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Like Alonzo in the scenario you've just read, you may find that most of your decisions are simple and routine.

就像在序幕中已经了解到的阿伦佐一样，你会发现你的绝大多数决定都是简单而平常的。

You will be amazed at the mistakes you've missed.

对你没有发现的错误，你可能很吃惊。

I'll provide for you amply,you've plenty of grounds.

我会给你提供充足的供应，你已经拥有了很多土地。

I'll provide for you amply. You've plenty of grounds.

我会扶养你很好的你拥有了很多土地

Once you've found your anchor, you have to hold on to it.

一旦你找到了你的锚，你必须抓紧它。

My name is Ilie Maria, the teacher of Arusandei Andrei Paul. From the beginning of the letter I want you to know that I'm very grateful in the name of the child and the family for everything you've done for them.

我是 Arusandei Andrei Paul 的老师 Ilie Maria ，在这封信的一开始我想要让您知道，我非常的感激您对这孩子以及他的家庭所做的ㄧ切。

Angler: You've been watching me for three hours now. Why don't you try yourself?

你已经在这儿看我钓鱼看了三个小时了，为什么你自己不试着钓呢？

If you've maintained a website for any number of years you know that "things happen".

如果您已经保持了网站的任何若干年你知道的事情发生。

This is used when you've done something wrong and you feel very apologetic: I'm terribly sorry.

当你做错事情，感到很有歉意时，你可以说：我非常抱歉。

You've got to applaud them, haven't you?

你当然得为他们鼓掌了，对不对？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。