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I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose,four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle,thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska,ne block from where Marceline used to clown on the boards of the Hippodrome,thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public,thirteen blocks from where Harry Thaw shot Stanford White,five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in,some of them on hot,breathless afternoons,lonely and private and full of their own sense of emanations from without.

我是二十二个区段从哪里 Rudolph Valentino 以隆重的仪礼放置，八个区段从哪里内森猛拉被运行，来自欧内斯特海明威打击在鼻子上的最大依斯曼，四里的出版者的办公室的五个区段从哪里沃尔特惠特曼为布鲁克林鹰坐着出汗出社论，当她来了纽约有关内布拉斯加写书的时候，来自街道 Willa Cather 的三十四个区段住在，旧姓的区段从哪里用到在竞技场的董事会上的小丑的 Marceline，来自地点的三十六个区段哪里历史学家乔 Gould 踢了对民众的充足视野的块一个收音机，十三个区段从哪里哈利融解射击史丹福白色的，来自我过去一直在来自克拉伦马车日子年长者在主显节的教堂中被他的罪洗的地点的大都市的歌剧和只有 112个区段引导的地方的五个区段；(我可以不确定继续这一本目录)而且就那件事而论我正在或许占领最房间一些尊贵的和 somewise 值得纪念的个性坐在，他们其中的一些在热又喘不过气来的午后，孤单而私人而充满的他们自己散发感从没有。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle , thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二个街区远的地方，鲁道夫·瓦伦蒂诺在安眠；八个街区远的地方，内森·黑尔被绞死；五个街区远的地方，是出版人办公室，欧内斯特·海明威在那里挥拳击中了马克斯·伊斯门的鼻子；四英里远的地方，沃尔特。惠特曼曾挥汗如雨为《布鲁克林之鹰》写社论；三十四个街区以外，是威拉。卡瑟初到纽约的旧居，她当时正准备写作有关内布拉斯加州的著作；一个街区远的街道，马士莱在竞技场舞台上扮演过小丑；三十六个街区以外，历史学家乔。古尔德在众目睽睽之下踢碎了一台收音机；十三个街区以外，哈里。肖拔枪射击斯坦福。怀特；五个街区以外，是我过去做带位员的大都市剧场；而距离老克拉伦斯。戴举行葬礼的主显节教堂，仅有一百一十二个街区（我不确定还能再想起点儿什么）。就此而言，我正置身其中的房间，或许曾经呆过一些高贵而令人难忘的大人物，他们中一些人，在闷热的下午，坐在这里，孤独而隐秘，发散出异于外界的特有气息。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二条街外，鲁道夫·瓦伦蒂诺的遗体曾供人吊唁；八条街外，内森·海尔被处决；五条街外的出版社办公室里，欧内斯特·海明威一拳打中马科斯·伊斯特曼的鼻子；四英里外沃尔特·惠特曼曾汗流浃背地为《布鲁克林鹰报》社论主笔；三十四条街外是威拉·卡瑟在纽约写内布拉斯加故事时的住所；一条街外的西波佐恩剧院台，西班牙小丑玛瑟林上台演出，三十六条街外，历史学家乔·古尔德当众将一台收音机踢得粉碎；十三条街外，哈利·绍枪杀斯坦福·怀特；五条街外的大都会歌剧院我当过引座员；一百一十二条街外，老克拉伦斯·岱于主显节教堂洗净了罪孽（这个单子可以无穷无尽地列下去）；而且说起来，我呆着的这个房间，或许就有不少尊贵的、各有其难忘之处的人物坐过，也曾有人在热得喘不过气来的下午，寂寞而私密，满心感受着外来之力。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

