the seventeenth century.

巴黎的 '''Jean-Franois Heim'''艺术馆则将一幅古斯塔夫莫罗(Gustave Moreau,1826-1898)的《赫拉克勒斯与斯廷法罗斯湖的怪鸟(Hercules and the Stymphalian Birds)》卖给了一位美国收藏家。伦敦的'''John Mitchell 精美画馆'''则售出了一幅塞巴斯蒂安布尔东的画作《圣保罗的转变》。

Jean-Franois Heim , Paris, sold Hercules and the Stymphalian birds by Gustave Moreau (1826-1898) to an American collector, while John Mitchell Fine Paintings of London was very pleased to sell The Conversion of Saint Paul by Sebastien Bourdon, one of the most complex and enigmatic French painters of the seventeenth century.

巴黎的&Jean-Franois Heim&艺术馆则将古斯塔夫·莫罗(Gustave Moreau,1826-1898)的一幅《赫拉克勒斯与斯廷法罗斯湖的怪鸟》卖给了一位美国收藏家。伦敦的&John Mitchell Fine Paintings&画馆则非常高兴地售出了一幅塞巴斯蒂安·布尔东的画作《圣保罗的转变》。

The only picture was an over-enlarged photograph, apparently a hen sitting on a blurred rock.

墙上挂的唯一的画是一张放得特大的相片,乍一看是一只母鸡蹲在一块模糊的岩石上。

Bell s paintings and lithographs, one a set of cuneiform-like black squares imprinted on ivory paper — an alphabet, he explained, based on his impressions of ancient Mesopotamian art.

墙上挂的是 Bell s 先生的油画和石版画,其中有一幅画的是一张象牙纸,象牙纸上是一套像楔形文字的黑色方形图印。

The shrewder of the two birds watching the concorde fly by likens it to a Tyrannosaurusrex, the favorite di-nosaur of countless little boys around the world

画中两只鸟正看着一架协和飞机从头顶上飞过,其中一只精明的鸟将它比作霸王龙--世界各地无数小男孩喜欢的一种恐龙

Moreover, from the representation of the painting, he maintains the mechanical depiction in his creation (ordered and mechanical stipples).

而且,从画面的表现来看,保持了他创作中的一种机械性的刻画(有序机械地一笔一笔的点、画)。

Standard Rico⑿In these great drawing, in that marks is under a dark cloud dim wild thin soil place scenery, roll of thunder lengthened the thin and pale person's shadow totters, is not belongs to mood between this mortal world by one kind to make as if stupefied, they are holding the breath.

格里科⑿的那些伟大的绘画中的一幅,在那幅画上是一片乌云下的昏暗的荒瘠土地的景色,雷声隆隆拖长了的憔悴的人影东歪西倒,被一种不是属于尘世间的情绪弄得恍恍惚惚,他们屏息着。

Take a red color lipstick and draw a lip print on a piece of white paper , then take a red candle and burn the paper while chanting

用一支红色的口红在一张白纸上画个唇型,然后点燃一支红色的蜡烛,边燃烧那张纸,边念到

Mr. Ying Yuandao ever summarized the discussions on the Christianity Localization Movement in China in the 1920s, and held that the so-called localized Christian churches should have the following characteristics:"First, churches of the Chinese; Second, set up according to the experiences of the Chinese Christians; Third, with rich quality of Chinese culture; Fourth, combine Christianity and Chinese culture into a whole; Fifth, suits the spirits and psychology of the Chinese People; Sixth, enables the religious life and experience of the Chinese Christians to be adapted to Chinese customs"1. In the 1960s, Japanese scholar Sumiko Yamamoto made more detailed summarization for the definition of the Localization Movement of the Churches in China in her article "The Independent Movement of Christianity in China in the 1920s":"First, churches are formed of Chinese; Second, churches are independent in administration and operation; Third, churches have independence in the economic aspect; Fourth, churches are adapted to the Chinese in the aspects of church building, divine music, divine painting and liturgy etc. Fifth, accommodate the sacrificial fete and customs of the Chinese and Christianize them; Sixth, churches must be involved in the practical issues in the State and the society of China; Seventh, churches must get rid the tradition and colors of the European and American churches; Eighth, churches must be able to control themselves, sustain themselves and spread by themselves."

应元道先生曾对20世纪20年代开展的中国基督教本色运动的讨论加以概括,认为所谓本色的基督教会应有以下几个特点:&一是中华国民的教会;二是根据中国基督教徒自己的经验而设立的;三是富有中国文化的质素的;四是要把基督教与中国文化合而为一的;五是能适合中华民族的精神和心理的;六是能使中国基督徒的宗教生活和经验合乎中国风土的& [1]。60年代,日本学者山本澄子在其所著的《二十年代中国基督教的自立运动》一文中,对中国教会本色化运动的定义作了更详细的概括:&一,以中国人为教会的构成;二,教会的行政与运作等方面的自立;三,教会在经济方面的自立;四,教会在教堂建筑、圣乐、圣画、礼拜仪式等方面的中国化;五,容纳中国人的祭祀与习俗,并与基督教化;六,教会要置身于中国国家与社会的现实问题之内;七,教会要除去欧美教会的传统与色彩;八,教会要能自治、自养、自传。&

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