查询词典 with the sun

Thunbergii trees were established, and the sun survivorship curves were drawn with field data. The results showed that in the three plots, the height and basal diameter growth of regenerated young P. thunbergii trees had exponential, linear, and quadratic functional relations with age and the age structure was of spindle, discrete, and pyramid types, respectively. Most of the regenerated young trees were distrbuted at 0.3-1.2 m from their nearest standing trees, and the individuals of the young trees decreased near to or far from the nearest standing trees. Inplots Ⅰ and Ⅲ, the expected average life of regenerated young P. thunbergii trees had a decreasing trend with their increasing age, and the survival number of the population also decreased with increasing population age. The survivorship craves of regenerated young P. thunbergii trees in the two plots approximated to the type of Deevey Ⅱ, indicating that the young P. thunbergii populations in the plots were at stable development stage. The population structure of regenerated young P. thunbergii trees in plot Ⅱ was lesser integral, suggesting that the population was of declining types being related to human disturbance, slope and other environmental factors.

结果表明：(1) 3个样地中幼龄植株高生长、基径生长与年龄均分别呈指数函数、直线和二次函数关系；(2) 3个样地黑松幼龄植株年龄结构存在着明显差异，分别表现为纺锤形、残缺型和金字塔型；(3)幼龄植株主要集中分布在距最近立木0.3~1.2m，离立木越近或越远幼龄植株均逐渐减少；(4)对样地Ⅰ和样地Ⅲ黑松幼龄植株生命表和存活曲线的分析表明，随年龄的增加，黑松幼龄植株生命期望值基本上呈递减趋势，黑松幼龄植株种群存活数也随着年龄的增加而降低；样地Ⅰ和样地Ⅲ黑松幼龄植株种群存活曲线近似于Deevey Ⅱ型，表明2个样地黑松幼龄植株种群处于稳定发展阶段；(5)样地Ⅱ幼龄植株种群结构很不完整，表明该种群属于衰退型，与人为干扰及坡度等有关。

O ye who are filled with the horror of great darkness because of God's dealings with mankind, learn to trust that infallible wisdom, which is co-assessor with immutable justice; and know that He who passed through the horror of the darkness of Calvary, with the cry of forsakenness, is ready to bear you company through the valley of the shadow of death till you see the sun shining upon its further side.

阴影和太阳，层层乌云之后，紧跟著灿烂的光辉，在神的一切义行之中，都有其预定的计划，它的影响遍及於某些彷佛受有特殊教训的个别灵魂，也及於其他的灵魂啊，你们看到了那种惊人的黑暗，因为这是神为人类所作的安排，应当学会信靠那绝无错误的智慧，这和永恒之义是一体的两面；你要知道那位大声喊道：『我的神，我的神，为什麼离弃我』（太二十七：46）经过各各他恐怖黑暗的主耶稣，祂一直准备著要陪你行过死荫的幽谷，直到你们看见太阳在那一边照耀著。

In addition to shotting a drama on-location,fantastic and novelty nature of Thai culture,along with all the memorable moments with the fans who constantly cheered me on with warm-heartedness and waited for me without complaints under the scorching sun have especially given me huge push throughout every schedule.

不仅仅是拍摄电视剧时的回忆，还有奇幻的异国文化，尤其是与一直用真心为我助威的，在炎热的阳光下，为我的每个日程添加力量的粉丝们的回忆。泰国亲友们善良的眼神，我是永远不会忘记的。

Music: A Large Chimney A large chimney with dark nostrils Breathing with thick and dirty smoke. A large chimney with a big mouth Spiting out weeping stenches. Truly, you contaminate the air, And even the sun has red eyes. We do not want to stop you from working, But only ask for a clear sky.

大烟囱之歌大烟囱，你黑黑的鼻空，呼出的空气真是有够惊人，呒免讲你污染了天空，连太阳也乎你薰卡眼红，呒是阮无欢喜恁做工，曲是咱拢需要一个清气的天空。

Mandolin boat Swing in the moon Shepherd and Mary I understand, life is today See you next week Sunny Tuesday You were my story I understand, life is too funny I don't know why I sigh Love was to entertain I don't know, follow me Till the moonlight fades away Fades away, woo The silence' on fire, and you stay with me Never know, never speak We shut the door behind Counting matches How warm is here You are my glory I wish to say, you were to save me I don't know why I sigh Love was to entertain I don't know what to do Kiss my heart and sing me a song woo, woo The silence' on fire and you stay with me La la la I still…I think we can sail away We can sail away if we have the sea Lonely star And I wish you were here to stay with me Never stay I sing a song of how you sang with me Let it be Cannot recall the boat beneath the sun La la la And I can say you made me silent

