查询词典 with deep feeling

The author presents for ours this oil painting, color of take the sea - black , deep black, dark blue as the bottom color, has the depth feeling of shadow, by the prominent condensation function, causes the main image bright eye-catching, has one kind of stereoscopic effect; Simultaneously chose the contrast intense white clouds, the snowy peak has come with the sea to face each other across a great distance, the color was bright, has had the striking feeling; Chose the rich vitality green seacoast, the nattierblue hill has made the sea the sideline, has had the gently beautiful feeling; Chose the color variegated light beam to make the sea the central color, the reflection function is intense, the entire picture was bright immediately, the deep color transferred the half tint, has had the lively sprightly feeling; Adds on moon's inverted image, bird's soaring, eagle's convolution, constituted one refinedly to catch fish the chart, also the difficult style which caught fish with the old person has formed the harmonious unification, played the exaggeration role, had achieved the perfect unification, demonstrated the old person just had the suppleness, supple had the just disposition characteristic.

作者呈现给我们的这幅油画，以大海之色――黑魆魆、深黑、深蓝为底色，有深度的阴影之感，以突出聚光作用，使主要形象鲜明夺目，产生一种立体感；同时选择了对比强烈的白云、雪峰来与大海遥遥相对，色彩明亮，产生了醒目感；选择了富有生气的绿色海岸，淡青色的小山做大海的边线，产生了柔美之感；选择了色彩斑斓的光柱做大海的中心色彩，反光作用强烈，整个画面顿时明亮起来，深色转为中间色，产生了活泼明快之感；加上月亮的倒影、鸟儿的飞翔、老鹰的盘旋，构成了一幅脱俗的捕鱼图，也与老人捕鱼的艰难格调形成了和谐的统一，起到了渲染的作用，达到了完美的统一，显示出老人刚中有柔，柔中有刚的性格特征。

Therefore, the Chinese Defense Association disaster relief Medical Association president Li Zonghao do with the deep feeling that, in addition to the necessary material conditions for survival, the spirit of super will let them go beyond the limit is an important reason.

对此，中国灾害防御协会救援医学会会长李宗浩不无感慨地说，除必要的物质生存条件之外，超强的精神意志是让他们超越极限的重要理由。

Her works are full of literature feeling, like the feeling of melancholy and hurt in modern poems, with virtual image, depressed and full emotion, apparently with hidden confrontation and conflict: between reality and virtual world, buckish appearance and deep inner world, severe feeling of morality and anti-morality…Her works try to imply an attitude: to probe into herself and human being in her eyes veritably and persistently.

她的作品透着强烈的文学气息，仿佛有现代诗歌般的忧郁和伤痛感，虚拟的情境、压抑而饱满的情绪，似乎又暗藏着一些对抗与冲突：现实与虚拟的、浮华的外像与深沉的内在、强烈的道德感与反道德……她的作品试图传递一种态度：不懈怠的真实的审视自己，当然也包括她眼中的人类。

The case study found: the boy's play therapy went through 3 phrases, including "knowing the therapeutic conditions well","establishing of therapeutic relationship","developing play therapy evolutionally"; the clues from which to judge relationship included "verbal and nonverbal interaction between therapist and the boy","the boy's dealing with his parents ","his 'first' behavior", the aim of establishing was to form "mother-child unity"; the relationship between therapist and the boy's parents passed through "admitting the facts","opening their feelings" and "detailed guidance"; the development of the boy's play consisted in the larger degree of digging and moving sand(showing that the therapy went deep into the boy's mind and his sense of strength was improving), the increasing of imaginative plays(showing that the boy began to pay attention to others and knew how to play), from playing by himself to cooperating with therapist(showing that he felt the happiness in cooperating and interacting with others and was gaining self-confidence which was favorable to be transferred to his lives and be used to communicating with others), sand and water were very important therapeutic factors for the boy(sand could mobilize his sense of feeling and touching , awakening his energy and regulating it. water could provide relaxed feeling, sense of being contained and satisfied and enlighten his imagination).

研究发现，个案的游戏治疗经历了三个阶段，即&熟悉治疗环境阶段&、&治疗关系建立阶段&和&游戏治疗深入发展阶段&；考察治疗关系建立的指标包括&个案与治疗者之间的言语和非言语互动&、&个案与父母的关系处理&和&个案的'第一次'行为&，建立的目标是&母子一体性&的形成；治疗者与个案父母关系的建立经过了&接纳事实&、&开放情感&和&具体指导&三个阶段；个案在治疗中游戏的发展表现为：动沙的力度增大，说明治疗深入了个案内心，其自我能量感在增强，游戏中的想象性成分不断增多，说明其对周围事物和他人关注了，开始&会&游戏，从单独游戏逐渐向简单合作游戏发展，说明其体验到了合作和互动的快乐，并从中渐渐获得自信，有助于个案将这种体验和自信迁移到日常生活中，尝试与他人互动；沙和水是个案游戏治疗中的重要治疗因素，沙可以调动自闭症幼儿的感触觉，唤醒其潜在能量，调整能量分配，水给自闭症儿童一种轻松感、包容感和满足感，并引发其想象。