黑尔就义在8个街区之外，5个街区之外的出版社办公室中厄内斯特？海明威(1899-1961，美国著名作家)曾挥拳击中马科斯？伊斯特曼（海明威同时代美国政治家）的鼻子，在4英里外瓦尔特？惠特曼(1819-1892，美国诗人)曾奋力为《鹰报》撰写社论，34个街区之外是威拉？凯瑟(1873-1947，美国作家)在纽约为内布拉斯加拓荒者著书立传时居住的街道，玛瑟琳曾经常在一个街区之外的马戏场扮演小丑，36个街区之外是历史学家乔高德在大庭广众下踢烂收音机的地方，哈里？福射在13个街区之外杀了斯坦福？怀特（1906年），5个街区之外是我曾做引座员的大都会歌剧院，而在112个街区之外老克拉伦斯？戴(1874-1935，美国作家)在主现节教堂洗去他的罪过；也因而，我此刻置身的房间可能迎接过无数显赫人物，一些人是在令人窒息的炎热下午到来，孤独而隐退，散发着莫名的自我。

Exec producer Silvio Horta and ABC president Steve McPherson confirmed as much in this joint statement: We've mutually come to the difficult decision to make this Ugly Betty's final season, and are announcing now as we want to allow the show ample time to write a satisfying conclusion .

执行制作人Silvio Horta和ABC台领导Steve McPherson在这份联合声明中表示：经多方商议，我们决定在此季终结《丑女贝蒂》，现在我们将这个消息公之于众，并承诺将此剧妥善结尾。

In the past,in order to contact my distant relatives and friends,I have to write leters to them,but thus is too incovenient for I have to wait for at least one month to receive their letters which made me very worried.

以前，为了联系远方的亲人朋友，我不得不写信，但是这太不方便了因为我总要等上至少一个月才能收到回信，令我十分的苦恼。

I confess that I probably learned more from that book than from any other about how to write in English: for example, the fact that there is no verb 'to be' as such and the sense of the transitive function of verbs have been crucial to me, not to mention the way in which language and visual metaphor interpenetrate in Chinese writing and calligraphy.

我坦承，比起其他书来，我从那本书里学到了更多关于如何用英语写作：比如没有"存在"这样的动词，以及动词及物功能的意义，这些对于我一直至为关键，更不用说汉语写作和书法中语言与视觉喻意之间互为渗透的方式。

Have not told others the Chinese classical allusion 4-big masterpiece, that right away, all, one capital has not fallen to the ground have watched, but The Romance of the Three Kingdoms has all looked at three time including "Apotheosis of Heroes "", Sui-Tang dynasty historical novel ","criticize Yue Quan Chuan "", Yang Jia with the historical novel " etc., is to have looked at are no less than eight time "A Dream in Red Mansions" more , returns write some of what one has learned from work , think of "red" often randomly being indeed that the first are at all times and in all lands odd book,... oving ardently to Chinese classical allusion poem word moves downwards by no means in loving ardently to classical fiction , those be detached , bold and uninhibited poets carefree and leisurely reach especially delighted Tao Yuanming , Li Bai work.

别说是中国古典四大名著了，就连《封神演义》、《隋唐演义》、《说岳全传》、《杨家将演义》等等都一本不落地看过，而《三国演义》都看了三遍了，《红楼梦》更是看了不下八遍，还常常瞎写些心得，认为《红》乃古今中外第一奇书……对中国古典诗词的热爱绝不下于对古典小说的热爱，尤其喜欢陶渊明、李白那些悠然超脱、豪放不羁的诗人及作品。

Hello, you have to write a letter letterhead can be directly to your, I do not want to do so because you are a gentle kindness, and love for people like the good girls, so I really could not make the determination, I really could not bear to leave you.

你好，本来给你写的这封信笺可以直接发给你的，可我不想这么做，因为你是一个温柔善良，让人喜欢和爱护的好女孩，所以我真的下不了决心，我真的舍不得离开你。

For a respectable firm to join this club costs about $2m -$1.5m for the electron beam lithographer and ancilliary equipment, plus a year's salary for about five professionals to get it all going typically a physicist to deal with the ion beams, a chemist to deal with packaging, two computer people to write software, and a

为参加这次俱乐部一个体面的坚定费用约二百万至一百五十万元的电子束lithographer和辅助设备另加一年的薪水约五个专业获得这一切会(典型物理学家处理离子束、化验处理包装，两个人写计算机软件、芯片和人来说，整个行动)。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。