一样

Variety of feelings made by a Rubens, an EI Greco, a Constable, a Seurat.

像寓言中的古法利赛人一样，他们感谢上帝——他们与普通人不一样，去画那些人的图画，几乎比Swift画的人形兽还要好看。

He was borne to the grave with a public funeral. He left a son, who afterward received, like his father, the name Antoninus -- Marcus Antoninus Elagabalus; for such a hold had the name of the Antonines that it could not be removed from the thoughts of the people, because it had taken root in the hearts of all, even as had the name of Augustus.

他留下了一个儿子，随后像他的父亲一样获得了安东尼努斯的名字，全名是：安东尼努斯·马尔库斯·埃拉伽巴卢斯；从而继续拥有这安东尼努斯的名，这点不会从人民的观念中消逝，因为它已经深入人心，就象奥古斯都称号一样。

It's like it was an earthquake, nothing is still in its place, local shopowner Hamid Saadi told Reuters by telephone from near the justice ministry.

就像地震一样，没有一样东西还在原位。在司法部附近的一个当地的店主 Hamid Saadi 通过电话告诉路透社记者。

While maintenance men trudged the length of the train, tapping the wheels with long-handled hammers in search of loose components, cameras were magnetically attracted to splashes of colour, particularly the blue and red livery of the Rossiya, proud war memorials, and the handsome, broad station buildings.

检修工人步履沉重地沿着列车走动，用长柄锤子敲打车轮，查看是否有松动的部件。照相机被像撒泼出来一样的丰富色彩所吸引，尤其是蓝色和暗红色罗西娅号，使人联想起伟大的战争，还有宽大壮观的车站建筑也一样适合摄入镜头。

Based on the same balanced armature drivers that give the 2X-S its high fidelity sound, the 2MAX features higher sensitivity, resulting in more output at lower volume settings. The maximum output for the two models is identical. The new model features the same precision, high fidelity sound quality that has made the 2X-S a favorite of artists like Dave Matthews, Green Day and Franz Ferdinand.

2MAX基于和2X-S同样的具有高保真音效的平衡耳塞驱动单元，其灵敏度更高，可以在更小音量下获得更大的输出，而最大输出却是一样的。2X-S早已被如Dave Matthews， Green Day and Franz Ferdinand等艺术家所喜爱，而新款耳塞2MAX，同2X-S一样具有精准、高保真的音质。

For example, there is a passage in the Ramayana which reads: The Puspaka car that resembles the Sun and belongs to my brother was brought by the powerful Ravan; that aerial and excellent car going everywhere at will.... that car resembling a bright cloud in the sky.

例如，《罗摩衍那》的其中一段：飞天马车普刹伯卡就像太阳一样，是属于我拉兄弟从力量强大的拉瓦那带来的；天空中的卓越马车会到处行走，将会……车会像天空中明亮的云一样。

I had a succession of Harris tweed overcoats with velveteen collars, all of which were identical; a succession of identical pudding basin hats that clipped under the chin with elastic.

我有系列的Harris斜纹软呢大衣，他们的衣领都是仿天鹅绒的，所有的这些都是完成一样的；一致的布丁一样圆圆胖胖，下巴位置下面有弹性的帽子。

My clothes used to arrive twice a year, in white boxes from London; they were sensible and they never varied. In summer I wore sea island cotton undershirts and, in winter, woolen ones with sleeves. I wore long socks or woolen stockings in winter, and short cotton socks in summer. I had three kinds of shoes: stout brown lace-ups, stout brown sandals, and flat pumps, made of bronze kid, which were reserved for parties, although I went to very few parties. In summer I wore cotton frocks and cardigans Jenna Knitted; in winter I wore gray flannel pleated skirts and gray flannel jackets. I had a succession of Harris tweed overcoats with velveteen collars, all of which were identical; a succession of identical pudding basin hats that clipped under the chin with elastic. I hated the scratchy winter vests, but apart from that, I never thought about my clothes a great deal, except when I went to visit my great-aunt Maud in London.

俺滴衣服每年两次，用白色盒子的盒子装着，从伦敦送达；我可以预见他们是怎么样的，他们从来没有改变过夏天，我穿海岛棉汗衫，冬天则是有袖的羊毛衫我在冬季穿长袜子或羊毛袜，夏天穿短棉袜我有三种鞋：褐色系带短帮鞋，啡色凉鞋和派对上穿的啡色小山羊皮平底舞鞋，虽然我很少参加派对夏天，我穿着棉上衣和珍娜织的开衫；冬天，我穿灰色法兰绒打褶短裙和灰色法兰绒外套我有系列的Harris斜纹软呢大衣，他们的衣领都是仿天鹅绒的，所有的这些都是完成一样的；一致的布丁一样圆圆胖胖，下巴位置下面有弹性的帽子我讨厌那种令人觉得发痒的冬季背心，但除此之外，我从来没有想过我的衣服着装是一件多么了不起的大事，除了当我去拜访在伦敦的莫德姑婆

Ben is now 75 and, like Gene Abegg, 81, at Illinois National and Louie Vincenti, 73, at Wesco, continues daily to bring an almost passionately proprietary attitude to the business. This group of top managers must appear to an outsider to be an overreaction on our part to an OEO bulletin on age discrimination. While unorthodox, these relationships have been exceptionally rewarding, both financially and personally. It is a real pleasure to work with managers who enjoy coming to work each morning and, once there, instinctively and unerringly think like owners. We are associated with some of the very best.

Ben今年75岁，但与伊利诺国家银行81岁的Gene Abegg以及Wesco 73岁的Louie Vincenti一样，每天依旧为所领导的企业灌注无比的热情与活力，外界不知情的人还以为我们对于这群杰出的经理人有年龄上的特殊偏好，虽然极不寻常，但这样的关系实在是让我们受益良多，无论是在财务上或精神上都是如此，与这群&乐在其中&并以像老板一样心态每天认真经营公司的专业经理人在一起工作实在是一种享受。

The same house, the same iron gate...

一样的楼房，一样铁门。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。