查询词典 wherein

The invention provides an insulation pad which is provided with high strength and high friction between a rail cap and a clamp, wherein the pad uses stainless steel as base, two faces of the pad are baked with enamel which is sanded and roughens the surface to brush a layer of silicon rubber, the outline is the same as the inside surface of the rail joint, the aperture on the pad and aperture distance are the same as the aperture and aperture distance of the clamp.

本发明就是制造一个钢轨端头与夹板间的高强度、高摩擦力的绝缘垫板，该垫板的由不锈钢板为基底，双面烤上搪瓷，搪瓷面先经喷砂处理，使其表面粗糙后，刷上一层的硅橡胶，轮廓与钢轨接头内侧表面相同，该垫板上的孔径与孔距与钢轨与夹板的孔径与孔距相同。

He counted the creases of rucked leather wherein another's foot had nested warm.

他数着皮面上的皱纹，这曾经是另一个人暖脚的窝。

His gaze brooded on his broadtoed boots, a buck's castoffs nebeneinander: He counted the creases of rucked leather wherein another's foot had nested warm.

他的视线落在宽头长统靴上，一个花花公子[183]丢弃的旧物，并列着[184]。他数着皮面上的皱纹，这曾经是另一个人暖脚的窝。

The invention discloses a multiple address method for communication technology, wherein the overall system bandwidth is sectionalized based on the users' service requirement, and the system sub-segment module allocates the user with corresponding transmitting sub-segments to transmit the user information.

本发明公开了一种新的用于通信技术的多址方法，它是根据用户的业务需求，将系统总的带宽进行分段，由系统子段分配模块为该用户分配相应的传输子段来传递用户的信息。当用户的数据率较低的时候，分配一个传输子段；当用户的数据率较高的时候，分配多个传输子段。

And Jacob dwelt in the land of Chanaan wherein his father sojourned.

雅各伯定居在他父亲作客的客纳罕地方。

If you will try to form a notion of yourself, of the sort of a something that you suspect to inhabit and partially to control your flesh and blood body, you will encounter a walking bundle of superfluities: and when you mentally have put aside the extraneous things—your garments and your members and your body, and your acquired habits and your appetites and your inherited traits and your prejudices, and all other appurtenances which considered separately you recognize to be no integral part of you,—there seems to remain in those pearl-colored brain-cells, wherein is your ultimate lair, very little save a faculty for receiving sensations, of which you know the larger portion to be illusory.

如果你尝试给你自己下个概念（这里的&你自己&指的是附着在你的血肉之躯上并部分操纵着它的那个东西），你所得出的结论不过就是一具行尸走肉，一个酒囊饭袋。这里首先明确一下什么是你的外在因素，它们包括你的衣装、肢体、躯干，你后天形成的习惯与爱好，你与生俱来的特征与成见，以及你身上附带的其他东西——如果分开来考虑的话，你不会认为它们是你不可或缺的一部分。假设你在脑海中撇开这一切外在因素，剩下的那些泛着珍珠色泽的大脑细胞，就是你灵魂深处的栖息地。在那儿，只有一小部分细胞维持着感官功能，从中你能知道，剩下的大部分脑细胞产生的信息都是虚幻的。

If you will try to form a notion of yourself, of the sort of a something that you suspect to inhabit and partially to control your flesh and blood body, you will encounter a walking bundle of superfluities: and when you mentally have put aside the extraneous things—your garments and your members and your body, and your acquired habits and your appetites and your inherited traits and your prejudices, and all other appurtenances which considered separately you recognize to be no integral part of you,—there seems to remain in those pearl-colored brain-cells, wherein is your ultimate lair, very little save a faculty for receiving sensations, of which you know the larger portion to be illusory.

如果你试着构想你自己的世界，抛开你对栖居之境的种种疑惑，试着控制你肉血之身的熊熊欲望，你会发现很多东西全为附属之物。如果你有意识的将这些身外之物置之一边——你的衣物，你的四肢，你的躯体，你的习惯，你的嗜好，你的特质和你的偏爱以及可以分别代表你全部的其他附属——那么，就只剩下一些是珍珠色的脑细胞了，这就是你最后的归宿。这些银质的细胞，大部分是让你浮想联翩，小部分才让你去感觉真实。

If you will try to form a notion of yourself, of the sort of a something that you suspect to inhabit and partially to control your flesh and blood body, you will encounter a walking bundle of superfluities: and when you mentally have put aside the extraneous things—your garments and your members and your body, and your acquired habits and your appetites and your inherited traits and your prejudices, and all other appurtenances which considered separately you recognize to be no integral part of you,—there seems to remain in those pearl-colored brain-cells, wherein is your ultimate lair, very little save a faculty for receiving sensations, of which you know the larger portion to be illusory.

如果你要试图形成一个关于&你自己&的概念，关于你以为它寄居在、并部分地控制着你的血肉之躯的那么个东西的概念，你会遇到一团行走的赘物：一旦你从脑子里撇开了这些外在的东西——你的衣装、你的肢体、你的躯干、你学来的习惯、你的欲望，以及你那些先天的特性和你的偏见，还有所有其他附属物，这些东西如果单独考虑起来，你就会意识到它们本不是你自己的一部分，那么，在你最终的居留处——珍珠色的脑细胞中，除了一种接收各种感官刺激（而且你知道其中大部分的感官刺激都是虚幻的）的功能之外，似乎已所剩很少。

If you will try to form a notion of yourself, of the sort of a something that you suspect to inhabit and partially to control your flesh and blood body, you will encounter a walking bundle of superfluities: and when you mentally have put aside the extraneous things — your garments and your members and your body, and your acquired habits and your appetites and your inherited traits and your prejudices, and all other appurtenances which considered separately you recognize to be no integral part of you,— there seems to remain in those pearl-colored brain-cells, wherein is your ultimate lair, very little save a faculty for receiving sensations, of which you know the larger portion to be illusory.

如若你努力形成自己的意识，形成某种你认为占据并部分控制着你血肉之躯的东西，你就会碰上一连串的累赘；而当你心里把这些身外之物——你的衣物，你的器官，甚至于你的肉身和你业已养成的习惯，你的欲望，你与生俱来的品质，种种成见以及其他所属——弃之不顾，并区别对待时，你会发觉自己不再是个整体。似乎在你最终的栖身之地——那些珍珠色的脑细胞里，只有极少数具有接收感觉的能力，而其他的大部分，要知道，是虚幻的。

A notion of yourself, of the sort of a something that you suspect to inhabit and partially to control your flesh and blood body, you will encounter a walking bundle of superfluities: and when you mentally have put aside the extraneous things—your garments and your members and your body, and your acquired habits and your appetites and your inherited traits and your prejudices, and all other appurtenances which considered separately you recognize to be no integral part of you,—there seems to remain in those pearl-colored brain-cells, wherein is your ultimate lair, very little save a faculty for receiving sensations, of which you know the larger portion to be illusory.

当你从精神上搁置那些无关紧要的东西，包括服装、朋友、身体、已经养成了的习惯、饮食口味、与生俱来的性格、对事物的偏见以及所有你认为并不是自己不可或缺的身外之物，那些珍珠色的脑细胞仍然会存留下来，那里便是你最终的栖身之所。微不足道的脑细胞令你拥有接受、感知的能力，而其中大部分的感觉你都清楚是虚幻的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。