查询词典 writers

Freelance newspaper writers don't get nearly as much attention as writers with regular bylines.

自由报纸作者获得的注意力远没有那些总有署名的作者那么多。

If a writer is attributes to "female writers", she/he might easily be regarded as one who disfavors or discontents with the women character in nature; the terms of "female literature" or "female writers" to some extent implicates pejorative meaning.

作为女性作家，很容易就被认定放弃&内在&的女性特质。因此，「女性文学」和「女性作家」的措辞，直觉上就有轻蔑或含糊之意，所以许多优秀的当代女作家极力撇清「女性作家」的称号，避免被贴上「女性文学」的标签。

It criticizes the Christian culture which has influenced on Chinese modern writers with microscopical analysis in the macroscopcal background. In this book, the author lays stress on using the firsthand materials and dredges and analyses the materials concerning the relation between Chinese modern writers and Christian culture. It is expected to attain unique academic value and significance in the study of Chinese modern leterature, and wish to fill in a few gasps of Chinese modern literary studying.

该著在研究方法上，注重第一手资料，努力从对资料的疏理和分析中，在疏理中国现代作家与基督教文化的关系及其所受到的影响中，以文化学、比较文学、社会学、美学等多种研究方法进行研究，以期在中国现代文学研究中具有独特的学术价值和意义，以填补中国现代文学研究领域里的某些方面的空白。

Firstly, the Russian tendency of the national new culture and the third international activity in northeast region came to a decision that Modern Northeast Literature in its beginning was under the influence of Russian culture and literature profoundly. Since 1931 northeast was occupied by Japan, the center topic of occupied era northeast literature became exposing the violence of Japanese and emblazing people\'s striving and exploring the darkness of society bottom. In this case, the Soviets revolutionary literature which went through October revolution and expressed the similar conflict topic turned into the study model of northeast writers. The creations of northeast writers was under the influence of Soviets revolutionary literature deeply in the topic, conceive outline, the character building.

首先，全国新文化运动的俄苏倾向和东北地区第三国际共运活动的开展共同决定了东北新文学在其开端就受到俄苏文化和文学的积极而深远的影响。1931年东北沦陷后，揭露日伪统治者的暴行，颂扬人民的反抗斗争，探究社会底层的黑暗成为沦陷时期东北文学的中心主题，在这种情况下，经历了十月革命炮火洗礼、表现相似的斗争主题的苏俄革命文学就成为文学素养相对薄弱的东北作家的学习榜样，东北作家的创作在主题、构思、人物形象塑造等多方面都受到了苏俄革命文学的深刻影响。

Firstly, the Russian tendency of the national new culture and the third international activity in northeast region came to a decision that Modern Northeast Literature in its beginning was under the influence of Russian culture and literature profoundly. Since 1931 northeast was occupied by Japan, the center topic of occupied era northeast literature became exposing the violence of Japanese and emblazing peoples striving and exploring the darkness of society bottom. In this case, the Soviets revolutionary literature which went through October revolution and expressed the similar conflict topic turned into the study model of northeast writers. The creations of northeast writers was under the influence of Soviets revolutionary literature deeply in the topic, conceive outline, the character building.

首先，全国新文化运动的俄苏倾向和东北地区第三国际共运活动的开展共同决定了东北新文学在其开端就受到俄苏文化和文学的积极而深远的影响。1931年东北沦陷后，揭露日伪统治者的暴行，颂扬人民的反抗斗争，探究社会底层的黑暗成为沦陷时期东北文学的中心主题，在这种情况下，经历了十月革命炮火洗礼、表现相似的斗争主题的苏俄革命文学就成为文学素养相对薄弱的东北作家的学习榜样，东北作家的创作在主题、构思、人物形象塑造等多方面都受到了苏俄革命文学的深刻影响。

Some ethnic writers excluded out of victory and joy during 17 Years were immersed into the verged contemplation, while the majority of 17 Years ethnic writers began to find"Real Me"at the same of the enhancement of their status consciousness.

这种身份意识的强化是一个历史过程，其表现在民族意识从封闭自在、自然流露到初步唤醒；国族意识从多元到一体的强烈展示；乡土意识从突破地域到关照乡土；人的意识从狂欢、觉醒到多民族的混声合唱；等等。

The most celebrated writers' program in the country, the Iowa Writers' Workshop, established the industry' s ruling metaphor, which is that writing is something like wood-working: you put on your apron, roll up your sleeves, and practice your craft.

美国最有名的写作课程，爱荷华作家工作组，确立了这一行流行的一个比喻：写作就像是做木工活，你穿上围裙，卷起袖子，练习你的技艺。

Virginia Woolf realizes that the women writers in the nineteenth century often express their personal grievance in the novels. However, after entering the twentieth century, the women writers begin to "use writing as an art, not as a method of self-expression", and pay more and more attention to the essence of the art-"freedom and fullness of expression". Secondly, she discusses the relationship between men and women, and she believes that they should be equal in society, and indicates the final goal of feminist struggle is to "deconstruct the death-dealing binary opposition of masculinity and femininity".

她意识到19世纪的女作家经常在作品中表达个人愤怒：20世纪以后，女作家们开始将写作当成一门艺术，而不是一种自我表现的方法，并且越来越关注艺术的真谛；二、积极探讨男女两性之间的关系，寻求男女平等，指出&女权主义斗争的最终目的是解构男女之间的二元对立&，并通过分析拉姆齐先生和拉姆齐夫人的性格特征展示两性之间的关系；三、正因为男女之间存在诸多不平等，女性在男性的压制下，逐渐丧失了话语权。

The peasants\' problem is the maximal one in the revolution and construction. The essoy deeply studies and explains the classical Maxist writers\' ideas regarding the status and Positions of the orient peasants within the old institution, regarding the possibility and necessity of the proletariate\'s leading the orient peasants, regarding the Orient peasant\'s land-reform and the establishing of the work-peasant democratic regime, and regarding the derelopment of economic collaboration. Moreover, it especially analyses the classical Maxist writers\' theory on Orient Peasants\' problem in the process of socialistic construction, in particular, the one a bout the treat ment of the abore problems and theirs respective characters. Accordingly, the essay deeply interprets the peasant\'s problem today and how the ideas on the construction of the socialistic new countryside does in herit and develop the classical Maxist writer\'s theofy on Orient peasants\' problems.

论文研究和阐述了经典作家关于东方农民在旧制度下的地位和状况，关于东方国家无产阶级领导农民的必要性和可能性的重要思想，关于东方农民土地问题和建立农民主政权的思想，关于东方农民发展合作(来源：a5f9ABC论文网www.abclunwen.com)经济的思想，重点分析了经典作家关于社会主义实践中农民问题的理论，特别是经典作家关于正确解决农民问题的理论及它们的各自特色，也分析了现实的农民问题和建设社会主义新农村的思想对经典作家农民问题理论的继承和发展。

The literary arena entrusts with by the collective naming to "The 1970's Writers", the market chooses in addition the alternative and the fashion writer star takes the representative, has caused "The 1970's Writers" 's in writing pattern identicalness, also urges them to carry on the differentiation in the creation, but the society from all walks of life to their work intense critique and even to the government department to their partial works forbids then further impels its creation the transformation.

文坛对70年代出生的作家赋予以&断代&式的集体命名，市场则挑选出&另类&、&时尚&的市场明星作为代表，导致了&70后&在写作模式上的雷同，也促使她们在创作上进行分化，而社会各界对她们作品的激烈批判乃至于政府部门对她们部分作品的查禁则进一步推动其创作的转变。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。