一样

With the same dark green cloth, the same size, a look is the new do.

用一样的墨绿色的布做的，一样的大小，一看就是新做的。

People enjoy sceneries of mountains and water, while 'having mounts and gulches at hearts'. 'Having mounts and gulches at hearts' is both realistic and illusive. Mounts and gulches are grand and magnificent, yet people can get hold of them and 'put them in a bowl'.

踏上威尔士的热土，感觉果然如此，这是个山的国家，起伏绵延，人们依山而生，以山为伴，他们有着山一样的情怀、一样的气魄，他们热爱自然，喜爱运动，能于歌舞，善于诗画。

I asked Patrick about it and he explained that while the DWR is the same, the poly/Kevlar blend is a different composition than the Bug Out nylon hardshell and the poly content is actually a bit less hydrophobic.

我问了一下 Patrick ，他解释说，尽管 DWR 是一样的，但 poly/Kevlar 的混合材料与 Bug Out 尼龙硬壳材料是不一样的， poly 材料的耐水性还是差了一点。

The idea that each of us contains many possible selves, patiently waiting to be liberated by circumstance, has long been an attractive one for Proust's biographers, who have drawn attention to the large number of Prousts who seemed to live within the same skin: the reclusive socialite (Proust's most recent biographer in English, Edmund White, describes him as a 'playboy-monk'); the critic of habit who lived according to strict routines; the sensitive aesthete who became sexually excited by watching caged rats being stabbed with hatpins.

我们每个人可能都是多面的，正等待着去被发现，不同的情景有不同发现。那些普鲁斯特的传记作家长期以来都接受这个的观点，他们让人看到了许许多多不一样的普鲁斯特，他们笔下的普鲁斯特也就名字一样而已：隐居的社会名士（普鲁斯特最新的英文传记的作者爱德蒙·怀特就把他说成是一位花花公子式僧侣）；身穿教服的评论家，有着苛刻的生活准则；敏感的美学家，看到笼子里的老鼠被帽针刺到都会变得亢奋不已。

Like fools, we clung to the old hatreds, and fought as we had for generations.

像傻子一样，我们持续着古老的仇恨，并像我们的先辈一样战斗。

The purple heather still extends for miles, with its barrows and aerial spectacles, intersected with sandy uneven roads, just as it did then; towards the west, where broad streams run into the bays, are marshes and meadows encircled by lofty, sandy hills, which, like a chain of Alps, raise their pointed summits near the sea; they are only broken by high ridges of clay, from which the sea, year by year, bites out great mouthfuls, so that the overhanging banks fall down as if by the shock of an earthquake.

现在的尤兰仍然和那时一样，它深黄色的荒地，它的古冢，它的海市蜃楼和它的一些交叉的、多沙的、高低不平的道路，向天际展开去。朝西走，许多河流向海湾流去，扩展成为沼泽地和草原。环绕着它们的一起沙丘，像峰峦起伏的阿尔卑斯山脉一样，耸立在海的周围，只有那些粘土形成的高高的海岸线才把它们切断。浪涛每年在这儿咬去几口，使得那些悬崖绝壁下塌，好像被地震摇撼过一次似的。

But the world puzzles ants as much as it puzzles us-the world of an ant is a square space, the end of which is marked by barrenness and the hell-like smell of scorched bitumen… Because unfortunately the great adventure of some scout ant has encountered the route of our kind-a bituminous highway, and is so ended. There are destructions and devils at the end of the world, and the devils are often embodied by huge, soft and pink pillars.

贝尔纳。韦尔贝尔试着用蚂蚁的触角来观察、评论甚至改变世界，但是世界让蚂蚁茫然就象让我们茫然一样－蚂蚁的世界是方的，世界的尽头寸草不生，象地狱一样冒着焦化的沥青味……真是不幸，某位侦察蚁的伟大冒险遇上了我辈族群的蚁路：沥青浇的公路，并且就此终结。

It was warm like bath water, her skin the texture of hibiscus.

它就跟浴缸里的水一样温暖，她的皮肤质地就跟木槿花瓣一样。

Hings are different with Tom, we are like one person with four ears.

om 不一样，我们就像长着四只耳朵的同一个人一样。

For example, homophones can have different pitches of low and- high resulting in a slightly differently sounding of the word even if it is written with the same sounds.

比如说，相同的发音可能会有不同的语调，即使是在书写中一样的单词，通过语调的轻重听起来也会不一样。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。