一样

Sol discovered that has many dissimilar pilgrimages, each person after death also has the dissimilar story.

索尔发现有许多不一样的朝圣者，每个人的身後也都有不一样的故事。

Art, in the same way,posits man's physical and spiritual existence, but in none of its works is it concerned with his response.

&因为艺术就是存在，与人的本质包括肉体与精神的存在一样，没有一样需要考虑人的反应。&

He is a great and Mighty Prince, appearing at first like a Horse; but after the command of the Exorcist he putteth on the Image of a Man. His Office is to discover all things Past, Present, and to Come; also to give Dignities, and Prelacies, and the Favour of Friends and of Foes.

地狱的子爵称战士公，有着狮子一样的脸，红色的肌肤上闪烁着黄金一般的光，穿著充满着光辉的铠甲骑在一匹巨大的战马上面，经常发出跟雷声一样的巨响。

They are both of the samesex—and that sex is the one your own proclivities incline you to findattractive.

想象这样的情景：你面前有两个求职者，他们的性别都是对你具有性吸引力的那个，他们的简历一样出色，他们面试的表现也一样出色；但其中一个长相娇好而另一个则其貌不扬。

There is no worse conversationalist than the one who punctuates (put certain punctuations at the end of a sentence) his words as he speaks as if he were writing, or even who tries to use words as if he were composing a piece of prose for print.

要是有谁闲聊时也像做文章一样句逗分明，或者像写一篇要发表的散文一样咬文嚼字的话，那他讲起话来就一定会极为倒人胃口。

Ducks by the hundred, all uneasy in the surf, in the raw wind, just ready to rise, and now going off with a clatter and a whistling like riggers straight for Labrador, flying against the stiff gale with reefed wings, or else circling round first, with all their paddles briskly moving, just over the surf, to reconnoitre you before they leave these parts; gulls wheeling overhead, muskrats swimming for dear life, wet and cold, with no fire to warm them by that you know of; their labored homes rising here and there like haystacks

成群的鸭子在巨浪狂风中不安地游向岸边，正要上岸时，随着一阵嘎嘎的叫声，纷纷散去，直奔往Labrador，有的瑟缩着翅膀逆风飞行，有的先是浮在浪头打转，快速地扑打着双蹼，打量了一眼船上的人才离去；海鸥在空中盘旋，麝鼠也奋力游着，浑身湿冷，它们可不能和人一样用火取暖，到处是它们象草堆一样垄起的房子。

Many waves are there agitated by the wind, keeping nature fresh, the spray blowing in your face, reeds and rushes waving; ducks by the hundred, all uneasy in the surf, in the raw wind, just ready to rise, and now going off with a clatter and a whistling like riggers straight for Labrador, flying against the stiff gale with reefed wings, or else circling round first, with all their paddles briskly moving, just over the surf, to reconnoitre you before they leave these parts; gulls wheeling overhead, muskrats swimming for dear life, wet and cold, with no fire to warm them by that you know of; their labored homes rising here and there like haystacks; and countless mice and moles and winged titmice along the sunny windy shore; cranberries tossed on the waves and heaving up on the beach, their little red skiffs beating about among the alders;-- such healthy natural tumult as proves the last day is not yet at hand.

那儿风大，空气清新，激流拍岸，水花四溅直朝你脸上扑来，芦苇草和灯心草迎风翻舞。成群的鸭子在巨浪狂风中不安地游向岸边，正要上岸时，随着一阵嘎嘎的叫声，纷纷散去，直奔往Labrador，有的瑟缩着翅膀逆风飞行，有的先是浮在浪头打转，快速地扑打着双蹼，打量了一眼船上的人才离去；海鸥在空中盘旋，麝鼠也奋力游着，浑身湿冷，它们可不能和人一样用火取暖，到处是它们象草堆一样垄起的房子。晴朗多风的岸边，有数不清的老鼠，鼹鼠和山雀；酸果蔓在波浪中招摇，红色的小艇摇晃穿梭在桤木丛中-----这种生机勃勃的景象说明世界末日远未来临。

So I had to do to Riles, Mitchie and B-Shaw what they -- and everyone who makes roster decisions -- said is the worst part of the job: cut them.

所以我不得不跟莱利，库普切克还有布莱恩肖他们本人做的一样，其他人也是一样，他们工作的最糟糕的事情就是处理花名册----删掉他们。

So I had to do to Riles, Mitchie andB-Shaw what they -- and everyone who makes roster decisions -- said isthe worst part of the job: cut them.

所以我不得不跟莱利，库普切克还有布莱恩肖他们本人做的一样，其他人也是一样，他们工作的最糟糕的事情就是处理花名册----删掉他们。

Even though they're the same as word-smiths, the way they use them is different, and you can somehow feel their experiences seeping in between the lines.

尽管他们一样都是擅长文字的人，但是每个人的表达方式都是不一样的，而且你能感觉到他们的经历渗透在字里行间。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。