The case study found: the boy"s play therapy went through 3 phrases, including "knowing the therapeutic conditions well","establishing of therapeutic relationship","developing play therapy evolutionally"; the clues from which to judge relationship included "verbal and nonverbal interaction between therapist and the boy","the boy"s dealing with his parents ","his "first" behavior", the aim of establishing was to form "mother-child unity"; the relationship between therapist and the boy"s parents passed through "admitting the facts","opening their feelings" and "detailed guidance"; the development of the boy"s play consisted in the larger degree of digging and moving sand(showing that the therapy went deep into the boys mind and his sense of strength was improving), the increasing of imaginative plays(showing that the boy began to pay attention to others and knew how to play), from playing by himself to cooperating with therapist(showing that he felt the happiness in cooperating and interacting with others and was gaining self-confidence which was favorable to be transferred to his lives and be used to communicating with others), sand and water were very important therapeutic factors for the boy(sand could mobilize his sense of feeling and touching , awakening his energy and regulating it. water could provide relaxed feeling, sense of being contained and satisfied andenlighten his imagination).

研究发现，个案的游戏治疗经历了三个阶段，即&熟悉治疗环境阶段&、&治疗关系建立阶段&和&游戏治疗深入发展阶段&；考察治疗关系建立的指标包括&个案与治疗者之间的言语和非言语互动&、&个案与父母的关系处理&和&个案的'第一次'行为&，建立的目标是&母子一体性&的形成；治疗者与个案父母关系的建立经过了&接纳事实&、&开放情感&和&具体指导&三个阶段；个案在治疗中游戏的发展表现为：动沙的力度增大，说明治疗深入了个案内心，其自我能量感在增强，游戏中的想象性成分不断增多，说明其对周围事物和他人关注了，开始&会&游戏，从单独游戏逐渐向简单合作游戏发展，说明其体验到了合作和互动的快乐，并从中渐渐获得自信，有助于个案将这种体验和自信迁移到日常生活中，尝试与他人互动；沙和水是个案游戏治疗中的重要治疗因素，沙可以调动自闭症幼儿的感触觉，唤醒其潜在能量，调整能量分配，水给自闭症儿童一种轻松感、包容感和满足感，并引发其想象。

"Go, then, and monsieur and I will strive our best to forget your absence," replied the countess, with the same tone of deep feeling.

&去吧，那么，我一定尽力使我们的贵客忘记你已出门！&伯爵夫人仍然用多情的口吻回答说。

"Go, then, and monsieur and I will strive our best to forget your absence," replied the countess, with the same tone of deep feeling.

去吧，那么，我一定尽力使我们的贵客忘记你已出门

They thought symbolism is a deep existence, art is a methode. The human being can get rid of the vulgar in common life and access the other world in religion with symbolistic feeling way and symbolistic living way, in this way Russian symbolism reflects that human being conquers the objectivity as the subjectivity and he exceeds his spirit.As a symbolistic poet representing the characteristic greatness of his own nationality, the biggest difference between Blok"s works and other symbolists" consists in that he always and totally realized the tendency of sublimity in his symbolistic system, and developed the symbolistic degree in the fields of subjectivity and objectivity and the relationship between them.

认为象征是一种更深层的存在状态，艺术是手段，人只有以象征主义的感知方式和生活方式才能摆脱日常生活的庸俗而走向宗教化的彼岸世界，因此俄国象征主义反映了人作为主体对客体世界的征服和自我精神的超拔和更新勃洛克作为一位体现着本民族特色的伟大的象征派诗人，其创作与其他象征主义诗人最大的差别就在于在他的象征主义体系中始终而完满地实现了崇高的美学倾向，并且在主客体及二者的关系三个方面发展了崇高的象征主义维度。

After that man has answered a god to come, pat marital shoulder with the hand, of deep feeling say: Good person, you are a good person really!!!!!

那男人回过神来后，用手拍了拍丈夫的肩，感慨的说：&好人啊，你真是一个好人啊！！！&

In summary, the dissertation makes a profound study of traditional festivals with a new angle, visual field of philosophy and aesthetics, and mainly completes some work as follows: have a deep study of traditional festivals'phenomenon, discover the connotation of traditional festivals; explain the philosophical naissance of traditional festivals, analyze the dual-movement of time and its essential function to the logic process of traditional festivals'naissance; unfold the ontological foundation of traditional festivals, search out headstream of festival feeling which is rhythmized existence and experience of actual life, discuss the mode, character and significance of festival feeling; narrate the changes of traditional festivals in the process of modernization, explore the possible way of traditional festivals'transformation in modern society.

总之，本文从哲学美学这一崭新的视角对中国传统节日进行了深入的理论研究，主要完成了以下几个方面的工作：对传统节日进行了深入的现象描述，挖掘出了传统节日的文化内涵；阐释了传统节日的哲学发生，分析了时间的双重运动对于节日的逻辑生成的本质作用；发掘出了传统节日的存在论根基，寻找到了节日感的源头——节律化存在和实际生活经验，论述了节日感的表现形式、特质及其对于人生的重要意义；阐析了传统节日在现代化进程中发生的变化，探讨了传统节日在现代转型的过程中可能有的出路。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。