查询词典 with force and spirit

The handtailor nourishes the tonic: Four team's members necessary, it is said can let the human who was already utterly exhausted become the vigor abundant medicine Sword eight: The generation seals gives the strongest god of death the title Alone blinkers eyeshade: The technical development bureau manufacture may unlimited absorb the spirit strength unceasingly the monster, the sword eight uses it to constrain own strength and to store up its spirit strength Shakes the spot: The anaesthetic, the spirit presses the low person so long as stains can remain unconscious, but does not have the function to the spirit strength excel in person Puts on/to collapse the spot: Strong effect anesthetic, even if the spirit strength excel in person also with difficulty resists The day treads gorgeously: So long as pours into the spirit strength to be able in the sky soaring, is the corpse soul unique precious stage prop Energetic body: The secret mobile most important special spirit has one above, thus can cut the soul knife the main body to force the extension to absorb obtains the embodiment Handcuff: May seal up criminal's spirit strength The secret is mobile: The explanation did not have temporarily, found said again Garrulous bee: The bee ninth generation teaches other people, in six brother younger sister's sixth human of bee tree top damask silk, after joins the punishment armed forces the given name which inherits from her great grandmother there Punishment armed forces: The secret mobile first division, is completely in five division's highest organizations.

特制滋养强壮剂：四番队的成员必备，据说能让已经疲惫不堪的人变得活力充沛的药剑八：世代封予最强死神的称号独眼罩：技术开发局制造的可以无限制不断吸收灵力的怪物，剑八用它来压抑自己的力量并将其灵力储存起来震点：麻醉药，灵压较低的人只要沾上一点就会昏迷不醒，不过对灵力高强的人没有作用穿点/崩点：强效麻醉剂，即使灵力高强之人也难以抗拒天踏绚：只要注入灵力就能在天空飞翔，是尸魂界独一无二的珍贵道具精神体：隐秘机动最重要的特殊灵具之一，能将斩魄刀的本体强制转摄其上从而得到具像化手铐：可以封住犯人的灵力隐秘机动：解释暂无，找到了再说碎蜂：蜂家第九代传人，六兄妹中的第六人蜂梢绫，加入刑军后从她曾祖母那里继承来的名号刑军：隐秘机动第一分队，是全部五分队中的最高机构。

The court thinks, wang Ji is a purpose with detinue, with buying and selling, trade for cover, use privacy of the injured party of so-called exposure, make public to coerce, try to force its compulsively to hand over the debt with six to one of reasonable price, charge through implementing spirit to the injured party, amount is huge, its behavior should conviction with blackmail blame punishment.

法院认为，王奇以非法占有为目的，以买卖、交易为幌子，采用所谓揭发、张扬被害人隐私来要挟，试图通过对被害人实行精神强制迫使其交出与合理价格、费用相差悬殊的钱款，数额巨大，其行为应以敲诈勒索罪定罪处罚。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Permanent abundant abrasive is it have Co., Ltd. belong to enterprise run by the local people establish to 1998 to rub, the area that the factory building is built and afforesting with an area of 12000 square meters, the company relies on rich technical force and endless enterprising spirit, devoted to various kinds of needs of rubing having , oilstone to develop, the company produces green carbonization , black carbonization , little powder and ultra precise electronic material series mainly, there is sale in Guangdong , Shandong , Sichuan , Beijing , Shanghai , Jiangsu , Zhejiang and Fujian of our country at present, produce the mouth to export to Japan , U.S.A. partly.

