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His works span the spectrum from innovative solo works to large-scale opera-house productions, and include such acclaimed works as Between Two Fires (1982), The Race (1992), The Dark Forest (1993), A Long Undressing (1997), Jerusalem (1999), Les Noces (1995) and last year's TENT.

他的作品广泛，从独舞创新作品到大型歌剧院作品，编有众多知名作品，如《两火之间》（1982年）、《种族》（1992年）、《黑暗森林》（1993年）、《漫长的解衣》（1997年）、《耶路撒冷》（1999年）、《女同性恋的婚礼》（1995年）和去年的《露营》等等。

They teach that we are justified not by works only , but they conjoin faith and works , and say that we are justified by faith and works .

他们教导我们有理由而不是由工程只，但他们 conjoin 信仰和工程，并说我们是合理的信仰和工程。

They teach that we are justified not by works only, but they conjoin faith and works, and say that we are justified by faith and works.

他们教导我们有理由不能只，但他们conjoin诚意和作品，说我们是有道理的诚意和作品。

Chen Ying-zhen's works have been reputed as "a banner in the local literature of Taiwan".With peculiar traits,his early works are universally tinted with the sentiments of strong sentimentality,dejectedness and self-pity.In his works Chen Ying-zhen has displayed much compassion over the fate of both the urban intellectuals and insignificant persons at the bottom of society.

陈映真的创作被誉为"台湾乡土文学的一面旗帜"，他的早期创作特点十分突出，普遍带有浓郁的感伤、苦闷和自怜的情绪，无论是对于市镇知识分子还是社会最底层的小人物的命运，陈映真都充满了深刻的悲悯情怀。

The right of divulgation in the internet, means that an author has the right to determinate whether to issue his works publicly by means of the internet, and also may comprehend one kind of static fight that the right man owns by law,but the fight of transmission in the internet is a right that the author and related right men carl enjoy with cable or wireless means to supply their works to the public,causes the public to obtain the works in the fixed time and site.such reflection is the actual condition the authors had achieved the right of divulgation.

网络发表权是指作者决定是否将其作品通过网络公之于众的权利，所反映的是一种待实现状态，也可以理解为是权利人依法享有的一种静态性权利；而网络传输权是指著作权及相关权利人享有以有线或者无线方式向公众提供作品，使公众可以在其个人选定的时间和地点获得作品的权利，其反映的是作者实现发表权的现实状态。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

His works, such as Tragety psychology and Literary psychology, are the foundering works of Chinese and western comparative poetics, and are important interdisciplinary works.

他的《悲剧心理学》、《文艺心理学》和《诗论》是中西比较诗学的奠基之作，也是跨越诗学、美学、心理学的跨学科研究的重要著作。

The representative works of the erotic fictions of the Ming and Qing Dynasties mainly include "sensible" works like A Dream of Red Mansion and "erotic" or "free-minded" works like The Plum in the Golden Vase.

明清性爱小说代表作品主要是以《红楼梦》为主的"至情"类作品和以《金瓶梅》为代表的"艳情"或"任性"类作品。

But those who definite person by the criterion of appellation believe that there is the second -person in works, they study the works from the view of geist, intuition and whole, they emphasize different impression which is from different personal pronoun, from their view, there is the second -person in works, so, what they said is reasonable.

我们认为，文化理论的借鉴、交融是必然的、可取的，但对文化理论交融中产生的理论术语混乱，必须加以澄清，否则它必然会造成我们理论表述的模糊与混乱。

So that more consumers can enjoy more delicious quality, technology is even better than wine.

让更多的消费者可以品尝到品质更为鲜美，工艺更为精湛的葡萄酒。

Open it in your favorite text editor .

在你最喜爱的文本编辑器中将它打开。