查询词典 without day

And on the fifth day nine bullocks, two rams, and fourteen lam of the first year without ot

29：26 第五日要献公牛九只，公羊两只，没有残疾，一岁的公羊羔十四只。

And on the third day eleven bullocks, two rams, fourteen lam of the first year without blemish

29：20 第三日要献公牛十一只，公羊两只，没有残疾，一岁的公羊羔十四只。

In the nature of single blessedness he would one day take unto himself a wife when Miss Right came on the scene but in the interim ladies' society was a conditio sine qua non though he had the gravest possible doubts, not that he wanted in the smallest to pump Stephen about Miss Ferguson (who was very possibly the particular lodestar who brought him down to Irishtown so early in the morning), as to whether he would find much satisfaction basking in the boy and girl courtship idea and the company of smirking misses without a penny to their names bi or triweekly with the orthodox preliminary canter of complimentplaying and walking out leading up to fond lovers' ways and flowers and chocs.

这位幸运的单身汉有朝一日遇上相般配的小姐，就会娶她作妻子。到那时为止，与女人交往倒也是个不可或缺的条件。他丝毫不想为弗格森小姐（促使他凌晨来到爱尔兰区的，极可能就是这位特定的&北极星&哩）的事盘问斯蒂芬什么。尽管他十分怀疑斯蒂芬能够从诸如此类的事中得到由衷的满足：沉湎于少男少女式的谈情说爱啦，同只会嘻嘻嘻地傻笑、身上一文不名的小姐每周幽会上两三次啦，照老一套的程序相互恭维，外出散步，又是鲜花又是巧克力地走上亲密的情侣之路。

At the same time, these councils expressed something of the power situation and much of the world view of their day, and their dictums cannot be followed easily without some interpretation and translation.

在同一时间内，两个市政局表示，一些权力的形势和世界许多鉴于他们的一天，和他们的dictums不能其次是一些容易在没有口译和笔译。

Parties were able to elude each other for the space of half an hour without going beyond the "known" ground.By-and-by, one group after another came straggling back to the mouth of the cave, panting, hilarious, smeared from head to foot with tallow drippings, daubed with clay, and entirely delighted with the success of the day. Then they were astonished to find that they had been taking no note of time and that night was about at hand.

这条主通道宽不过八到十英尺，每隔几步两旁就有高耸而又狭窄的通口叉出去，——因为麦克道格拉斯山洞是个通道交错的大迷宫，不知通往何处，有人说你在这错综复杂的裂口和崖缝中一连走上几昼夜都找不到山洞的尽头；你尽可以一直往下走，往深处里去，大迷宫套小迷宫，一个也走不到头。

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We who have experienced it know that romantic love is a fall-in, crawl-out proposition: When you're bonding with that special someone, everything is wondrously effortless; when the relationship hits the skids , getting through an ordinary day feels like climbing Everest without supplemental oxygen.

那些经历过的人都知道浪漫爱情是一个&坍塌--爬出来&的命题：但你和&特别&的那位在一起的时候，一切都奇迹般地毫不费力；但关系失败，要渡过平日里的一天就如同没有补给氧气要爬珠穆朗玛峰。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

ES cells were maintained on gelatin-coated dishes in Iscove's modified Dulbecco medium containing 0.1 mmol/L of nonessential amino acids, 2 mmol/L of L-glutamine, 0.1 mmol/L of monothioglycerol, 15% fetal bovine serum, and 1000 U/mL leukemia inhibitory factor. Embryonic bodies were firstly formed by ES cells with hang drip method in IMDM without LIF. Six-day-old EBs were trypsinized and the cells were resuspended at a concentration of （3-4）×109 L-1 cells per 1 mL of a 1:1 mixture of culture medium and Matrigel?

实验方法：将鼠胚胎干细胞株接种于被覆明胶的培养瓶内，加入含0.1 mmol/L非必需氨基酸、2 mmol/L L-谷酰胺、0.1 mmol/L二羟基丙硫醇、15%胎牛血清、1 000 U/mL白血病抑制因子的IMDM培养液。3 d后采用&悬滴法&使细胞在不含白血病抑制因子的上述IMDM培养液中形成胚胎体，6 d后胰酶消化得到胚胎干细胞，浓度调整为（3~4）×109 L-1，与Matrigel？

Without you I know what day is high, the grass green?

没有你我哪知道天是高，草是青？

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。