查询词典 you'd

If you have acne, you might feel like you'd rather have anything else but this.

如果你有痤疮，你可能感觉你信不信，但这一切都。

Have you ever thought you'd like to be famous? A household name? You know, someone whom people recognize on the street, write articles about and adulate?

提要 你曾否想过出名的滋味﹖或作一个家喻户晓的人物﹖走在街上，人们认得你，还写文章报导你、奉承你。

If you want to make your product known spreadly ,you'd better find someone advertise it for you

如果你想让你的产品广而告之，那么最好找个像我一样的人为你做广告

If you hadn't become an actor, what do you think you'd be?

如果你没有成为一名演员，你觉得你会成为什么？

If you studied half as much as you cheer, you'd be in great shape.

如果你学习有你当拉拉队的一半的时间，你会在最佳状态。

Like you would build your fury up, and then you know "bonged", and you'd have an amount you could spend.

就象说你一直在储着怒气，然后听到&咣&一声，满了。

Eyes On Me Eyes on me》 Whenever sang my songs On the stage,on my own Whenever said my words Whishing they would be heard I saw you smiling at me Was it real or just my fantasy You'd always be there in the corner Of this tiny little bar My last night here for you Same old songs,just once more My last night here with You ?

凝眸》 无论何时唱起这首歌独自在这舞台上无论何时我的话语都希望它们被听见我看见你对我微笑是真的还是只是我的幻想你总是在这小小酒吧的那个角落我为你而留的那一夜同样的老歌，又再重现那一夜你在这儿吗？

If you're in this boat, then you've probably considered quitting to pursue your passion for making short claymation films (or whatever it is you tell people you'd do if 'money were no object'), only to discover that money is an object and quitting with no backup plan falls under the heading of 'terrible, irresponsible ideas'.

如果你已深陷其中，那么你可能会考虑辞职去追求你那制作动画电影的激情（或者其他你告诉人们你将要做的任何事情，如果钱不是问题的话。），不料却发现钱是一个值得考虑的问题，而且没有备份计划的辞职属于&可怕的，不负责任的想法&。

Sabra girl lonely the life, that once, i led strange the paths, on which, we tread led me to you, unlikely but true sabra girl, clouding my view rainy the day, the first time we met deep was the talk, forever my debt it didnt seem wrong, to sing a sad song Nickel Creek sabra girl, soon you'd be gone early the morning, and sad the goodbye with a wave of your hand and, a smile of your eye so lately did meet, no sooner depart sabra girl, homeward must start rosy the lines that you wrote with your hand reading between them to misunderstand i made the mistake you said not to make...

萨布拉女童我曾经过着寂寞的生活我们曾经踏着奇怪的道路把我引向你，不可思议但却是真的萨布拉的女孩，占据了我的视线我们第一次见面的那一天下着雨我们聊了很多，那却成了我日后的债唱伤心的歌，似乎并没有错镍溪萨布拉的女孩，你不久就要离开那个早上很早，那个再见很悲伤你摇摇手，眼睛笑着因此，最近没有满足，没有越早离开萨布拉的女孩，回家一定要开始美丽的线条，你写了与你的手读它们之间的误会我的错误，你说，不要把。。。

Make sure you do not miss this event as you will have two opportunities to meet the wine maker, or if you'd like, you can meet him twice.

您会有两次机会参加这次活动，千万不要错过。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。