曼陀林船摆在月球谢泼德和玛丽我的理解是，今天的生活看到你下周阳光星期二你是我的故事我的理解是，生活太可笑我不知道为什么我的叹息爱情是受理我不知道，跟我来直到月光消失了消失了，雨沉默'着火，你留在我永远不知道，从来没有讲我们关上了门背后计数比赛如何在这里热烈你是我的荣耀我想说，你能救我我不知道为什么我的叹息爱情是受理我不知道该怎么办吻我的心和我唱的歌曲宇，宇沉默'着火，你留在我拉啦啦我还是。。。我觉得我们可以航行距离我们可以航行距离如果我们有海孤独之星我祝你在这里留在我切勿留我唱的一首歌你唱我的让我们不记得船底下的太阳拉啦啦我可以告诉你们使我保持沉默

In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

在这方面的形象，我用13个灯： 4全方位的灯作为环境照明，二要强调形式的引擎， 3射灯，以突出后面的引擎， 3突出强调，镜面和油腻的作用，对蚬壳，一聚光灯背后的蜗牛颈部为小组表面散射中，除了太阳与地区的树荫和天空与hdri与气氛，类似照片的道路，为全球照明，我用了一个表面上与一沥青纹理为楼和黄线只反映对发动机，并添加一些辐射，以蜗牛身体和服务。

I normally use quite a lot of light sources; I place them so I can highlight details of the scene. In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

通常我使用很多的光源，我到处放置它们，这样我才能照到足够多的细节，在这幅图里我使用了13盏灯，4 盏点光源作为环境光，2盏来照亮引擎的形状，三盏聚光灯用来照亮引擎的背面，三盏来强调蜗牛壳的高光及油腻的感觉，有一盏蜗牛脖子背后的灯光来表现3S半透明效果，另外还有一盏太阳光来获得各个区域的阴影，以及一个赋予了HDRI贴图的sky，来作为全局光，我使用了一种沥青材质作为地面材质，并让引擎能反射地面上的黄色带子，并为蜗牛身体与光射线增加了一些radiosity，以取得得与背景类似的灯光环境。

Lighting灯光I normally use quite a lot of light sources; I place them so I can highlight details of the scene. In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

通常我使用很多的光源，我到处放置它们，这样我才能照到足够多的细节，在这幅图里我使用了13盏灯，4 盏点光源作为环境光，2盏来照亮引擎的形状，三盏聚光灯用来照亮引擎的背面，三盏来强调蜗牛壳的高光及油腻的感觉，有一盏蜗牛脖子背后的灯光来表现3S半透明效果，另外还有一盏太阳光来获得各个区域的阴影，以及一个赋予了HDRI贴图的sky，来作为全局光，我使用了一种沥青材质作为地面材质，并让引擎能反射地面上的黄色带子，并为蜗牛身体与光射线增加了一些radiosity，以取得得与背景类似的灯光环境。

"With the hot, mid-day sun burning down upon her face, and lighting up its shame; with the scarlet token of infamy on her breast; with the sin-born infant in her arms;"

炎炎的午日烧灼着她的面孔，照亮了脸上的耻辱，她胸前佩着丑陋的鲜红标记，怀中抱着因罪孽而生下的婴儿。

Such an interview, perhaps, would have been more terrible than even to meet him as she now did, with the hot, mid-day sun burning down upon her face, and lighting up its shame; with the scarlet token of infamy on her breast; with the sin-born infant in her arms; with a whole people, drawn forth as to a festival, staring at the features that should have been seen only in the quiet gleam of the fireside, in the happy shadow of a home, or beneath a matronly veil, at church.

个人。或许，在另外一种场合同他邂逅要益发可怕。如今呢，她那本来只该在壁炉旁恬静的柔光中b在家中幸福的暗处或在教堂的庄严气氛笼罩下才能看到的姿容，却在聚拢来的全镇人面前，被大家象看热闹似的死盯著：炎炎的午日烧灼著她的面孔，照亮了脸上的耻辱，她胸前佩著丑陋的鲜红标记，怀中抱著因罪孽而生下的婴儿。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。