一张

Master Huang: For each negative, I want one print and two enlargements.

黄师傅：每张底片加印一张，放大两张。

In his oratory there were two straw prie-Dieu, and there was an arm-chair, also in straw, in his bedroom.

他有两张麦秸心的祈祷椅在他的经堂里，卧室里还有一张有扶手的围椅，也是麦秸心的。

A solid block of wood .In his oratory there were two straw prie-Dieu, and there was an arm-chair, also in straw, in his bedroom.

他有两张麦秸心的祈祷椅在他的经堂里，卧室里还有一张有扶手的围椅，也是麦秸心的。

And there, in the center of the High Table, in a large gold chair, sat Albus Dumbledore.

在那张长桌中心，一张很大的金色椅子上，坐着阿不思。

It's all no worries though, because the album continues with Another Heaven, a gorgeous song featuring 张靓颖 aka the most soughtafter female singer from mainland China-in recent interviews, bothLeehom and Jay Chou declared that they want to collaborate with herextensively.

不用担心，接下来的『另一个天堂』，有一位最近常出现在采访中来自大陆的优秀女歌手张靓颖出演，力宏和周杰伦都表明十分希望跟她合作。

A second picture, that of the bedraggled guerrilla's corpse, staring wideeyed at the camera, provides another clue.

另外一张照片展示了这位游击队员满身污泥的尸首，眼睛睁大望着镜头。这张照片提供了其他的线索。

"Yes, sir, I have a paper with the American eagle on it, and that will carry me around the world."

是的，先生，我有一张上面印有美国老鹰的纸，而那张纸让我可以通行全世界。

Combining form having a bed or beds as specified.

有特定的一张床或者多张床。

Danca ma mi is a bright and sexy, soul-sparking romantic party collection, centered around de barros' colorful interaction with adult and children's choirs and dazzling, alternately thick and sparse percussion textures.

2005年的这张danca ma mi，虽然专辑名称是dance with me，实际上并不是那种热情奔放的舞曲，而是一张温柔浪漫的专辑，虽然也带着拉丁的韵味，却柔和舒缓了许多。

The bank can issue a banker's check drawn on their correspondent here in Tokyo .

伦敦的银行可以发出一张银行支票，这张支票可以在东京这里的往来银行支取。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。