查询词典 worn-down

A loose-fitting robe of towelling; worn after a bath or swim.

毛巾布做的宽松长袍；洗澡或游泳后穿。

In the paper, the friction coefficient of the friction pairs of Al2O3 matrix ceramic/45# steel during sliding experiments were studied, and the worn trace's micrographs of Al2O3 matrix ceramic were observed and analyzed, and the wear mechanism of Al2O3 matrix ceramic in dry friction and oil Iubrication were analyzed.

摘 要：本文对Al2O3基陶瓷材料/45#钢摩擦副的摩擦系数与45#钢/45#钢的摩擦系数作了对比滑动摩擦试验研究，观测分析了Al2O3基陶瓷材料磨痕形貌，并就干摩擦，油润滑状态下Al2O3基陶瓷材料的磨损机理进行了分析。

Under the burning sun,everybody was travel-worn and weary in dust and gale.

在烈日下，大风沙尘里，人人风尘仆仆。

John Tsang has had a heart attack most probably because he was travel-worn and over-tired.

曾俊华这次发病，很大可能与风尘仆仆、过於劳累有关。

When I travel-worn back to the north, his feet again stand firm in the city's land, when memories of the Lijiang River will be feeling like Huangruogeshi than dreams floating fantasy.

当我风尘仆仆回到北方，双脚重又在都市的土地上站稳的时候，对漓江的回忆便感觉是那样的恍若隔世，比梦还浮幻。

When I travel-worn back to the north, Feet of land in the city again to firm themselves on the time, The memories of the Lijiang River will be feeling like Huangruogeshi, Than the dreams More floating fantasy.

当我风尘仆仆回到北方，双脚重又在都市的土地上站稳的时候，对漓江的回忆便感觉是那样的恍若隔世，比梦还浮幻。

Under the burning sun,everybody was travel-worn and

在烈日下，大风沙尘里，人人风尘仆仆。

There it is now, a little travel-worn, truly; and one of the ivory bars is cracked, and a brass rail bent; but the rest of it's sound enough.

机 器现在就在那里，旅行后确实已有点破损，一根象牙棒裂开了，一根铜横杆也弯了，但其余部分完好无损。

One represented the entrance of Christ into Jerusalem,"meek, and sitting upon an ass"(Matthew 21:5), and followed by His disciples in travel-worn garments and with naked feet.

一幅画着基督进入耶路撒冷，"是温柔的，又骑着驴，"（太21：5）在后面有门徒，穿着旧衣服，赤着脚跟从他。

It has been related, how, in the crowd that witnessed Hester Prynne's ignominious exposure, stood a man, elderly, travel-worn, who, just emerging from the perilous wilderness, beheld the woman, in whom he hoped to find embodied the warmth and cheerfulness of home, set up as a type of sin before the people.

前面已经叙述过，在目睹海丝特。白兰示众的人群中，站着一个风尘仆仆的上了年纪的男人，他刚刚逃出危险的荒野，却看到体现着他所希冀的家庭温暖和欢乐的女人，在众人面前作为罪孽的典型高高站在那里。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。