一方

In the Bermuda triangle of architect/critic/public, the market economy has given each corner a perfect incentive for character assassination.

在这个建筑师/评论家/大众所构成的"百慕大三角"中，市场经济成为对每一方进行"角色谋杀"的最好诱因。

Robert Herrick was born in Cheapside , London in 1591, the seventh child of Nicholas Herrick, a prosperous goldsmith.

罗伯特·赫里克1591年出生于伦敦切普赛德，是富甲一方的金匠尼古拉斯·赫里克的地7个孩子。

Chekhov replied that that side which was more powerful would win.

契诃夫答复说，这是一方将获得更强大。

Win, lose and draw: When one side's chessman threatens the other's "king", that the next step of the chessman will capture the other's "king", it is called "check".

四、 胜、负、和棋胜负：当一方的棋子威胁对方的"王"时，即下一步就可以把对方的"王"吃掉时，称为"将军"。

A child window keeps its preferred size if only one side is attached and the other is left alone.

阿子窗口保持其首选的大小，如果只有一方是连接，另一种是独自。

Chopper Okay, it's time we went on the offensive!

好的，这次由我们到进攻的一方了！

Either of the outputs can be used, depending on what the power chopper needs to see.

任何一方的产出可以用，这取决于什么权力菜刀需要看到的。

Its Christianlike aim to soften the hard side of human nature is seen in its many lessons of mildness, charity towards the sick, feeble, and aged, and in its insistence on the duty of forgiving injuries and returning good for evil.

Christianlike其目的是软化硬一方的人性是在其许多经验教训的温暖，慈善对生病，虚弱，和年龄的增长，并在其坚持的责任免除伤病和恢复良好的罪恶。

The loser, turning to his opponent in a combative frame of mind, cried:"I'll law you to the Circuit Court."

失败的一方对他的对手说："我要去巡回法庭告你"

The loser, changinging to his opponent in a combative frame of mind, cried:"I'll law you to the Circuit Court."

败诉的一方以一种临战的姿态冲着对方嚷道："我要到巡回法庭去告你。"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。