查询词典 with pleasure

And in the second chapter, the writer discusses that Barthes how to deal with his text, and pleasure is the typical character of his text ,and why his text is pleasure, after that ,the writer analyses some pleasure texts briefly with his view.

第二章则在论述他是如何处理自己的"文"，其"文"的典型特征在于"悦"及"文"之所能"悦"的原因，并运用了他的思想对悦之文进行了简要的分析。

A Little Boy How I never could be tired with roaming about that huge mansion, with its vast empty rooms, with their worn-out hangings, fluttering tapestry, and carved oaken panels, with the gilding almost rubbed out---sometimes in the spacious old-fashioned gardens, which I had almost to myself, unless when now and then a solitary gardening man would cross me---and how the nectarines and peaches hung upon the walls, without my ever offering to pluck them, because they were forbidden fruit, unless now and then,---and because I had more pleasure in strolling about among the old melancholy-looking yew-trees, or the firs, and picking up the red berries, and the fir-apples, which were good for nothing but to look at ---or in lying about upon the fresh grass, with all the fine garden smells around me---or basking in the orangery, till I could almost fancy myself ripening too along with the oranges and the limes in that grateful warmth-or in watching the dace that darted to and Fro in the fish-pond, at the bottom of the garden, with here and there a great sulky pike hanging midway down the water in silent state, as if it mocked at their impertinent friskiness,---I had more pleasure in these busy-idle diversions than in all the sweet flavors of peaches, nectarines, oranges, and such like common baits of children.

tapestry绣帷；挂毯 nectarine油桃 gilding镀金 pluck 采，摘，拔 fir-apples：枞树的一种圆锥形果实 dace鲦鱼 dart猛冲，飞奔 impertinent不切题的一个小男孩查尔斯·兰姆我在那所很大很大的宅院里满世界地跑，从来不知什么是疲倦：那里有许许多多又大又空的房间和破破烂烂的帷帐，墙上的幔子还随风飘动，橡木雕花嵌板上的金粉却已剥落了——我常常到那座古老的大花园里去玩，那花园简直叫我一个人独占了，偶尔才碰上一个孤零零的老园丁——那园子里，油桃和桃子垂在墙头上，我根本不去碰它，因为那是禁果，除非偶然一回两回——因为，我更高兴在那些带着忧郁神情的老水松树或者枞树之间跑来跑去，从地上捡那么几颗红浆果，几只枞果，而那些枞果只能看，不能吃——有时候，我随便躺在嫩草地上，让自己完全沉浸在满园子的芳香之中——要不然，我就在桔子园里晒太阳，晒得暖洋洋的，一边想象自己跟那些桔子、好些菩提树一同成熟起来——再不然，我就到花园深处，看那些鲦鱼在鱼池里穿梭般游来游去，不定在哪里还会发现一条很大的梭子鱼冷冷落落地停在深水之间，一动不动，好象对于那些小鱼们的轻狂样儿暗中表示鄙夷，——我喜欢的是诸如此类无事忙的消遣，而对于象桃子呀，油桃呀，桔子呀等等这些普通的小孩子们的诱饵，碰也不去碰它。

The poet, that beautified the sect, that was otherwise inferior to the rest, saith yet excellently well: It is a pleasure, to stand upon the shore, and to see ships tossed upon the sea; a pleasure, to stand in the window of a castle, and to see a battle, and the adventures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth (a hill not to be commanded, and where the air is always clear and serene), and to see the errors, and wanderings, and mists, and tempests, in the vale below; so always that this prospect be with pity, and not with swelling, or pride.

这位诗人曾说："站在岸上看船舶在海上簸荡是一件乐事；站在一座堡垒底窗前看下面的战争和它底种种经过最一件乐事；但是没有一件乐事能与站在真理底高峰（一座高出一切的山陵，在那里的空气永远是澄清而宁静的）目睹下面谷中的错误、漂泊、迷雾和风雨相比拟的"；只要看的人对这种光景永存恻隐而不要自满，那末以上的话可算是说得好极了。

The poet, that beautified the sect,that was otherwise inferior to the rest, saith yet excellently well:'It is a pleasure to stand upon the shore, and to see ships tossed upon the sea: a pleasure to stand in the window of a castle, and to see a battle, and the adventures thereof, below:but no pleasure is comparable, to the standing, upon the vantage ground of truth:'(a hill not to be commanded, and where the air is always clear and serene;)'and to see the errors, and wanderings, and mists, and tempests, in the vale below:' so always,that this prospect, be with pity, and not with swelling, or pride.

有一派哲学在别的方面都不如他派，可是有一位诗人为这派哲学增光不少。这位诗人曾说："站在岸上看船舶在海上簸荡是一件乐事；站在一座堡垒底窗前看下面的战争和它底种种经过最一件乐事；但是没有一件乐事能与站在真理底高峰(一座高出一切的山陵，在那里的空气永远是澄清而宁静的)目睹下面谷中的错误、漂泊、迷雾和风雨相比拟的"；只要看的人对这种光景永存恻隐而不要自满，那末以上的话可算是说得好极了。

The poet that beautified the sect, that was otherwise inferior to the rest, said yet excellently well: 'it is a pleasure, to stand upon the shore, and to see ships tossed upon the sea; a pleasure to stand in the window of a castle, and to see a battle, and the adventures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth' a hill not to be commanded, and where the air is always clear and serene, 'and to see the errors, and wanderings, and mists, and tempests, in the vale below;' so always, that this prospect be with pity, and not with swelling, or pride.

