查询词典 young one

Data collected from one hundred fifty-one countries show that about seven percent of young girls now smoke.

数据来自151个国家收集的显示，约百分之七现在的年轻女孩吸烟。

The research on young children's play in kindergarten among the preschooler educational circle is one of them, and the research on children's folk play among the folklore circle is another one.

一是幼儿教育界针对幼儿园内儿童游戏的研究，二是民俗学针对儿童民间游戏的研究。

These young, slim, stately things a thousand houses high (or so it seemed to me, coming from an architecture that had never defied the earth), a tower of Babel each one, not one tower of Babel but many, a city of Babel towers, casually, easily strewn end up against the skies─ they stood at the brink, close-crowded, the brink of America, these Giantesses, these Fates, which were not built for a king nor a ghost nor any man's religion, but were materialized by those hard, cold, magic words─ opportunity, enterprise, prosperity, success─ just business words out of world-wide commerce from a land rich in natural resource.

参差不齐地插入云天，不啻通天塔之城。这些女性巨人，命运女神，密密麻麻地站立在美国的边缘。她们不是为一位帝王、一个幽灵或任何人的宗教而建造的，而是由几个生硬、冰冷、神奇的单词──机会、事业、繁荣、成功──物化而成，而这些商业词汇来源于一个自然资源丰富的国家世界规模的贸易活动。

These young, slim, stately things a thousand houses high (or so it seemed to me, coming from an architecture that had never defied the earth), a tower of Babel each one, not one tower of Babel but many, a city of Babel towers, casually, easily strewn end up against the skies― they stood at the brink, close-crowded, the brink of America, these Giantesses, these Fates, which were not built for a king nor a ghost nor any man's religion, but were materialized by those hard, cold, magic words― opportunity, enterprise, prosperity, success― just business words out of world-wide commerce from a land rich in natural resource.

参差不齐地插入云天，不啻通天塔之城。这些女性巨人，命运女神，密密麻麻地站立在美国的边缘。她们不是爲一位帝王、一个幽灵或任何人的宗教而建造的，而是由几个生硬、冰冷、神奇的单词──机会、事业、繁荣、成功──物化而成，而这些商业词汇来源于一个自然资源丰富的国家世界规模的贸易活动。

These young, slim, stately things a thousand houses high (or so it seemed to me, coming from an architecture that had never defied the earth), a tower of Babel each one, not one tower of Babel but many, a city of Babel towers, casually, easily strewn end up against the skies－ they stood at the brink, close-crowded, the brink of America, these Giantesses, these Fates, which were not built for a king nor a ghost nor any man's religion, but were materialized by those hard, cold, magic words－ opportunity, enterprise, prosperity, success－ just business words out of world-wide commerce from a land rich in natural resource.

参差不齐地插入云天，不啻通天塔之城。这些女性巨人，命运女神，密密麻麻地站立在美国的边缘。她们不是为一位帝王、一个幽灵或任何人的宗教而建造的，而是由几个生硬、冰冷、神奇的单词──机会、事业、繁荣、成功──物化而成，而这些商业辞汇来源於一个自然资源丰富的国家世界规模的贸易活动。

These young, slim, stately things a thousand houses high (or so it seemed to me, coming from an architecture that had never defied the earth), a tower of Babel each one, not one tower of Babel but many, a city of Babel towers, casually, easily strewn end up against the skies― they stood at the brink, close-crowded, the brink of America, these Giantesses, these Fates, which were not built for a king nor a ghost nor any man's religion, but were materialized by those hard, cold, magic words― opportunity, enterprise, prosperity, success― just business words out of world-wide commerce from a land rich in natural resource.

参差不齐地插入云天，不啻通天塔之城。这些女性巨人，命运女神，密密麻麻地站立在美国的边缘。她们不是爲一位帝王、一个幽灵或任何人的宗教而建造的，而是由几个生硬、冰冷、神奇的单词──机会、事业、繁荣、成功──物化而成，而这些商业辞汇来源於一个自然资源丰富的国家世界规模的贸易活动。

For instance, how does one categorise Kit Tan Juat Lee's陈月丽The Secret, where all the elements in the painting are done in an extremely realistic manner, but the curious juxtaposition of a young woman with floating goldfishes against a floral fabric-like background, suggests a state which could only exist in a dream or one's imagination?

画中所有元素均以极为写实的方式画成，可是画家却奇想联翩地铺设了像花卉图案布料般的背景，将妙龄女郎与飘浮的金鱼并置，俨然在描绘一种只存在于睡梦或想像中的幻境。吴珉权的《荷塘》也同样令人踌躇不决。

Unlike the kidult spirit represented by other "trendy" Japanese artists such as Takagi Masakatsu or Nobukazu Takemura, WEG's music expresses a strong sense of tragic romanticism, combining in an almost schizophrenic manner elegant quietude with crazy explosiveness, not unlike film scores in its vivid visual qualities. One is taken aback by the depth and richness of emotions in someone so young, though perhaps not in one so talented.

