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word painting相关的网络例句

查询词典 word painting

与 word painting 相关的网络例句 [注:此内容来源于网络,仅供参考]

The small-time mother had been forced to practice calligraphy, Miao Hong, Pro paste, I can not always be patient, a practice just settling into shape, forming the word just, I do not practice, then fell in love with a painting, sketching Just have to draw a kind of norm-Dan Gaoxiang, watercolor painting can be just a few goldfish tail, and I was thrown away and began playing musical instruments, piano fingering Lianshu just, just the guitar on and off the bomb to a "love of the Romans" I have been away, just like fishing cat, feel nothing, feel the hand and get nothing, so Mom is often said that I do not doubt the ability, but my stamina suspicion.

小时间母亲不得不练字,苗红,临贴,我不能永远是病人,这种做法只是解决形成,形成了词公正,我不练习,然后爱上了一幅画,素描只是提请一种规范丹高翔,水彩画可以只有几尾金鱼,我扔掉,并开始弹奏乐器,钢琴指法Lianshu公正,公正的吉他和关闭炸弹了"爱的罗马人:"我已经离开,就像捕鱼猫,觉得没有什么,感觉手和得到什么,所以妈妈经常说,我不怀疑的能力,但我的体力怀疑。

Following the pedigree of Huang Gong-wang-Dong Qi-changWang Yuan-qi, wefind the developing track of landscape painting of this period, through the taxis and comparing of their works, and hold the opinion that the coming up of "dragon venation" in Chinese ancient theory of painting is the sum-up of composition during the period of Wangyuanqi. The word prefer to the whole effect and imposing manner in paintings, weakening the relationship with geomantic. From it, we can find the efforts of ancient people searching for the best methodicalness.

本文遵循从黄公望到董其昌再到王原祁的谱系脉络,在对三者作品的排序、比对中,寻找这一时期山水画发展的轨迹,并认为中国古代画论中"龙脉"说的提出,是王原祁时代对布局章法的总结,此词在这一时期与风水的关联淡化了、减弱了,更多的指向绘画作品中的气势及整体效果,从中我们可以看到古人寻找最佳章法的努力。

If his former works can be called "full", today, his works are quite illusory ; the same conception of rigorous painting, but dreary meticulousness is added into it. Flavour, embroidered shoes, mildewed spots, rubbing mark , word characters are all scattered on the painting cloth looking like only some remains or the vestiges in life or memory.

从这里开始,他形成一个有趣的概念,即通过自己体贴的混淆,某种物质可以被创造出非此非彼的玄秘性质;置于中国画常设空白的世界中,有种命定了的孤绝感,让人感觉到,这些东西好像与天地之间神秘的"源头性"力量联系在一起。

Chinese and western arts influenced, penetrated and developed transnational various new arts of all kinds and globally blended people's cultures and emotions by communicating and learning each others' characteristics.Key word: chinese folk art,western modern art,zhuaji moppet,shuimo painting,stone plate painting

中西方艺术通过沟通和交流,取长补短、融会贯通、相互借鉴各自的特点,潜移默化地影响渗透,创新和发展了没有国界、种类繁多、形式多样的新艺术,融合了世界各国人民的文化和感情。

In another word, the status does not exist that a painter should learn from nature "purely" without any "prejudice" and paint realistically by facing an object to paint out what he or she has perceived. To obtain such capability, painting learners or students shall use their eyes (teachers ask students in the painting class "where are your eyes and your perceptions") to observe objects and things at the beginning of study and then paint the models faithfully by means of "facade-subdivision"(or "preferring to square not round" as described by Xu Beihong, or decomposing the object into many petty facades as described in the line drawing textbook by P.P. Chistjakov so as to turn around the object bit by bit).

也就是说,不存在这样一种状态,画家为了画出自己的感觉,他们应该"纯洁"地不带"偏见"地去向自然学习,去面对物体直截了当地写生,而为了获得这种能力,在学习绘画的初始阶段,就必须训练学生们用自己的眼睛(在绘画课室里,老师总是质问学生,你的眼睛在哪里,你的感觉在哪里)去观察对象,然后用一种"分面"的方法(也就是徐悲鸿所说的"宁方勿圆",或者按照据说是契斯恰科夫的素描教程的要求把对象分解成许多小面,以便使物体能够一点一点地转过去的方法)把眼前的模特如实地画下来。

Even there is a word saying the painting is dead, the painting, as one of the modern arts, is always full of energy.

虽然有人提出了绘画已经死亡的口号,但作为当代艺术发展的一支,平面绘画却始终充满了活力。

It is also related to my understanding of painting. For me, painting is a word, a memory. My thoughts and actions, or a certain purpose born out of it, or a certain reason are what I consider in painting. This assembly of things could appear to be rather absurd at times.

再有我对绘画的认识,绘画于我来说是一个词,一个记忆,由它生发的以后的想和做,或某种目的性,某种理由,我都把它们理解成绘画,这种综合有时展示出来是比较荒唐的。1

It can be said, each word, setting a national painting and have the mentality of the era, steeped in the culture of the national spirit. As art, as the Chinese mentality of the crystallization of painting and calligraphy art, the more Budai a statement.

可以说,每幅字、画都凝结着民族与-代的心态,积淀着民族精神的文化层-作为艺术,作为中国人心理意识结晶-的书画艺术,就更不待言了。

Deng: I want to add a point: my painting has continuity. I feel I enter into the role step by step, gradually posing myself on the position between peep and being peeped. The position is like the "sub-consciousness", a moment of trance. But I really never heard about this word… I am always painting myself, but I am afraid that it would become self-portrait. I don't like the others ask me,"why did you always paint youself?"

邓:我要补充一点,我的画有一种连续性,我觉得我是逐步进入角色的,逐步把自己摆在一个窥视与被窥视的位置上,这个位置的状态可能有点像你所说的那个"潜意识",一种瞬间的恍惚,不过我真的没听过这个词……我一直都在画自己,但我很怕变成自画像,我不想别人问我:你老画自己干嘛。

Wau River Government of theformer mayor, is now president of the Association Painting andCalligraphy of stone Lianquan is co-founder of a local painting andcalligraphy art, he wrote one hand stating that you wish, a busygovernment while his pen stopped working, he created a smallrunning hand in 2900 the word "Tang 50 The first,"Semi-cursivescript together," Plum Blossom blood flying piano on the Green isthe Willow and salt into the wine,"removal of the National Awardtwice, he led a group of people learning calligraphy painting, andthis way, as the town arts and culture," Master "of stone withspring Now retired, he retired but remained active guidance ofpainting and calligraphy at home each week for the school kids on a15-hour calligraphy class, someone asked him, tired, he Xiaohe He'ssaid:"It does not matter, I am pleased to With the local paintingtradition, dolls to learn momentum is so high, I am pleased to ah."

原卧牛河政府镇长、现书画协会会长的石连泉就是当地书画艺术的创始人之一,他写一手好字,繁忙政务之余笔耕不辍,他创作的2900字小行书《唐诗50首》,行书联&梅花带血飞琴上,柳色和盐入酒中&两次摘取全国大奖,他带动了一批人习字作画,并乐此不疲,作为镇里文化艺术&掌门人&的石连泉如今已退休,他退而不休依然活跃在家乡指导书画,每周还为学校的孩子们上15个小时书法课,有人问他累不累,他笑呵呵的说:&这不重要,我欣慰的是乡土书画有了传承,娃娃们学习劲头这么高,我高兴啊&。

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