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Mr. Danzig, speaking at a Defense Writers Group breakfast Thursday in Washington, said that Sen. Obama would make sure that the Pentagon doesn't become overly focused on fighting guerrillas and terrorists at the expense of traditional air and sea power.

丹齐格周四在Defense Writers Group的一个早餐会上表示，奥巴马会确保国防部不会过于关注对抗游击队和恐怖分子，而以牺牲传统空军和海军军力为代价。

Firsdy, an analysis is made on how left-wing writers defined female ideology in their film making through ideological transformation of "modem" pop culture. Secondly, a conclusion is made that left-wing writers would take the subversion of the existing social system as a final solution to all social problems by exploring why "prostitute" subject prevailed at the then times and analyzing its historical evolving process and revealing the characteristics of prostitute being both exposer and salvation. In addition, the traditional effects on left-wing writers in terms of female are available in this chapter.

首先分析了左翼作家在电影创作中通过对"摩登"的流行文化意义的意识形态改造来完成对女性的意识形态规训过程，之后，通过对"娼妓"题材在本时期流行原因的探索、同类题材的历史演变过程的分析和左翼电影中娼妓作为暴露和拯救双重承受者的身份这一特点的揭示，得出了左翼作家将对现行社会制度的颠覆作为一切社会问题的最终解决方案的结论，同时指出了左翼作家在妇女问题上所受的传统的影响。

The third century gives us (1) the Alexandrian writers of the catechetical school,(2) the writers of Asia Minor and (3) Palestine, and the first Western writers,(4) at Rome, Hippolytus, and Novatian,(5) the great African writers, and a few others.

二，三世纪赋予我们的（ 1 ）亚历山大作家的catechetical学校，（ 2 ）笔者在小亚细亚及（ 3 ）巴勒斯坦和第一位西方作家，（ 4 ），在罗马， hippolytus和诺瓦蒂安，（ 5 ）伟大的非洲作家，以及其他几个。

After the mass writing of angle of vision of children in the 1930's and 1940's, many writers of the New Period choice the angle of vision again, this deprives from the illumination of the development of children's view, from writers' consideration of the inherent characters of the narration, from the love knot of childhood being inspired, from writers' pursuance of texts' liberation after the Great Institutional Revolution, and from the consideration of cultural lurch in the contemporary age.

三四十年代儿童视角的集中写作之后，新时期的众多作家再次选择了这一叙事视角，除了由于儿童观的新发展带来的启发以及对叙事本身特点的关注，还在于童年情结的激发、文革后对文本解放的追求，以及对当代文化困境的思考。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

One end is the substantial use of the third person form, the present tense and the past tense; through frequent use of the third person form as the Subject, the writers of commercial editorials are at a position of an impartial third party describing the facts in an apparently neutral manner; the past tense and the present tense are also considerably employed to further help to enhance the objectivity of the writers" presentation, for they reflect the facts and events which did take place and do stay there now. The other is the moderate employment of modal operators and Modal Adjuncts. Those of low value group and median value group form the main body of all the modal operators; instead modal operators of high value group occur least frequently, which imply writers" strong attitude.

为得到更有普遍性更可信的结论，本文作者选取了30篇商业社评作为大样本进行统计处理、描述及分析；通过对语气成分及情态修饰语的分析，探讨了在商业社评中人际功能与非人际表现的平衡；一方面是大量使用第三人称、现在时态与过去时态，另一方面是应适度采用情态算子与情态修饰语。

This paper focuses on analysis on female writers' nativist novels, in attempt to explore the unique style of female writers from male writers.

本论文主要的关怀面向，即在於透过当代女作家以乡土为主题的小说进行解析爬梳，探索女作家乡土书写不同於男作家的另一种风貌。

Chinese writers have been marginalized over the past century in various ways; for mainland writers from 1949-1979, the marginalization resulted from ideology; for Chinese writers neglected in the canon of world literature, the cause was Western ethnocentricity; and for specific writers, the sanctions have resulted from the prejudice of Orientalism and of Occidentalism.

上个世纪以来，华人世界的许多作家们由于种种原因被社会边缘化了。比如说，中国大陆的作家在1949-1979年间，由于意识形态的政治原因，被边缘化了。由于西方文化中心主义的原因，中国的作家们被挡在了世界文学的大门之外。另外一些作家不幸沦为"东方主义"和"西方主义"辩论的牺牲品。

To explore the writers' self-consciousness, it is inevitable to analyze lots of works and to apply Chinese and Western psychoanalytic theories. I will present the harmony of the writers and the birds' images. Through the birds' narration of their feelings, the writers skillfully communicate the grief and the resentfulness of human nature. Also, I will discuss how mankind transcends the melancholy by reading the articles.

至於探讨的面向有三个，第一是「互诉关怀」，说明对於对方的思念、祝福与慰勉；第二是「唱和争胜」，经由唱和的过程，禽鸟所关涉的旨趣不仅彰显，彼此的感情与写作也有加分效果；第三则是「干谒求职」，这对唐人而言其实是司空见惯的，而禽鸟在这当中所扮演的当然就是作家自己；虽然对於禽鸟选择各有巧思，但都是极力推销的手法。

The third century gives us (1) the Alexandrian writers of the catechetical school,(2) the writers of Asia Minor and (3) Palestine, and the first Western writers,(4) at Rome, Hippolytus, and Novatian,(5) the great African writers, and a few others.

湾的第三个世纪给我们（ 1 ）亚历山大作家的问答学校，（ 2 ）作家小亚细亚和第（ 3 ）巴勒斯坦和的第一位西方作家，（ 4 ）在罗马举行，西波吕，和Novatian ，（ 5 ）伟大的非洲作家，和其他一些。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。