有别於高木正胜、竹村延和等当红日本软体实验乐人的kidult精神，WEG呈现出强烈的悲剧性格与浪漫色彩，结合淡静雅致和疯狂劲爆的精神分裂，如电影配乐般视觉化的声音呈现，令人惊讶他的丰沛情感与才华洋溢。

Tich and poor,young and old,one can see them all there,shouting for one side or the other.

Tich和贫穷，年轻人和老年人，你可以看到他们的一切，为对方的。

I am a wilful child perhaps My mother was spoiled child I wayward I hope Every moment As beautiful as crayons I hope The white paper in love can draw Draw clumsy freedom Draw a never Tears in eyes Sky A sky plumage and leaves A green night and apples I want to paint in the morning Under the picture Can see the smile Under the picture all the young No pain of love She hadn't seen clouds Her eyes are clear color She looked at me forever Forever, watching Never suddenly fell away I want to paint distant scenery Under the picture of the horizon and the water is clear Painted many happy river Under the picture Lightly covered with fluff I let them get very close Let them fall in love Let each one Each a silent spring throb Have become a little birthday I also want to paint in the future I haven't seen her, it is impossible But know that she is very beautiful I painted her coat of autumn Under the burning candle painting and maple leaf Painted many because love her And out of the heart Under the picture Draw a woke up early The glass wrappers above And the fairy tales illustrations I am a wilful child I want to wipe away all the unfortunate I think in the earth Painted with Windows Let all habits dark eyes All light I want to paint surface Draw a frame under a higher than the mountains Draw down the Orient Under the picture A voice of limitless Finally, in the paper Angle I also want to paint Draw a koala He sat on the dark jungle in Victoria Sit quietly branches Become speechless He had no home No one in the distance He only, many The same dream. Berries And a big, big eyes I hope think But I wonder why I didn't receive crayons Don't get a color moment I only have me My fingers and trauma Only the pieces Love her Let them go looking for a butterfly Let them vanish from today I was a child A mother is spoiled child fantasies I wayward

我是一个任性的孩子也许我是被妈妈宠坏的孩子我任性我希望每一个时刻都像彩色蜡笔那样美丽我希望能在心爱的白纸上画画画出笨拙的自由画下一只永远不会流泪的眼睛一片天空一片属于天空的羽毛和树叶一个淡绿的夜晚和苹果我想画下早晨画下露水所能看见的微笑画下所有最年轻的没有痛苦的爱情她没有见过阴云她的眼睛是晴空的颜色她永远看着我永远，看着绝不会忽然掉过头去我想画下遥远的风景画下清晰的地平线和水波画下许许多多快乐的小河画下丘陵长满淡淡的绒毛我让它们挨得很近让它们相爱让每一个默许每一阵静静的春天悸动都成为一朵小花的生日我还想画下未来我没见过她，也不可能但知道她很美我画下她秋天的风衣画下那些燃烧的烛火和枫叶画下许多因为爱她而熄灭的心画下婚礼画下一个个早早醒来的节日上面贴着玻璃糖纸和北方童话的插图我是一个任性的孩子我想擦去一切不幸我想在大地上画满窗子让所有习惯黑暗的眼睛都习惯光明我想画下风画下一架比一架更高大的山岭画下来东方民族的渴望画下大海无边无际愉快的声音最后，在纸角上我还想画下自己画下一只树熊他坐在维多利亚深色的丛林里坐在安安静静的树枝上发愣他没有家没有一颗留在远处的心他只有，许许多多浆果一样的梦和很大很大的眼睛我在希望在想但不知为什么我没有领到蜡笔没有得到一个彩色的时刻我只有我我的手指和创痛只有撕碎那一张张心爱的白纸让它们去寻找蝴蝶让它们从今天消失我是一个孩子一个被幻想妈妈宠坏的孩子我任性

It has been put forward that there exists single Ball point and double Ball points on the symmetrical connecting-rod curves of equilateral mechanisms.

从鲍尔点的形成原理出发，分析对称连杆曲线上鲍尔点的产生条件，提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

The factory affiliated to the Group primarily manufactures multiple-purpose pincers, baking kits, knives, scissors, kitchenware, gardening tools and beauty care kits as well as other hardware tools, the annual production value of which reaches US$ 30 million dollars.

集团所属工厂主要生产多用钳、烤具、刀具、剪刀、厨具、花园工具、美容套等五金产品，年生产总值3000万美元，产品价廉物美、选料上乘、质量保证，深受国内外客户的青睐