一幅绘画

Cy Twombly uses a combination of charcoal, colored pencils, chalk and oil paint in his works; sometimes he also incorporates wavy, flowing, scribbled text. But Ye Yongqing uses an "eyebrow pencil" to portray abstract lines and points to form a poetic visual language. His latest paintings further expand on this. He created seven abstract paintings of an identical composition, method, symbol and style entitled Broken - Heart. These paintings vary in either background color or color of the lines.

汤布里在绘画中并用炭笔、彩色铅笔、粉笔和油画颜料，还借用文字抽搐涂抹飞动书写，而叶永青的绘画则用"眉笔"一点一划描绘出抽象的线条，构成了诗意的视觉语言，尤其是他最近的绘画把这样的观念性做了进一步延伸，他完成了七幅同一构图、同一方法、同一符号、同一风格的抽象绘画《伤·心》，它们的不同表现为：要么每一幅画中的底色不同，要么每一幅画中符号描绘的颜色不同。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

One of her painting was filled with huge amounts of yellow sunshine and pink warmth.

她的一幅绘画上面充满了金黄色的阳光和粉红色的温暖。

With the emergence of modern art, painting has not been confined to the planes conveying illusionism effects of three-dimensional space.

在现代绘画艺术中，绘画艺术不再局限于一幅幅指代错觉空间图象的平面。

One,"The Loup River, Alpes Maritimes," is owned by the Tate Gallery in London.

一幅名叫"阿尔卑斯山麓滨海的卢普河"的绘画已由伦敦的泰特绘画陈列馆收藏。

At the age of 11, she had a painting in an exhibition at the Metropolitan Museum of Art in New York.

在十一岁时，她的一幅绘画习作曾经在纽约大都会艺术馆展出。

There is one Vermeer map, in the "Allegory of Painting"(unfortunately missing from the tercentenary exhibition), which depicts not the seven provinces of the 17th-century Dutch republic but-- poignantly the provinces of Renaissance times

在"绘画的寓言"中(遗憾的是这幅画未在300年庆典展览中出现)，有一幅弗米尔画的地图，这幅地图没有绘出17世纪荷兰共和国的7个省份，而是悲壮地描绘了文艺复兴时期的17个省份。

My goal was to make a painting like picture like some famous paintings from the XVII century from P.

我的目标是制作一幅绘画风格的作品，就像那些17世纪时期由P。

One,"The Loup River, Alpes Maritimes," is owned by the Tate Gallery in London.

一幅名叫&阿尔卑斯山麓滨海的卢普河&的绘画已由伦敦的泰特绘画陈列馆收藏。

His modern take on the original paint, ing is an re-enactment of the relationship among the set, characters and space.

那些深藏在我们记忆中的古典绘画，变成了一幅幅能动的动画。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。