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一画

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At about the centre of the oaken panels, that lined the hall, was suspended a suit of mail, not, like the pictures, an ancestral relic, but of the most modern date; for it had been manufactured by a skilful armourer in London, the same year in which Governor Bellingham came over to New England.

大厅四周全都镶嵌着橡木护墙板,正中位置上悬接着一副甲胄,那可不象画中的那种遗物,面是当时的最新制品;因为那是在贝灵汉总督跨海来到新英格兰那一年,由伦敦的一位技术熟练的工匠打造的,包括一具头盔、一面护胸、一个颈套、一对护腔、一副臂销和吊在下面的一把长剑。

Sir Cadogan has a huge sword and a little fat pony (PA6, 9) He chased after Harry when Sir Cadogan's picture was hanging on a landing near the North Tower and the Divination classroom, but was stopped in his pursuit when he entered a picture which had a large and angry-looking wolfhound in it OP12

卡多根爵士有一把巨大的剑和一只肥胖的,有深灰色斑纹的矮种马(囚徒,第6章,第9章)。当他的画像还挂在靠近北塔楼,占卜课教室的那一层时,他曾追赶过哈利,但他跳进相邻的一幅画里时,被一只模样凶狠的大狼狗赶了回去。

Actually I don't want my artwork to be very visualized. When I think I need a finishing touch in my art, there's one in the picture. If not, there's nothing in it.

在我的作品中我不希望作品太视觉化,所以我们可以说在我的作品需要画这一笔画的时候,这一笔就有了,我不需要这一笔,这一笔就没有了。

A newspaper organized a contest for the best answer to the question:"If a fire broke out in the Louver, and if you could only save one painting, which one would you carry out?"

一份报纸组织了一场竞赛,为下面的问题征集最佳答案:"如果卢浮宫起了火,而你只能救出一幅画,你将救出哪一幅?"

A,an=not ab,abs=away ad,a,ac,ad,af,al,an,ap,as,at=to;at ambi=both ana=up ante=before anti=against auto=self be=do bene=good cata=complete cent=hundred circum=around co,com,con=together contra=against de=down,off dec,deka=ten dia=across dis=apart duo,di,twi=two dys=bad en=make ento=inside epi=upon equi=equal eu=good ex,ec,e=out fore=ahead hetero=different holo=complete homo=same hyper=above hypo=below in,il,im,ir=inside;not infra=below inter,intel=between intra,intro=within iso=same macro=big mal=bad medi=middle mega=giant meta=change micro=small mis=wrongly mono=one multi,poly=many neo=new nona,ennea=nine ob,oc,of,op=toward oct=eight omni=all orth=straight pan=all para=beside per=through peri=around post=after pre,pri=before prin=first pro=forward quad,tetra=four quint,penta=five re=back retro=back se=apart semi,demi,hemi=half sept,hepta=seven sext,hexa=six solo=alone sub,suc,suf,sug,sum,sup,sur,sus=under super,sur=over supra=above syn,sym=same tele=far trans,tra=across tri,ter=three un,ne,non=not uni=one ultra=beyond

成年人学英文的第一课和第二课刊出后,有数位读者写E-mail给我。有一位说道:「一篇文章的每一个单字都查到解释了,但整篇文章就是看不懂,怎麼办?」另一位说:「我的文法很差,没办法写完整的英文句子,要如何补救?」当发音和字汇都掌握住学习要领之后,剩下的就是「读」和「写」了,这才符合学习英文的正确步骤:听→说→读→写。台湾传统的学习方式由「写」开始,再「读」,然后才「说」,最后再去补救「听」力,可以说是背道而行,难怪效果不彰。那麼学习「读」的要诀是什麼呢?当然最重要的是能够了解整个句子的涵义。记得初中的时候背了很多文法规则,考试的分数虽然很高,但是对「读」的能力没有帮助。连那个时候流行的「英语九百句型」,也从来没有耐心读完过。然而我们今天能够看懂中文的文章,难道是因为我们熟悉中文的文法吗?答案是否定的。同样地,一个美国人虽然能阅读报纸,但是要求他做「英文文法分析」,他可能也会傻眼。英文的句子其实不需要去靠文法书中的规则去了解,文法书只应当作参考书,在有疑惑的时候才去查阅。平常应养成「约定成俗」的习惯,就是看别人怎麼用,然后「依样画葫芦」,日积月累,文法规则就化为无形了。因此,要训练「读」的技巧,不应该是靠文法规则,而是要多读。但是在读之前,要具备「了解句子」的基本能力,这就是我们的第三课─了解英文句子的要诀。了解英文句子的关键,在於先抓住「主词」和「动词」。看到一句很长的英文句子,不要害怕:先找主词,再找动词。动词如果是「及物动词」,再去找「受词」。主词、动词、受词之外,剩下的通通当做修饰语,有的修饰主词,有的修饰动词,有的修饰受词,有的修饰全句;任何两个完整的句子都可以用连接词连接起来。以上简单几句话,就是了解英文句子的基本观念。了解英文句子的第二步是熟悉英语的五种基本句型,其中前两种与不及物动词有关,后三种与及物动词有关。以下的句子中,用大括号表示{主词}或{受词},中括号表示,剩下的部份都是修饰语。第一种与不及物动词有关的基本句型叫做「简单不及物句型」(Intransitive Verb,简称I),请背住以下五个句子

Zhang Tiemei used painting brush to make classical theatric character to fix on the painting.

所以她笔下的戏剧人物也超越了时空而赋予戏剧更加本质的一种东方意义、一种关于生死、一种关于轮回、一种关于艺术家自己对戏剧的阐释,都反映在她这批戏剧人生的画中。

Zhang Tiemei used painting brush to make cla ical theatric character to fix on the painting.

所以她笔下的戏剧人物也超越了时空而赋予戏剧更加本质的一种东方意义、一种关于生死、一种关于轮回、一种关于艺术家自己对戏剧的阐释,都反映在她这批戏剧人生的画中。

Create a poem; Schoenberg created twelve-tone music; Picasso created Cubism; Auden made verses.

创作一首诗;创作一段音乐;创作一篇小说;创作一幅画。

When you read to a poem or saw that to a picture, fresh smooth and beautiful, sentiment meaningful verset, the style, the charm ease traditional Chinese painting, you have no alternative but to be excited, you have no alternative but to envy, only if you are the fool.

当你读到一首诗或看到一幅画,一首清新流丽、情味隽永的小诗,一幅别有格调、神韵悠然的国画,你不能不激动,你不能不羡慕,除非你是傻瓜。

Then it reminds me of a work by an prominent photographer. In the picture, a graceful female model with delicate dressing poses elegantly before quantities of cameras in the background. Yet what impressed the reader is the back of the model, where a line of clothespins in her dressing ducked out for her ladylike figure. The work is named Behind the Fashion.

于是我就想到了一位摄影大师的一幅作品:画面上,一位姿态婀娜的女模特,正衣饰精致地面对背景里的一群摄影师的镜头,优美地摆着 Pose ,但阅读者比那些摄影师多看到的,是模特儿背后衣服上一排勾勒出她身段姿态的夹子,作品的名字就叫《时尚的背后》。

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