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Quattrocento put in paint On backgrounds for a God or Saint Gardens where a soul\'s at ease; Where everything that meets the eye, Flowers and grass and cloudless sky, Resemble forms that are or seem When sleepers wake and yet still dream.

十五世纪的意大利的大师，设计上帝和圣人的背景时，总画着花园，那里灵魂安宁，人们看到的一切东西，花朵、芳草。

Once the draft concludes, it's time to head out to the Summer Circuit…every rookie's first stop on their journey towards becoming an NBA player. If you didn't purchase NBA 2K10: Draft Combine, t你好s is where your experience begins. As you didn't participate in the NBA Draft Combine, you aren't even on the radar of the NBA teams. Fortunately for you, the NBA 2K Insider has connections, and he's gotten you an invite to play on an NBA team's Summer Circuit squad as an undrafted free agent. Your road is going to be much tougher, and will almost certainly result in a stint in the NBA D-League yes, of course we have it!

一朝选秀竣事，接著就是参加夏季联赛…夏季联赛是每一位新秀在他们成为NBA球员之前的一个必经楷段如果您没有购买NBA 2K10：Draft Combine，这是您开始累积经验之处因为您没有参加NBA draft combine，以是您并未筹办好接下来的漫长的挑战您的路程是布满困难的以及几乎有可能一背子待在NBA D-league，当然我们有它！

A room in or attached to a church where the clergy put on their vestment s and where these robes and other sacred objects are stored;a sacristy.

圣衣室，圣具室在教堂里的或者与它相连的屋子，神父在这里穿戴他们的圣装并且这些圣衣和其它神圣的物件都保存在里面；圣器室

He held the register open while he counted her change I was next in line which meant I was invisible From where I stood I could see that the till was full He didn't look the type to play superhero So I stepped forth and paid for my cigarettes Crept out the stores front door to chase a little breath Fangles in my head, shake the song off Another manic Monday night, its gonna be a long walk A car pulled up, a fixed up cutlass A woman and a child climbed out and left it running They went inside of the deli, placed an order With the extra dollar fifty bottled water cuz the daughters picky When they came out mommy gave me a glance That said man can love an angel but he's got to take the chance Already knew the deal, I lit one up and walk So they got back in the oldsmobile, belted up, and took off Thug love on the corner by the walgreens Lookin at me like I'm just another square saltine As I get closer I notice that they showin each other sketches Out of their notebooks, reminded me of my old roots I walk pass with a nod and a reminisce Swear to god hip hop and comic books was my genesis Respect the life and the fashions of the children It's the only culture I've got, exactly what we've been buildin All of a sudden I'm in front of some man No he's a youngin but he's got a gun in his hand He looks fifteen, he looks frantic, no he looks afraid Immediately apprehensive til I heard him say "Do you want this It's not mine I promise I found it on my block in between a couple garages Didn't wanna leave it for a child to stumble over I don't even know how to hold it."

当他计数了她的变动时，他拿着记数器开放 I是意味的下一个我是无形的我站立我的From可能看直到是充分的 He没有看类型演奏超级英雄 So我跨步并且支付了我的香烟 Crept追逐一点呼吸的商店前门在我的头的Fangles，摆脱歌曲 Another狂躁星期一晚上，它去是长的步行 A汽车开了过来，被固定短箭 A妇女和孩子爬和留下它跑 They去在熟食店里面，安置命令 With额外美元五十装瓶了水cuz女儿好挑剔的他们来妈妈的When给了我扫视 That说人能爱天使，但是他一定采取机会 Already知道成交，我打开了一和步行他们在oldsmobile拿回，围绕的So，和离开了在角落的Thug爱由walgreens 在我的Lookin，如我是另一块方形的撒盐饼干 As我得到更加紧密I通知那他们showin剪影在他们的笔记本外面的，被提醒我我的老根 I与点头和追忆的步行通行证对神Hip Hop和漫画书的Swear是我的创世纪 Respect生活和孩子的时尚 It是我有的唯一的文化，正确地什么我们是buildin 突然我是在某些人前面 No他是youngin，但是他有在他的手的一杆枪 He看十五，他看起来狂热，没有他看起来害怕惶惑的Immediately，我听见他说"您想要它不是我的我许诺的此 I发现了它在我的在夫妇车库之间的块 Did不想要留下它孩子的能绊倒 I甚而不会举行它。"

And to let us see, that even absolute power, where it is necessary, is not arbitrary by being absolute, but is still limited by that reason, and confined to those ends, which required it in some cases to be absolute, we need look no farther than the common practice of martial discipline: for the preservation of the army, and in it of the whole common-wealth, requires an absolute obedience to the command of every superior officer, and it is justly death to disobey or dispute the most dangerous or unreasonable of them; but yet we see, that neither the serjeant, that could command a soldier to march up to the mouth of a cannon, or stand in a breach, where he is almost sure to perish, can command that soldier to give him one penny of his money; nor the general, that can condemn him to death for deserting his post, or for not obeying the most desperate orders, can yet, with all his absolute power of life and death, dispose of one farthing of that soldier's estate, or seize one jot of his goods; whom yet he can command any thing, and hang for the least disobedience; because such a blind obedience is necessary to that end, for which the commander has his power, viz.