恒丰磨料磨具有限公司属民营企业创立于一九九八年，厂房建设面积和绿化面积12000平方米，公司凭借雄厚的技术力量和永无止境的创业精神，致力于各种磨具、油石的需要研制开发，公司主要生产绿碳化、黑碳化、微粉及超精电子材料系列，目前在我国广东、山东、四川、北京、上海、江苏、浙江和福建均有销售，部分产品出口日本、美国。

Thy Godlike crime was to be kind, 36 To render with thy precepts less 37 The sum of human wretchedness, 38 And strengthen Man with his own mind; 39 But baffled as thou wert from high, 40 Still in thy patient energy, 41 In the endurance, and repulse 42 Of thine impenetrable Spirit, 43 Which Earth and Heaven could not convulse, 44 A mighty lesson we inherit: 45 Thou art a symbol and a sign 46 To Mortals of their fate and force; 47 Like thee, Man is in part divine, 48 A troubled stream from a pure source; 49 And Man in portions can foresee 50 His own funereal destiny; 51 His wretchedness, and his resistance, 52 And his sad unallied existence: 53 To which his Spirit may oppose 54 Itself--and equal to all woes, 55 And a firm will, and a deep sense, 56 Which even in torture can descry 57 Its own concenter'd recompense, 58 Triumphant where it dares defy, 59 And making Death a Victory.

三 你神圣的罪恶是怀有仁心，你要以你的教训减轻人间的不幸，并且振奋起人自立的精神；尽管上天和你蓄意为敌，但你那抗拒强暴的毅力，你那百折不挠的灵魂——天上和人间的暴风雨怎能摧毁你的果敢和坚忍！你给了我们有力的教训：你是一个标记，一个征象，标志着人的命运和力量；和你相同，人也有神的一半，是浊流来自圣洁的源泉；人也能够一半儿预见他自己的阴惨的归宿；他那不幸，他的不肯屈服，和他那生存的孤立无援：但这一切反而使他振奋，逆境会唤起顽抗的精神使他与灾难力敌相持，坚定的意志，深刻的认识；即使在痛苦中，他能看到其中也有它凝聚的酬报；他骄傲他敢于反抗到底，呵，他会把死亡变为胜利。

In order to authentically present the force of spirit and to voice the psychological complexity that has never been experienced before, He Jian believes that Chinese painting ought to be freed from its obsession with the spiritual and the metaphysical. Its gaze should be re-focused on the contemporary life and state of existence. The qualities of contemporiety and conceptuality embodied in his works qualify them as contemporary art.

对于自己十分熟悉的传统中国艺术，何剑认为，中国画首先应一扫它过于追求形而上的一面，应放眼观注当代人的生存空间与生命状态，应表现当代人从未有过的精神力度和种种复杂心态。

Along with before the systems absence of the resident of all kinds safeguard town, thereupon, be to take up employment the market upper exsit rivalry, village margin remaining the work force can rely on to borrow the rival superiority of cheap work force rate, delentio of contra , and the town resident obviously be placed in a kind and respect-work spirit, occupation the skill is uncorrelated, very embarrassed compete earth, inflict its village margin remaining work force the quantity very bulkiness large, flow to as well very and easily, quare town the resident is very easy to is crush intoed the jobless.

随着以往种种保护城镇居民的制度的消失，于是，当就业市场上存在着竞争时，农村富余劳动力可以凭借相对便宜的劳动力价格，握有竞争的优势，而城镇居民明显处于一种与敬业精神、职业技能不相关的、十分尴尬的境地，加之农村富余劳动力数量十分庞大，流动也很容易，所以城镇居民很容易被挤入失业。

At the same time, with the wine of god spirit to overcome life tragic aesthetic life or a drunk, emphasize the life in the art of wine drunk, god through life force and the life directly facing transmigrating pain, achieve beautification and joy of life itself.

同时，以酒神精神克服人生悲剧性的审美人生还是一种醉的人生，强调在酒神艺术的醉中，通过生命力量的提高而直接面对永恒轮回之人生痛苦，从而达到生命自身的美化和欢悦。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

At that time, he met people who said "he is the embodiment of force", of course, this is flesh and spirit with a double meaning.

当时见过他的人说&他是力量的化身&，当然这是含有肉体与精神双重的意义的。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。