一画

Because after Mei Ci listens, Si Tai laughs, carry a pen to be in pay write on sheet: Draw a line with chalk, one dollar; Know to be underlined where, 9999 dollars!

斯泰因梅茨听后一笑，提笔在付款单上写道："用粉笔画一条线，一美元；知道在哪里划线，9999美元！"

Mr. Ying Yuandao ever summarized the discussions on the Christianity Localization Movement in China in the 1920s, and held that the so-called localized Christian churches should have the following characteristics:"First, churches of the Chinese; Second, set up according to the experiences of the Chinese Christians; Third, with rich quality of Chinese culture; Fourth, combine Christianity and Chinese culture into a whole; Fifth, suits the spirits and psychology of the Chinese People; Sixth, enables the religious life and experience of the Chinese Christians to be adapted to Chinese customs"1. In the 1960s, Japanese scholar Sumiko Yamamoto made more detailed summarization for the definition of the Localization Movement of the Churches in China in her article "The Independent Movement of Christianity in China in the 1920s":"First, churches are formed of Chinese; Second, churches are independent in administration and operation; Third, churches have independence in the economic aspect; Fourth, churches are adapted to the Chinese in the aspects of church building, divine music, divine painting and liturgy etc. Fifth, accommodate the sacrificial fete and customs of the Chinese and Christianize them; Sixth, churches must be involved in the practical issues in the State and the society of China; Seventh, churches must get rid the tradition and colors of the European and American churches; Eighth, churches must be able to control themselves, sustain themselves and spread by themselves."

应元道先生曾对20世纪20年代开展的中国基督教本色运动的讨论加以概括，认为所谓本色的基督教会应有以下几个特点："一是中华国民的教会；二是根据中国基督教徒自己的经验而设立的；三是富有中国文化的质素的；四是要把基督教与中国文化合而为一的；五是能适合中华民族的精神和心理的；六是能使中国基督徒的宗教生活和经验合乎中国风土的" [1]。60年代，日本学者山本澄子在其所著的《二十年代中国基督教的自立运动》一文中，对中国教会本色化运动的定义作了更详细的概括："一，以中国人为教会的构成；二，教会的行政与运作等方面的自立；三，教会在经济方面的自立；四，教会在教堂建筑、圣乐、圣画、礼拜仪式等方面的中国化；五，容纳中国人的祭祀与习俗，并与基督教化；六，教会要置身于中国国家与社会的现实问题之内；七，教会要除去欧美教会的传统与色彩；八，教会要能自治、自养、自传。"

Exhibit planners stroll from gallery to gallery, taking measurements for future installations; teachers lecture in Dari to groups of schoolgirls in head scarves.

展览规画人员穿梭于一间又一间的展览厅，为日后的各项设施进行测量；教师们以达利语向一群戴着头巾的女学生讲课。

In addressing the system he is struggling against, Chia Hua dexterously seeks to deconstruct it.

在他展出的作品，一反过去的那大幅以他内在稳健所作情感的发泄挥洒升华到一种「画到无声」的境界，初看似某种特定流派形式，细读之后，发现那只是他经历中得一种「现象」的「对象」，正是他所对抗的体制。

One work, the painter finished drawing one final pen, not only having belonged to himself, but will also belong to appreciates her each person.

一幅作品，画家画完最后一笔，就不仅仅属于自己了，还属于欣赏她的每一个人。

Nearby, also hanging from nails driven into cracks, were a hawk feather, a crude wooden Tree, and a picture whose ragged edge showed it to be torn from a book.

旁边，也是用楔入墙上裂缝的钉子挂着的，是一只鹰的羽毛，一个粗糙的木刻的树，还有一张图画，从这张画参差不齐的边缘来看，这是从一本书上撕下来的。

It had a sign outside it, and there was a picture of a horse and a cart on it.

它标志外，还有一幅画的一匹马，一辆车而已。

We had long thought of them as a tableau, Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door.

长久以来，我们把这家人一直看做一幅画中的人物：身段苗条、穿着白衣的爱米丽小姐立在背后，她父亲叉开双脚的侧影在前面，背对爱米丽，手执一根马鞭，一扇向后开的前门恰好嵌住了他们俩的身影。

We should let every customer know that it's not only a merchandize item one brought home, the philosophy of this particular brand company in their management concept is the core part deserve our attention.

我们要让每一位顧客最终购买回家的不仅仅是一幅画而是背后一间品牌公司所用心建立的整体经营理念。

"I've sold one of my pictures to a man from Peoria," he said,"and he has ordered another."

"我卖了一幅画给一位皮奥里亚来的人。他另外还定购了一幅。"

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。