查询词典 you're

"If you are a 22-year-old man you get promoted to editor, if you're a wo man you're a gofer all your life."

如果你是男的，二十二岁，你可以升编辑，如果你是女的，一辈子打杂。

"If you are a 22-year- old man you get promoted to editor, if you're a woman you're a gofer all your life."

如果你是男的，二十二岁，你可以升编辑，如果你是女的，一辈子打杂。

House:you talk to God,you're religious.God talks to you,you're psychotic.

你和上帝说话，你是信徒，上帝和你说话，你是精神病。

"If you're on the beach do you want somebody with big knockers next to you when you're there with the kids?" he asked.

他问道：&如果你和孩子一起在海滩上，你愿意看到旁边躺着一位坦胸露乳的女郎吗？&

If you're on the beach do you want somebody with big knockers next to you when you're there with the kids?

他在接受《悉尼每日电讯报》采访时称，家人暑期一起去海滩时可不想见到半裸的女性。

Some complain that, if you are muscular or "large-boned," you may get a BMI that suggests you're overweight when you're really not.

一些人抱怨说，如果你肌肉发达或者是&大骨架&，你可能得到表明你超重的 BMI ，而实际上你并不是。

You're lying on your shell-less, as it were wholly unprotected, back and when you lift your tiny head - unadorned with its usual sensory antennae - a little you can see your pinkish belly, partly covered in soft, curling hairs quite unlike the black bristles you're accustomed to seeing there.

当你的双眼变得能习惯黑夜时，夜晚似乎变得明亮了些…你能看到自己大大的鼻子，你小心地碰著自己湿湿的鼻子，对自己咯咯的笑著。

Write as if you've discovered a very dusty inscribed stone somewhere, and you're trying to scrape off all the muck to find out what's underneath it, and you keep coming up with one word here, another one there, and you're trying to imagine what might be in between those words.

写作，要就好像你在某处挖掘到一个石碑，然后你试著把它上面的尘埃全部刮掉好看到它下面有些什麼，然后你会一直在这儿找到一个字，在那儿一找到个字，你就会猜想这些字之间到底是什麼呢？

Don't you know that whilst you're gazing up at heaven your pockets are being picked clean, your eyes are plucked out and you're robbed of your birthrights, blind to what is done to you?

难道你们一点都不知道，当你们仰望天空的时候你们的口袋正在被掏空，你们的眼睛被拔出来，基本权利被剥夺，你们对此竟然视而不见？

ELAINE: How about:"You've been diagnosed as a multiple personality, you're not even you, you're Dan."

依莲：再听听这个&你被诊断为多重人格障碍，你甚至都不是你自己了，你是丹&。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。