让我们看看，即使在绝对权力有必要的地方，也不会因为权力的绝对而变得肆意，而仍然受那个原因和目的的限制，在某些情况下要求权力是绝对的，我们只要看看军事纪律的普遍应用：为保护军队——这是与整个共同体一致的——要求对上级军官绝对的服从，这些命令即使非常危险或没有理由，不服从或表示异议也可以处死；然而我们知道，一个士官，他可以命令一个士兵冲向炮口，或坚守阵地，在这种情况下几乎必死，但是他也不能命令士兵交给他一个便士；一个将军，可以因士兵擅离岗位或没有遵守不顾一切的命令而处死，然而他也不能用他对生死的绝对权力而处置或夺走那个士兵一丁点儿的财产；虽然他能够对士兵下任何命令，稍不服从即可处死；因为对那个目的而言，这样的盲目服从是必要的，为着那个目的，即保护其余的人，指挥者拥有这种权力；但是处置士兵的财产与此无关。良好的人性，恰当的理性，和对上帝的信仰。

In The Big Typescript, this dichotomy is detailed in his analysis of the temporal, spatial and genitive expressions, resulting in the distinction between the unspeakable"memory-time"(Ged〓chtniszeit) and the speakable"physical time", and that between the unspeakable"visual space" and the speakable"Euclidean space", etc;(4) From another perspective, the destruction of the conception of the "phenomenological language"could also be seen as the logical consequence of the radicalization of the one and the same conception, since this destruction does reinforce rather than weaken RLF's original intention of distinguishing the physical system from what are given in phenomena by demonstrating the incompatibility between this intention itself and the insistence on the speakability of the phenomena, which gives birth to the illusion of the"phenomenological language";(5) Nevertheless, what the radical distinction between the sense-data and the physical language (as the unique possible language) implies, according to Wittgenstein, is not that the latter has nothing to do with the former, but that the association between the two does not follow the"original sample-copy"pattern but the"screen-presenting-filmoperation"pattern, which indicates that phenomenon itself can be aroused by or included in-rather than to be described by-the physical language/system;(6) Thus Wittgenstein leads us to depart from the obsolete ambition of representing the immediately given data perfectly for a new destination where a comprehensive "perspicuity" of the"grammar"should be required and where his later philosophy is coming into being.

在《大打字稿》中，这一二分法在他对于时间表达式、空间表达式与人称表达式的分析中得到了细化，并导致了他对于"记忆时间"与"物理时间"的区分，以及对于"视觉空间"与"欧几里得空间"的区分，等等；(4)从另一个视角来看，维氏对于"现象学语言"观念的拆解也可以被视为同一观念在被加以彻底化后所导出的必然后果，因为这一拆解工作实际上乃是加强了，而不是削弱了他在写作《略论逻辑形式》时就已怀有的信念，即：必须将物理系统严格地区分于在现象中被直接给予的东西。换言之，维氏在这一拆解工作中所做的，只不过就是暴露了这一信念本身与对于现象之"可说性"的坚执之间的固有矛盾罢了——而所谓"现象学语言"的幻相，亦正是导源于上述坚执；(5)然而，根据维氏的本意，感觉予料与物理语言之间巨大的逻辑差异却并不意味着后者与前者毫无关联，而只是意味着两者之间的关系并不遵循着所谓的"原本—摹本"模式，而遵循的乃是"屏幕呈现—胶片运作"模式。

The Captain's call to the steersman to turn the ship to an unnamed shore, For that time is over—the stagnant time in the port—Where the same old merchandise is bought and sold in an endless round, Where dead things drift in the exhaustion and emptiness of truth.

那是船长呼唤舵手把船转向一个未知的海岸，因为时间——在港口停止的时间——已经过去了——在这儿，同样陈旧的货物无休止地买进卖出，在这儿，死去了的东西漂浮在真实的疲惫与空虚之中。

As part of the military government's current programme to reorganise the rural areas where 90 per cent of the population live,thousands of families have been relocated from the hills where they have lived for generations and practised subsistence farming in terraced fields.

对90%人口居住的农村进行重整是军政府当前规划的一部分，数以千计的家庭已经从他们祖祖辈辈生活并在那里的梯田上从事农耕为生的山区迁出。

An empty street, an enpty house, a hole in side my heart, i'm all alome, the rooms are getting smaller, i wonder how, i wonden why, i wonden where they are ,the days we hed, the songs we sang tog ether, oh yeah, and oh my love, im,holding on forever, reaching for a love that seems sofar, so i say a little prayer, and hope my dream s will take me there, where the skise are blue to see you once again my love,over seas and coast to coast, to find a placei

空荡的街景，空荡的房子，我的心破了一个洞。我不知道，我不知道原因何在？不知道他们在世界的哪个角落？那些共同度过的日子，一起唱的歌。我的爱。我永远在等待。得到一份爱看起来是如此的困难。所以我祷告。希望我的愿望将我带到一个有蓝天的地方。在那里我可以再次与你相遇。穿越海洋去找那样的地方。

As far as He Libin is concerned, he thought painting was to solve the ultimate problem of human beings: 'where to come and where to go'. Going back to the spiritual original weald was exactly the factors beyond civilization, which were more natural, distant and clearer solutions to many problems in today's city life.

和丽斌认为绘画是为了解决人自身"从哪里来，到哪里去"的终极问题，回到精神的原点荒原恰恰是为了去除现代文明的因素，更本质、更清醒和有距离地面对和解决今天都市生活中的诸多问题。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！