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If you're infected with Smalldoor BM, you should know what you're fighting.

如果你感染了Smalldoor骨髓，你应该知道你在战斗。

If you're infected with Dfinject CA, you should know what you're fighting.

如果你感染了Dfinject晚上，你应该知道你在战斗。

If you're dying to be the next star in Hollywood but you're camera-shy and you don't know anything about acting, your dream to make it big in Hollywood might remain as a dream.

如果你很渴望成为好莱坞的下一位明星但却害怕站在摄影机前，也不知道如何表演，你要在好莱坞大展拳脚的梦想可能永远就是梦想。

And you can't stop what you're doing. So it's kind of like you're...

而你正在做的事又不能停止所以你就好像

If you're infected with Malware Catcher, you should know what you're fighting.

如果你是恶意软件感染守望，你应该知道你在战斗。

If you're infected with Malware Catcher 2009, you should know what you're fighting.

如果你是恶意软件感染守望2009年，你应该知道你在战斗。

If you've arrived here because you're chronically depressed and thoroughly fed up with it, you're very welcome.

如果您已经抵达这里，因为你是长期不景气，彻底厌倦了它，你是非常值得欢迎的。

According to the site, finding a place with a high Walk Score has the following advantages: better health (if you walk to the close-by places), reduction in greenhouse gases (you're not using a car), more public transportation options, more face-to-face interaction with people (since you're walking), and stronger local businesses.

据该网站，找到一个地方，同一个高走评分有以下优点：更好的健康（如果你步行至贴近由宿位），减少温室气体，更多的公共交通选择更多面对面的互动与人，以及强大的本地企业。

You're a good lad, Jim,' he said; 'and you're all in a clove hitch ain't you?

"你是个好孩子，吉姆，"他说，可是你们全都上了圈套了，是不是？

When you're on your way back home from a long Sunday ride and you're riding your thirty-fifth mile smack into a stiff headwind, the fact that your frame is cobalt blue or even Bianchi green is not going to help you.

当你在回家的路从长远星期日驾驶和骑嫌你成为一个激烈的逆风您第三十五英里，但事实上，你的框架是钴蓝色或绿色，甚至比安奇是不会帮你。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。