一张

My furniture, part of which I made myself —— and the rest cost me nothing of which I have not rendered an account —— consisted of a bed, a table, a desk, three chairs, a looking-glass three inches in diameter, a pair of tongs and andirons, a kettle, a skillet, and a frying-pan, a dipper, a wash-bowl, two knives and forks, three plates, one cup, one spoon, a jug for oil, a jug for molasses, and a japanned lamp.

我的家具，一部分是我自己做的——其余的没花多少钱，但我没有记账——包括一张床，一只桌子，三只凳子，一面直径三英寸的镜子，一把火钳和柴架，一只壶，一只长柄平底锅，一个煎锅，一只勺子，一只洗脸盆，两副刀叉，三只盘，一只杯子，一把调羹、一只油罐，和一只糖浆缸，还有一只上了日本油漆的灯。

Journey 歌手:张韶涵专辑:over the rainbow 曲:corrinne may 词:corrinne may it's a long long journey till i know where i'm supposed to be it's a long long journey i don't know if i can believe when shadows fall and block my eyes i am lost and know that i must hide it's a long long journey till i find my way home to you many days i've spent drifting on through empty shores wondering what's my purpose wondering how to make me strong i know i will falter i know i will cry i know you'll be standing by my side it's a long long journey and i need to be close to you sometimes it feels no one understands i don't even know why i do the things i do when pride builds me up till i can't see my soul will you break down these walls and pull me through cause it's a long long journey till i feel that i am worth the price you paid for me on calvary beneath those stormy skies when satan mocks and friends turn to foes it feel like everything is out to make me lose control coze it's a long long journey till i find my way home to you..

to you 这是一段很长很长的旅程直到我明白那里是我认为的去处这是一段很长很长的旅程而我不知道是否能相信当阴影落下阻挡了我的视线我失败了并且明白我必须躲藏这是一段很长很长的旅程直到我找到回家的路是走向你我曾用尽了许多日子来回漂流在无人的岸边疑惑著我的目的是什么疑惑著如何使自己更坚强我知道我将会变的脆弱我将会哭泣我知道你将会站在我的身边这是一段很长很长的旅程而我需要更向你靠近有时候这种感觉没有人能了解我不曾知道为何我完成了那件做过的事当骄傲像高墙般将我拱起直到我看不到自己的灵魂你是否会拉著我穿越过这高墙因为这是一段很长很长的旅程直到我觉得那代价是值得的你给了我基督受难像在这暴风雪的影响下当人们魔鬼般的嘲弄一个个变成敌人感觉就像每件事我因来不及而失去控制这是一段很长很长的旅程直到我找到回家的路是走向你走向你

I am no more lonely than a single mullein or dandelion in a pasture, or a bean leaf, or sorrel, or a horse-fly,or a bumblebee.

我并不比一朵毛蕊花或牧场上的一朵蒲公英寂寞，我不比一张豆叶，一枝酢酱草，或一只马蝇，或一只大黄蜂更孤独。

I am no lonelier than a single mullein or dandelion in a pasture, or a bean leaf, or sorrel, or a horse-fly, or a bumblebee.

我并不比一朵毛蕊花或牧场上的一朵蒲公英寂寞，我不比一张豆叶，一枝酢酱草，或一只马蝇，或一只大黄蜂更孤独。

One would approach at first warily through the shrub oaks, running over the snow-crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his "trotters," as if it were for a wager,and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were eyed on him —— for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl —— wasting more time in delay and circumspection than would have sufficed to walk the whole distance—— I never saw one walk —— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time —— for no reason that I could ever detect, or he himself was aware of, I suspect.

有一只赤松鼠开始谨慎地穿过矮橡树丛，跑跑停停地在雪地奔驰，像一张叶子给风的溜溜地吹了过来；一忽儿它向这个方向跑了几步，速度惊人，精力也消耗得过了份，它用"跑步"的姿态急跑，快得不可想象，似乎它是来作孤注一掷的，一忽儿它向那个方向也跑那么几步，但每一次总不超出半杆之遥；于是突然间做了一个滑稽的表情停了步，无缘无故地翻一个觔斗，仿佛全宇宙的眼睛都在看着它，——因为一只松鼠的行动，即使在森林最深最寂寞的地方，也好像舞女一样，似乎总是有观众在场的，——它在拖宕，兜圈子中，浪费了更多的时间，如果直线进行，早毕全程，——我却从没有看见过一只松鼠能泰然步行过，——然后，突然，刹那之间，它已经在一个小苍松的顶上，开足了它的发条，责骂一切假想中的观众，又像是在独白，同时又像是在向全宇宙说话，一我丝毫猜不出这是什么理由，我想，它自己也未必说得出理由来。

It was black darkness in the room; only in one spot there was a little lamp burning before something white. Pierre went nearer and saw that the little lamp stood on a black table, on which there lay an open book.

房间里一片漆黑：只有一处闪现出一件白色的东西，里面点燃着一盏长明灯摆在一张黑色的桌子上，一本翻开来的书放在它上头。

After a turn-up a small red paper, with scissors,"Kacha" sound, a cow, a dove, a tree, a flower will come alive to be displayed in a pair of stout men's fingers ...... 52-year-old Ma Kam-yee, with a pair of seemingly clumsy hands, one by one ordinary red paper, but cut into a beautiful new world.

一张小小的红纸几经翻折，随着剪刀的"咔嚓"声响，一头牛、一只鸽、一棵树、一朵花便活灵活现地展现在一双男人粗壮的手指间……今年52岁的马锦仪，用一双看似笨拙的手，一张张普普通通的红纸，却剪出了一个美丽新世界。

At the same time, in strengthening the management of sophisticated control and take effective measures to strictly implement the responsibility system, the savings once electricity savings drop of water, save one metre, a double save, save one drop, save a piece of brick, save a watt, save a piece of paper, a piece of wood savings, save a wire,"10 a" savings as a starting point for the entire economy, the overall economy of a good atmosphere.

同时，在管理中强化精细管理意识，采取切实措施，严格落实责任制，把节约一度电，节约一滴水，节约一粒米，节约一两面，节约一滴油，节约一块砖，节约一片瓦，节约一张纸，节约一块木材，节约一根铁丝等&十个一&的节约作为切入点，促进全程节约、全面节约的良好氛围的形成。

One of the most frequently used routes is from the North West Africa to the Spanish Canary Islands.

开始我还以为他想要卖给我些什么，他的其中一个油漆鲜艳的小船停搁在沙滩里，他蹲在后面并从钱包里拿出一张折叠的严严实实的纸，这张纸是从记事本上撕下来的。

More than 1,300 pieces are photographs of the Summer Palace, including the oldest known panorama of the site which dated back to the period of the Republic of China, as well as an aerial photograph of the Summer Palace during that time.

在这些文物藏品中，有1300多张老照片，其中包括民国期间颐和园的全景图，这是目前距今年代最久远的颐和园全景老照片。还有一张民国时期颐和园的航拍图片。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。