查询词典 wretched-looking

Wretched mobs in the Magisters' Terrace are not resetting properly near Selin Fireheart's room.

魔导师平台中，瑟林·火心房间附近的失心者不能正确归位

And yet my life in V is now a wretched life - Your love makes me at once the happiest and the unhappiest of men - At my age I need a steady, quiet life - can that be so in our connection?

妳的爱使我成为世界上最幸福的人，同时也是最痛苦的人。到了这个年龄，需要的是稳定而平静的生活我们可以吗？

And yet my life in V is now a wretched life - Your love makes me at once the happiest and the unhappiest of men - At my age I need a steady, quiet life - can that be so in our connection?

我在维也纳的生活现在破碎不堪。你的爱让我成为最幸福的人也是最不幸的人，我这个年龄需要一个安静稳定的生活。

While the young man stood with his hand upon the library door, still half doubtful whether he should follow his uncle or re-enter the room in which he had left that more wretched creature, whom it had been his business to unmask, Alicia Audley opened the dining-room door, and revealed to him the old-fashioned oak-paneled apartment, the long table covered with snowy damask, and bright with a cheerful glitter of glass and silver.

年轻人一只手按在书斋的门上，仍旧迟疑不决：他是否应该跟随伯父而去，还是重新走进书斋，（他把那更加狼狈的女人丢在书斋里，揭露她曾经是他责无旁贷的事情。）这时艾丽西亚·奥德利推开了餐室的门，他这就看到了老式的栎木嵌板的房间，铺着雪白缎子的长桌子，玻璃器皿和银餐具烟烟生光。

Negro spirituals were religious songs of these wretched people.

美国黑奴圣歌就是这些不幸的人们的宗教民歌。

I sensed the wretched spectres of the drowned staring across from some distant shore, and in my sadness I drew closer, to condole and somewhat to implore ...

我感觉到那些不幸的鬼魂，来自遥远的彼岸、让人仿佛被淹没般的凝视，并且，在我的悲伤中我缓缓前行，略带乞求地哀悼着。。。

Lacking horses the post-coach chose another route, but what an awful one; at the stage before the last I was warned not to travel at night; I was made fearful of a forest, but that only made me the more eager - and I was wrong. The coach must needs break down on the wretched road, a bottomless mud road. Without such postilions as I had with me I should have remained stuck in the road.

天啊，你看一看美丽的大自然吧，对于那些必然的事件要放得宽心些——爱情要求一切的一切，这完全是对的，我对于你，你对于我都应当如此——我必须为我和你而生存，但是你不要把这件事常常记在心头——倘若我们完全结合了，那你——定和我一样会很少感到这种痛苦。

The wretched refuse of your teeming shore. Send these, the Homeless, tempest-tossed to me.

我吧，那些无家可归的、颠簸流离的人们，我在金色之门高举明灯迎接他们。

"Give me your tired, your poor, your huddled masses yearning to breathe free. The wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me. I lift my lamp beside the golden door!"

&给我你那劳累，贫穷，蜷曲渴望呼吸自由的身躯，可怜被遗弃在你们海岸的人群们，交给我吧，那些无家可归的、颠簸流离的人们，我在金色之门高举明灯迎接他们&

Give me your tired, your poor,Your huddled masses yearning to breathe free.The wretched refuse of your teeming shore.Send these, the homeless, tempest-tossed, to me:I lift my lamp beside the golden door.

非常有名的一首诗，雕刻在美国纽约自由女神像基座上，作者是Emma Lazarus，数以百万计世界各地的移民就是从这里在自由女神的火炬下进入美国，在这个国家实现了梦想。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。