一张

Thus, on this general line of argument, it is a necessary truth that such a being exists - and this being is, of course, the God of traditional theism.

因此在争论的这根一般的线上，是一张必要真相一如此的是存在-并且当然，这是是传统的有神论的上帝。

A table was her playground. On the table the woman placed a plate of water. Little Thumbelina called that her lake. Round the plate were scented flowers, the blossoms laying on the edge, while the pale green stalks reached thirstily down to the water.

一张桌子就是她玩耍的天地，女人在桌上放了一盘子水，拇指姑娘把它叫做她的湖盘子上摆了一圈芳香的花儿，花朵沿着边儿排开，而嫩绿的枝干贪婪地伸向水中。

All I could see were various pairs of legs balanced on triangular wooden ladders, and then a great brown moon of a face under a straw trilby poked through the foliage.

他们的身体从腰部以上都被树叶遮住，我只看得到站在三角形木梯上、一双双各不相同的脚。忽然间，一张顶着草帽、棕色满月般的大脸，从一簇枝叶间探了出来。

It floats before you, a bulbous body with a central, unblinking eye, and a large maw filled with daggerlike teeth.

它在你面前飘浮着，球根状的身体上有一只位于中央一眨不眨的眼睛，一张尖牙利齿的血盆大口。

She recollected---a dark recollection it was---some weeks that she had spent with him in a great town somewhere, when she had had no maid to dress her or take care of her; when she had been shut up, day and night, in a high garret-room, without a carpet, with a bare uncurtained bed, and scarcely any other furniture; when he went out early every morning, and often forgot to return and give her dinner during the day, and at night, when he came back, was like a madman, furious, terrible; or---still more painful---like an idiot, imbecile, senseless.

她回忆到——真是种不愉快的回忆——她曾经和他一起在某个大城市待过好几个礼拜，那时候，她没有女仆照顾她，为她梳妆打扮；那时候，她日日夜夜给关在一个高高的顶楼里，地上没有地毯，只有一张光秃秃的，没有帷子的床，简直没有其他家具；那时候，他霉天一早就出去，白天常常忘记回来给她吃饭，到得晚上，他一回来，就像个疯子，痴痴呆呆，无知无觉。

Oh yes, I put him in the closet at the end of the room, the little unfurnished one.

哼！我叫他待在最里边的那间小屋里，就是没有家具的那一间，那里只有太太的一只箱子和一张桌子，没有教养的人我都让他们待在那里。

Chain of unluckiness still keep open, satursday afternoon, I came to see the new house, the moment, I thought of checking the mail box if any fresh payment notice; then things come again, I got a paymeng notice for water charge which indicate I have consumed up nearly 205 ton water, up to 389 RMB;it is just impossible thing, there is nothing to do but have guys of property office figure out what the hell the problem is?

一连串的倒霉事，还没有结束，周六下午在新房那边转悠，忽然想起打开信箱，看看是否有新的缴费通知单来，结果想什么还就来什么，来了一张水费的单子，不看不知道，一看吓一跳；9月份总共用了205吨水，水费总计389元；这当然不可能是我的实际用水量，只好找物业查查看，到底怎么回事？

But the human mind can glimpse a rapidly changing scene and immediately disregard the 98 percent that is irrele vant, instantaneously focusing on the monkey at the side of a winding forest road or the single suspicious face in a big cro wd.

但是人类的头脑可以只迅速地瞟一眼一个快速改变的场面，然后立刻放弃 98%的不相关部分，而马上聚焦于一条崎岖森林道路边的一只猴子，或者在茫茫人海中的一张可疑的脸。

For another example, an antique bronze bed, brush with varying thickness and shades of blue, showing stains of years of natural formation of verdigris; in embossed pattern out on the Road, brass painted ornaments out of a trace of color seems that due to frequent Friction caused by shiny, the whole flow of overflow an ancient iron, luxurious, nostalgic atmosphere, which is hand-painted lacquer to create an irreplaceable aesthetic values.

再比如一张仿古青铜大床，刷以深浅厚薄不一的青色，表现出岁月自然形成的斑斑铜锈；在凸浮出来的花纹上，绘饰出一道道黄铜色的痕迹，似是因经常摩擦造成的锃亮，整件铁艺流溢出一种古老、华贵、怀旧的气息，这就是手工绘漆营造出的不可替代的艺术美感。

The room where Suellen and Carreen lay mumbling and tossing on the same bed stank vilely with the smell of the twisted rag burning in a saucer of bacon fat , which provided the only light.

苏伦和卡琳的房间里晚上点着的唯一灯光，是在一碟子腊肉油里放根布条做的，因此充满一股很难闻的气味。她俩躺在一张床上，有时辗转反侧，有时喁喁细语。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。