还是那位诗人（他使自己的一派增光，否则它就会逊色与其他派别）说得精彩："站在海岸看颠簸在海面上的船只是一种快乐，站在城堡的窗口看下面一场冒险的战斗也是一种快乐；但站在占据真理的优势，审视谬误与疑虑，如同站在一个空气始终清新宁静、没有硝烟、而且不会被人占领的山头，看下面山谷里的迷雾与风暴，——这是无以伦比的快乐。"

The poet that beautified the sect that was otherwise inferior to the rest says yet excellently well: 'It is a pleasure to stand upon the shore and to see ships tossed upon the sea; a pleasure to stand in the window of a castle and to see a battle and the adventures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth '(a hill not to be commanded, and where the air is always clear and serene;) 'and to see the errors, and wanderings, and mists, and tempests, in the vale below;' so always, that this prospect be with pity, and not with swelling, or pride.

一个名列最次的学派，却出了一位光照学门的杰出诗人；下面的话他说得非常精彩："站在海岸看颠簸在海面上的船只是一种快乐，站在城堡的窗口看下面一场冒险的战斗也是一种快乐；但占据真理的优势，审视谬误与疑虑，如同站在一个空气始终清新宁静、没有硝烟、而且不会被人占领的山头，俯看山谷里的迷雾与风暴，——这是无以伦比的快乐。"不过你任何时候都应该带着怜悯而不是吹嘘或骄傲。

The poet, that beautified the sect, that was otherwise inferior to the rest, saith yet excellently well: It is a pleasure, to stand upon the shore, and to see ships tossed upon the sea; a pleasure, to stand in the window of a castle, and to see a battle, and the adventures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth (a hill not to becommanded, and where the air is always clear and serene), and to see the errors, and wanderings, and mists, and tempests, in the vale below: so always that this prospect be with pity, and not with swelling, or pride.

有位诗人，提升了这原本一无是处的学派，还很了不起地说到：「站在海岸看船沈没入海是一种乐趣，站在城堡的窗内看一场战役以及底下那儿的冒险犯难是一种乐趣，但没有乐趣比得上站在真理的高台上（空气清新，不受制於人的高丘），看见错误，看见底下山谷的迷路、蒙雾、暴风雨」这毕竟是怀著悲悯而不是自满自傲地的胸怀。

The poet, that beautified the sect, that was otherwise inferior to the rest, said yet excellently well: 'it is a pleasure, to stand upon the shore, and to see ships tossed upon the sea; a pleasure to stand in the window of a castle, and to see a battle, and the adventures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth:' (a hill not to be commanded, and where the air is always clear and serene;) 'and to see the errors, and wanderings, and mists, and tempests, in the vale below;' so always, that this prospect be with pity, and not with swelling, or pride.

"有一派感性主义哲学〈指伊璧鸠鲁派哲学家克莱修（ Lucretius ，罗马人，约前99—约前55）。名著有《特质论》。认为感觉是一切的尺度〉在许多方面是肤浅的，但其中一位诗人却由於向往真理而流芳於世。他曾说过："居高临下遥看颠簸于大海中的航船是愉快的，站在堡垒中遥看激战中的战场也是愉快的，但是没有能比攀登于真理的高峰之上（一座高出一切的山陵，在那里的空气永远是澄清而宁静的），俯视尘世中的种种谬误与迷障、迷雾和风暴之变更愉快了！

And he realizes the ultimate reality of life by this. The meaningful life is the life without pity. The life without pity is the prelusory goal of life, the authentic existence said by Martin Heidegger and the life of superman said by Friendrich Nietzsche. The life cotains works and games. People work for existence and exist for pleasure. The ways of the ultimate devotion are the ways to get pleasure. The meaningful life is the life with pleasur. We can enjoy our life by changing conditions to create a game or changing our minds to feel the pleasure from affairs.

有意义的生命就是死而无憾的生命，死而无憾是人生的前游戏目标，也是海德格所称的本真的存在以及尼采所认为的超人的生命，人生必定存在工作与游戏，工作为了生存，生存则为了享乐，能够成为终极献身的方法就是可以得到乐趣的方法，有意义的人生就是享乐的人生，为了享受人生可以藉由改变外在环境，也就是创造游戏的环境，或改变自己的心态，感受事物中的乐趣来达成。

Of course this was tasking slender powers for great ends; but it gave me something to do on a rainy day, and I acquired a sufficient knowledge of French to read with pleasure La Fontaine's,"Fables,""Le Medecin Malgrè Lui" and passages from "Athalie".

但是雨天时，它至少让我有了点事可做。而且在我兴趣盎然地读拉方丹的《寓言》和拉昔姆的《被强迫的医生》时，也的确学会了不少法语。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。